Jeffrey Schnapp

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Jeffrey T. Schnapp
Against glarss tile wall sm.jpg
Born New York, USA
Residence Cambridge, MA, USA
Citizenship American
Nationality American

Until joining the Harvard University faculty in 2011, Jeffrey Schnapp was the director of the Stanford Humanities Lab from its foundation in 2000 through 2010. At Stanford University [1] he occupied the Pierotti Chair in Italian Literature and was professor of French & Italian, Comparative Literature, and German Studies. Though primarily anchored in the field of Italian studies, he has played a pioneering role in several areas of transdisciplinary research and led the development of a new wave of digital humanities work. His research interests extend from antiquity to the present, encompassing the material history of literature, the history of 20th-century architecture and design, and the cultural history of science and engineering. Trained as a Romance linguist, Schnapp is the author or editor of twenty five books and a large corpus of essays on authors such as Virgil, Dante, Hildegard of Bingen, Petrarch, Machiavelli, and Filippo Tommaso Marinetti, and on topics such as late antique patchwork poetry, futurist and dadaist visual poetics, the cultural history of coffee consumption, glass architecture, and the iconography of the pipe in modern art. His book Crowds was the recipient of the Modernist Studies Association prize for best book of 2006.

At Harvard, he is Professor of Romance Languages & Literatures, teaches on the faculty of the Department of Architecture at the Graduate School of Design, and serves as faculty co-director of the Berkman Center for Internet and Society. In February 2011, he founded a new laboratory under the aegis of the Berkman Center for Internet and Society: metaLAB (at) Harvard with his collaborators James Burns, Daniele Ledda, Kara Oehler, Gerard R. Pietrushko, and Jesse Shapins.

Schnapp is the co-editor of the Johns Hopkins University Press quarterly Modernism/modernity, the official journal of the Modernist Studies Association, and is also a guest curator who has collaborated with several leading museums: among them, the Canadian Centre for Architecture, the Cantor Arts Center, the Wolfsonian-FIU, the Triennale di Milano, and the Centro Internazionale di Studi di Architettura Andrea Palladio. His Trento Tunnels project — a 6000 sq. meter pair of superhighway tunnels at the entrance to the Northern Italian city of Trent, repurposed as an experimental history museum, has undergone two editions since 2008: "I Trentini e la Grande Guerra (Il popolo scomparso/la sua storia ritrovata)" (2008-2009) and "Storicamente ABC" (2010-). The project was included in the Italian pavilion of the 2010 Venice Biennale of Architecture and has also been exhibited at the MAXXI in Rome.

A lengthy 2009 interview with Pierpaolo Antonello from the University of Cambridge, England, regarding his work was published in "Italian Studies" 64.1 (spring 2009), pp. 144–162.

An open edition of the co-authored "Digital_Humanities" is available here. A copy of the related "Short Guide to the Digital_Humanities" may be found at http://jeffreyschnapp.com/short-guide-to-the-digital_humanities/.

Principal books[edit]

The Transfiguration of History at the Center of Dante's Paradise. Princeton & Guildford: Princeton U P, 1986.

L'Espositione di Bernardino Daniello da Lucca sopra la Commedia di Dante. Ed. with Robert Hollander; in collaboration with Kevin Brownlee and Nancy J. Vickers. Hanover & London: U P of New England, 1989.

The Poetry of Allusion: Virgil and Ovid in Dante's Commedia. Ed. with Rachel Jacoff. Stanford: Stanford U P, 1991.

Staging Fascism: 18 BL and The Theater of Masses for Masses. Stanford: Stanford U P, 1996. Expanded edition (in Italian translation), 18 BL. Mussolini e l'opera d'arte di massa. Milan: Garzanti Editore, 1996.

A Primer of Italian Fascism. Edition with commentary and introduction. Trans. by Jeffrey T. Schnapp, Olivia E. Sears, and Maria Stampino. European Horizons series. Lincoln: University of Nebraska Press, 2000.

Gaetano Ciocca. Costruttore, inventore, scrittore. Introduction by Giorgio Ciucci. With brief contributions by Massimo Martignoni and Paola Pettenella. Quaderni di Architettura 3. Museo di Arte Moderna, Trento-Rovereto. Milan: Skira, 2000.

Vedette fiumane. L'occupazione vista e vissuta da Madeleine Witherspoon Dent Gori-Montanelli, crocerossina americana, e da Francesco Gori-Montanelli, Capo del Genio e del reparto fotografico. Ed. with introduction, notes, and iconographic apparatus. Trans. Valentina Ricci. Venice: Marsilio Editore, 2000.

Hugo Ball/Jonathan Hammer, Ball and Hammer (Tenderenda the Fantast). Edited and introduced by Jeffrey T. Schnapp. New Haven: Yale U P, 2002.

Anno X. La Mostra della Rivoluzione fascista del 1932: genesi - sviluppo - contesto culturale-storico - ricezione. With an afterword by Claudio Fogu. Piste - Piccola biblioteca di storia 4. Rome-Pisa: Istituti Editoriali e Poligrafici Internazionali, 2003.

Building Fascism, Communism, Democracy: Gaetano Ciocca—Builder, Inventor, Farmer, Writer, Engineer. Stanford: Stanford U P, 2003.

In cima—Giuseppe Terragni per Margherita Sarfatti (Nuove architetture della memoria), catalogue for exhibition of same name, curated and edited by Jeffrey T. Schnapp, Centro Internazionale Andrea Palladio, Vicenza, June 26, 2004-January 1, 2005. Venice: Marsilio Editore, June 2004.

Filippo Tommaso Marinetti, Teatro, edited by Jeffrey T. Schnapp, 2 vols., Oscar Mondadori, (Milan: Mondadori 2004).

Revolutionary Tides, catalogue for exhibition of same name, curated and edited by Jeffrey T. Schnapp, Cantor Arts Center / The Wolfsonian-FIU, Hoover Institution, (Milan: Skira and Cantor Arts Center, 2005). Italian, French, and English editions. http://revolutionarytides.stanford.edu

Crowds, ed. by Jeffrey T. Schnapp and Matthew Tiews, (Stanford: Stanford University Press, 2006). http://crowds.stanford.edu

Neoantiqua - Nove ensaios sobre literatura, linguagem e pensamento na Idade Média e no Renascimiento. Introduction by Luiz Costa-Lima. Trans. Erick Felinto de Oliveira, Alessandra Vannucci, and Maria Lucia Daflon. (Collection of essays, some previously published, translated into Portuguese). Rio de Janeiro: Eduerj (Editora da Universidade do Estado de Rio de Janeiro), 2008.

Italiamerica I, ed. and introduced by Emanuela Scarpellini and Jeffrey T. Schnapp, vol. 1, Fondazione Mondadori, Milan: Il Saggiatore, 2008.

SPEED limits, ed. by Jeffrey T. Schnapp, Wolfsonian-FIU and the Canadian Center for Architecture, Milan: Skira, 2009.

The Electric Information Age Book: McLuhan / Agel / Fiore and the Experimental Paperback, with Adam Michaels, introduction by Steven Heller, afterword by Andrew Blauvelt, New York: Princeton Architectural Press, 2012.

Italiamerica II, ed. and introduced by Emanuela Scarpellini and Jeffrey T. Schnapp, vol. 2, Fondazione Mondadori, Milan: Il Saggiatore, 2012.

Modernitalia, ed. by Francesca Santovetti, Italian Modernities 13, New York: Peter Lang, 2012.

Digital_Humanities, with Anne Burdick, Johanna Drucker, Peter Lunenfeld, and Todd Presner, Cambridge: MIT Press, 2012. Open edition available at http://mitpress.mit.edu/sites/default/files/titles/content/9780262018470_Open_Access_Edition.pdf.

The Library Beyond the Book, with Matthew Battles, metaLABprojects, (Cambridge: Harvard University Press, forthcoming 2014).

References[edit]

Alison J. Head, interview with Jeffrey Schnapp, “Envisioning Bibliotheca 2.0 –One of the most exciting design tasks of our era,” Project Information Literacy “Smart Talks” no, 10, Jan. 18, 2012, http://projectinfolit.org/st/schnapp.asp.

"Serious Play: Intervista a Jeffrey Schnapp di Andrea Genovese," Salone del Mobile special issue "Il Design ci salverà! Ma come?," Seventh Floor 11.2 (April 2008): 18-19.

"La parola ai professori: Il futuro del web sarà a 3d," interviewed by Mauro Garofalo, "Nòva --ricerca innovazione creatività" supplement, Il Sole 24 Ore, Feb. 28, 2008.

"Scienze umane da laboratorio. Parla Jeffrey Schnapp," interviewed by Stefano Gulmanelli, "Nòva --ricerca innovazione creatività" supplement, Il Sole 24 Ore, Aug. 2, 2007.

"La forza Usa?," interviewed by Cristina Casadei, Il Sole 24 Ore, May 18, 2007.

Owen Edwards, "Flower Power," Smithsonian Magazine, April 2007, http://www.smithsonianmagazine.com/issues/2007/april/object-futurist.php

"Strength in numbers: Humanities Scholars put heads together," interviewed by Linda Weber, Stanford Magazine, Nov-Dec. 2005.

"End Paper: Flights of Fancy," The Chronicle Review—Chronicle of Higher Education (Oct. 4, 2002): B19.

"Dopo il sogno tecnologico," interviewed by Ida Dominijanni, Il Manifesto (Sept. 15, 2002): 12.

Jennifer Ruark, "Modernism/modernity gets a new editor," Chronicle of Higher Education (March 22, 2002). http://chronicle.com/weekly/v48/i28/28a02001.htm

"Sotto il velo del melting plot," interviewed by Ida Dominijanni, Il Manifesto (Sept. 29, 2001): 8.

"Un genio al MART: L'archivio Ciocca: un ingegnere che scoprì il futuro," interviewed by Sandra Mattei, Alto Adige [Trento] (Feb. 2, 2001): 15.

"Sem massa e sem mitologias. Entrevista com Jeffrey Schnapp," interviewed by Cecilia Costa, Prosa e Verso supplement, O Globo [Rio de Janeiro] (Sept. 16, 2000): 6.

"Fiasco littorio sul Lungarno," interviewed by Pierpaolo Antonello, L'Unità (July 1, 1996): 7.

"Fascism and Culture," interviewed by Matthew Leonard, Australian Broadcasting Corporation, broadcast July 1993.

"Art and Propaganda," interviewed by Wayne Pond, Soundings, National Public Radio, broadcast Oct. 1992. http://soundingsproject.org/1992/10/prop-art-2/

"The Dartmouth Dante Project," interviewed by Susan Stamberg, All Things Considered, National Public Radio, broadcast March 1985.

External links[edit]

Schnapp's personal web page is located at http://jeffreyschnapp.com.

The metaLAB (at) Harvard web page is found at http://metalab.harvard.edu/.

A dossier of materials on the Trento Tunnels project including a film, photographs, and other documents has been posted at http://www.legallerie.tn.it/ and http://www.filmwork.it/it/gallerie/gallerie09/09index_it.html.