Since the late 1980s, Hodges has created a broad range of work exploring themes of fragility, temporality, love and death utilizing a highly original and poetic vocabulary. His works frequently deploy different materials and techniques, from ready-made objects to more traditional media, such as graphite, ink, gold leaf and mirrored elements. Charting both the overlooked and obvious touchstones of life with equal attention and poignancy, Hodges’ conceptual practice is as broad and expansive as the range of human experiences he captures. Hodges has been the subject of numerous solo exhibitions in the United States and Europe and has been included in various significant group exhibitions, including the 2004 Whitney Biennial. Hodges is currently a Senior Critic in the Sculpture Department at the Yale University School of Art. A major retrospective of Hodges’ work, organized by the Walker Art Center and the Dallas Museum of Art, is scheduled for 2013 and 2014.