||This article's lead section may not adequately summarize key points of its contents. (May 2013)|
Deller in 2008.
|Born||1966 (age 48–49)
London, England, UK
|Education||University of Sussex|
|Known for||Installation art|
|Notable work(s)||Acid Brass|
Albert Medal (2010)
Jeremy Deller (born 1966) is an English conceptual, video and installation artist. He won the Turner Prize in 2004. Deller is known for his Battle of Orgreave (2001), a reenactment of the actual Battle of Orgreave which occurred during the UK miners' strike in 1984. From 2007 to 2011, Deller served as a Trustee of the Tate Gallery.
Early life and education
Jeremy Deller was born in London and educated at Dulwich College and the Courtauld Institute of Art (University of London); he achieved his MA in Art History at the University of Sussex under David Alan Mellor.
Deller traces his broad interests in art and culture, in part, to childhood visits to museums like the Horniman Museum, in South London. After meeting Andy Warhol in 1986, Deller spent two weeks at The Factory in New York. He began making artworks in the early 1990s, often showing them outside of conventional galleries. In 1993, while his parents were on holiday (he was 27, still living at home), he secretly used the family home for an exhibition titled Open Bedroom.
In 1997, Deller embarked on Acid Brass, a musical collaboration with the Williams Fairey Brass Band from Stockport. The project was based on fusing the music of a traditional brass band with acid house and Detroit techno.
Much of Deller's work is collaborative. His work has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. Folk Archive is a tour of "people's art" and has been exhibited throughout the UK including at Barbican Centre and most recently (2013) at The Public, West Bromwich, outside of the contemporary art institution. Much of his work is ephemeral in nature and avoids commodification.
Deller staged The Battle of Orgreave in 2001, bringing together almost 1,000 people in a public re-enactment of a violent confrontation from the 1984 Miners’ Strike. The re-enactment was filmed by director Mike Figgis for Artangel Media and Channel 4. In 2004, for the opening of Manifesta 5, the roving European Biennial of Contemporary art, Deller organised a Social Parade through the streets of the city of Donostia-San Sebastian, drafting in cadres of local alternative societies and support groups to participate.
In 2006, he was involved in a touring exhibit of contemporary British folk art, in collaboration with Alan Kane. In late 2006, he instigated The Bat House Project, an architectural competition open to the public for a bat house on the outskirts of London.
The following year, 'The Posters Came from the Walls', a documentary co-directed with Nick Abrahams about Depeche Mode fans around the world was premiered at the London Film Festival, and followed by festival screenings around the world.
In 2009, Deller created Procession, a free and uniquely Mancunian parade through the centre of Manchester along Deansgate, a co-commission by Manchester International Festival and Cornerhouse. Procession worked with diverse groups of people drawn from the 10 boroughs of Manchester and took place on Sunday 5 July at 1400 hrs.
Commissioned in 2009 as part of The Three M Project (a group composed of the New Museum, New York; the Hammer Museum, LA; and the Museum of Contemporary Art, Chicago, to exhibit and commission new works of art), Deller created It Is What It Is: Conversations About Iraq. The project was designed to foster public discussion by having guest experts engage museum visitors in a free-form, unscripted dialogue about issues concerning Iraq.
In 1995, Deller exhibited at EASTinternational, which was selected by Marian Goodman and Giuseppe Penone. He was invited to select EASTinternational in 2006 with Dirk Snauwaert. Monographic exhibitions include: Unconvention (1999, Centre for Visual Arts, Cardiff), After the Goldrush (2002, Wattis Institute for Contemporary Arts, San Francisco), Folk Archive with Alan Kane (2004, Centre Pompidou, Paris and Barbican Art Gallery, London), Jeremy Deller (2005, Kunstverein, Munich), From One Revolution to Another (2008, Palais de Tokyo, Paris), It Is What It Is: Conversations About Iraq (2009, Creative Time and New Museum, New York, Hammer Museum, Los Angeles, and Museum of Contemporary Art, Chicago), and Processions (2009, Cornerhouse, Manchester).
Joy in People, a retrospective of Deller's work, showed at the Hayward Gallery, London, between February and May 2012. Deller was selected to represent Great Britain at the Venice Biennale in 2013.
Deller was the winner of the Turner Prize in 2004. Accepting the award, Deller said being nominated for the Turner prize had been "a not unenjoyable experience." He dedicated his award to "everyone who cycles, everyone who cycles in London, everyone who looks after wildlife, and the Quaker movement." His show at Tate Britain included documentation on Battle of Orgreave and an installation Memory Bucket (2003), a documentary about Crawford, Texas – the hometown of George W. Bush – and the siege in nearby Waco. In 2007, Deller was appointed a Trustee of the Tate Gallery.
On 1 October 2010, in an open letter to the British Government's culture secretary Jeremy Hunt, co-signed by 28 former Turner prize nominees, and 18 winners, Deller opposed any future cuts in public funding for the arts. In the letter the co-signatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity".
Also in 2010, he was awarded the Albert Medal of the Royal Society for the encouragement of Arts, Manufactures & Commerce (RSA) for 'creating art that encourages public responses and creativity'.
Notes and references
- Farquharson, Alex. "Jeremy Deller: The Battle of Orgreave, London, UK". Frieze Magazine. Retrieved 22 September 2011.
- Chris Arnot, "David Alan Mellor: Image Maker", The Guardian, 1 March 2005. Accessed 22 October 2010.
- Charlotte Higgins (6 December 2011), Jeremy Deller, Turner prizewinner, to have Hayward Gallery retrospective The Guardian.
- Jeremy Deller: Joy in People, 22 February – 13 May 2012 Hayward Gallery, London.
- Frieze Magazine | Archive | MANIFESTA 5 European Biennial of Contemporary Art
- Hickling, Alfred (5 July 2009). "Procession: Cornerhouse, Manchester". The Guardian. Retrieved 22 September 2011.
- "It Is What It Is: Conversations About Iraq, A Project by Jeremy Deller". Press Release. The New Museum and Creative Time for the Three M Project. 19 December 2008. Retrieved 9 June 2011.
- Laura Hoptman, Amy Mackie, Nato Thompson. "Project Description". The New Museum and Creative Time for the Three M Project. Retrieved 9 June 2011.
- David Barrett, Art Monthly, Issue 299, Sep 2006
- Brazil, Kevin. "Review of Joy in People". The Oxonian Review.
- Jeremy Deller shows a "wistfully agressive" Britain at the Venice Biennale, the Guardian, May 2013
- Jeremy Deller wins 2004 Turner prize The Guardian, 6 December 2004.
- "Jeremy Deller Appointed Tate Trustee", Tate, 10 January 2007. Retrieved 27 March 2008.
- Peter Walker, "Turner prize winners lead protest against arts cutbacks," The Guardian, 1 October 2010.
- "RSA Medals". RSA. Retrieved 28 December 2010.
- Martin Bailey (30 September 2013), Art collection at stake in row between museum and charity The Art Newspaper.
- "Celebrities' open letter to Scotland – full text and list of signatories | Politics". theguardian.com. 2014-08-07. Retrieved 2014-08-26.
- Jeremy Deller – official site
- Bat House Project – main site
- Jeremy Deller, Turner Prize 2004, at Tate Gallery
- Watch The Battle of Orgreave, FourDocs, at Channel 4
- Turner Prize 2004 at BBC News
- Artforum review (01/2002)
- Jeremy Deller review in Zingmagazine (1996)
- Jeremy Deller interview at StrangeHarvest.com
- Article sur son exposition au Palais de Tokyo, Art and You (fr)
- It Is What It Is: Conversations About Iraq
- The Battle of Orgreave section on Artangel website
- Joy in People exhibition review in The Oxonian Review
- The Posters Came From The Walls