|This article relies largely or entirely upon a single source. (November 2011)|
|Birth name||Gerald Joseph Stenhouse Jemmott|
|Also known as||Gerald "Fingers" Jemmott
22 March 1946 |
New York City, New York, United States
|Genres||Soul, funk, jazz, blues, blues rock|
|Occupations||Musician, composer, arranger, conductor, educator, film scorer|
|Instruments||Electric bass, upright bass,|
|Labels||Atlantic, P-Vine, Whachagonnado?|
|Associated acts||The Allman Brothers Band|
Gerald Joseph Stenhouse "Jerry" Jemmott (born March 22, 1946 in The Bronx, New York City) is an American bass guitarist. Also known as Gerald "Fingers" Jemmott, Rasan Mfalme or "the Groovemaster", Jemmott was one of the chief session bassists of the late 1960s and early 1970s, working with many of the period's well known soul, blues, and jazz artists.
Jemmott began playing the acoustic bass when he discovered Paul Chambers at age 10. Jemmott began his career at age 12, and after switching to the electric bass, was discovered by saxophonist King Curtis in 1966. With his connection through Curtis to Atlantic Records, Jemmott soon began recording with other Atlantic recording artists, including Aretha Franklin, Ray Charles, Wilson Pickett, The Rascals, Roberta Flack and Margie Joseph. Jemmott also recorded with noted blues artists B.B. King, Freddie King, Chuck Berry, Duane Allman, Otis Rush, Champion Jack Dupree, Mike Bloomfield and backed jazz artists Herbie Hancock, Freddie Hubbard, Erroll Garner, Les McCann, Eddie Harris, Houston Person, George Benson, Archie Shepp, Lionel Hampton, Herbie Mann, Eddie Palmieri and Charles Earland. He played the bass line for the original recording of "Mr. Bojangles", and contributed to B.B. King's "The Thrill Is Gone."
After Jemmott's recording sessions started to decline in 1975, he continued to work in film and theater as an arranger and conductor, working with John Williams, The Boston Pops and Bette Midler.[clarification needed] Jemmott was cited as a major influence by fellow jazz bass guitar pioneer, Jaco Pastorius, who incorporated Jemmott's stuttering funk basslines into his own syncopated style. Jemmott was also the host and had a hand in the production of the instructional video Modern Electric Bass which featured lessons and guidance by Pastorius and was released in 1985.
Most recently, Jemmott recorded solo recordings for the Japanese P-Vine Records, Caught in the Low Beam and The New York View, as well as Make It Happen! for Whatcha Gonna Do Records. Jemmott continues to work as an educator teaching workshops and clinics, has written articles, four books, and released audio and video bass instruction material. He is the recipient of the 2001 Bass Player magazine's Lifetime Achievement Award and Chairman of the Electric Bass Department at the Richard Davis Foundation for Young Bassists Inc.
As "Jerry Jemmott & Souler Energy" he has performed a mix of his original "Cool Groove" songs and music along with his classic hits in addition to presenting his “Soul Kitchen”, improvisation workshops and clinics.
In 2009 Jemmott joined Gregg Allman's backing band ("Gregg Allman & Friends") in addition to Cornell Dupree’s Soul Survivors. That same year, he was one of many very special guests at The Allman Brothers Band's 40th anniversary at the Beacon Theatre, in New York City. This was an auspicious special version of the Allman's annual multiple-night stand there, including artists as varied as Levon Helm, members of Phish, Eric Clapton, Johnny Winter, and Sonny Rollins, amongst the participants, who came in part, to honor the late Duane Allman.
- New York View (P-Vine Records December 25, 1995)
- Make It Happen! (Whatchagonnado? 2005)
- Home Cookin' (Whatchagonnado? 2006)
- Bass on the Case (Whachagonnado? 2009)
|This section requires expansion. (January 2011)|
With Candido Camero
- Beautiful (Blue Note, 1970)
With Eddie Harris
- Comin' on Home (Blue Note, 1971)
With Houston Person
- Houston Express (Prestige, 1970)
With Shirley Scott
- Shirley Scott & the Soul Saxes (Atlantic, 1969)
- Fillmore East: The Lost Concert Tapes 12-13-68 (Columbia, 2003)
With Aretha Franklin
- Aretha Now (Atlantic, 1968)
- Soul '69 (Atlantic, 1969)
- Live at Fillmore West (Atlantic, 1971)
- Hey Now Hey (The Other Side of the Sky) (Atlantic, 1973)
- Aretha's Jazz (Atlantic, 1984)
With George Benson
- Tell it Like it Is (A&M, 1968)
- The Other Side of Abbey Road (A&M, 1970)
- Tell it Like it Is (A&M, 1968)
- Huey, Steve. "Jerry Jemmott: Biography". Allmusic. Retrieved 2010-04-23.