Johann Bernhard Fischer von Erlach
Fischer von Erlach
Portrait by Ádám Mányoki, c. 1723
20 July 1656|
|Died||5 April 1723
Johann Bernhard Fischer von Erlach (20 July 1656 – 5 April 1723) was an Austrian architect, sculptor, and architectural historian whose Baroque architecture profoundly influenced and shaped the tastes of the Habsburg Empire. His influential book A Plan of Civil and Historical Architecture (1721) was one of the first and most popular comparative studies of world architecture. His major works include Schönbrunn Palace, Karlskirche, and the Austrian National Library in Vienna, and Schloss Klessheim, Holy Trinity Church, and the Collegiate Church in Salzburg.
Born near Graz, Johann Fischer was trained in the workshop of his father, a provincial artisan, before departing for Rome at the precocious age of 16. He spent the following sixteen years in Italy. In Rome he joined the workshop of his fellow Austrian Johann Paul Schor and of the great Bernini, who gave him ample opportunities to study both ancient and modern sculpture and architecture. He then moved to Naples, where he was reported to have amassed a considerable fortune serving the Spanish viceroy.
Back in Austria in 1687, Fischer von Erlach was installed as a fashionable and sought-after architect. Commissions were plentiful, as royalty and highest echelons of aristocracy sought to repair damage inflicted on their country residences by the Ottoman Turks in the course of their 1683 campaign. Fischer's understanding of an urbane Baroque idiom appeared superior to that prevalent in Central Europe, and in 1687 he secured the key position of court architect, which he would retain in the service of three emperors.
Service under Emperor Joseph I
During the 1690s, which have been described as the most fruitful period of Fischer's career, he adapted the Italian Baroque to local needs and traditions. In 1690, he won great acclaim for two temporary triumphal arches constructed in Vienna to celebrate Joseph I's coronation. He later personally instructed Joseph in architectural arts, so successfully that in 1696 the monarch elevated Johann Fischer to the nobility, as Johann Bernhard Fischer von Erlach.
In his 17th-century designs and commissions, Fischer von Erlach embraced Berniniesque powerful curving lines, seeking to convey a sense of movement. His other inspirations included Mansart's country residences and the Palladian classical villas, which he would study during his journeys to Prussia, the Netherlands, England in 1704 and Venice in 1707.
Thus Fischer presided over the genesis and early evolution of a distinctive brand of Baroque architecture, which would shape architectural tastes of the Austrian aristocracy for decades to come. His emblematic design from the 1690s was the Winter Palace of Prince Eugene of Savoy, commenced in 1695 in Vienna. As Hans Aurenhammer put it, this edifice represented "a new type of town palace characterized by impressive form, structural clarity, and the dynamic tension of its decoration".
Salzburg and late works
Fischer's expertise in town planning made itself felt in designs he executed for the Archbishop of Salzburg. Particularly accomplished are two churches, the Dreifaltigkeitskirche (1694–1702) and the (1696–1707), whose highly pitched domes and towers, convex facades, and dynamic forms irrevocably changed the outline of Salzburg. They say[who?] that masses of stone were designed by Fischer so as to give the appearance of billows of cloud and smoke. The archbishop's country seat, Schloss Klessheim (1700–09), was also designed by him.
Fischer's visit to Dalmatia brought back to Western Europe the influence of the classical Diocletian's Palace and provided Europe with one of the first professional architectural glimpses of this notable Roman monument.
After Joseph I's death in 1711, Fischer von Erlach was rarely entrusted with new commissions, as the more pleasing and less demanding designs of his rival Johann Lucas von Hildebrandt proved more popular with the young monarch Charles VI, Holy Roman Emperor and his court. He found an opportunity to draw some of the finest architectural reconstructions of the buildings of Antiquity, which were published in his groundbreaking Plan of Civil and Historical Architecture in 1721. He was also made responsible for various administrative tasks, which would take a large portion of his energy and time.
Clam-Gallas Palace in Prague, commenced in 1713, was one of his last designs for a stately town residence. The structure, much imitated by later architects, highlights Fischer's enthusiasm for Palladian facades, which became ever more pronounced during the last period of his work.
But it is Karlskirche in Vienna, started in 1715, that most fully illustrates his late synthetic style. In this structure, completed by his son Joseph Emanuel, Fischer's ambition was to harmonize the principal elements and ideas that underlie the most significant churches in the history of Western architecture: the Temple of Solomon in Jerusalem, Hagia Sophia in Constantinople, the Pantheon and Saint Peter's Basilica in Rome, the Dome des Invalides in Paris and Saint Paul's Cathedral in London.
- Pestsäule, Graben, Vienna, Austria, 1687
- Pilgrimage Church Maria Straßengel high altar, Graz, Austria, 1687
- Ruprecht von Eggenberg mausoleum alterations, Ehrenhausen, Austria, 1690
- Palais Augarten, Vienna, Austria, 1688–92
- Count Schlick summer house, Vienna, Austria, 1692
- Palais Schönborn-Batthyány, Vienna, Austria, 1692–93
- Schloß Niederweiden hunting lodge, Lower Austria, Austria, 1693
- Hofmarstall stables portal, Salzburg, Austria, 1694
- Schönbrunn Palace, Vienna, Austria, 1695
- Winter Palace of Prince Eugene, Vienna, Austria, 1695–97
- Markuskirche, Salzburg, Austria, 1699
- Schloss Klessheim, Salzburg, Austria, 1700
- Pilgrimage Church in Kirchental, Lofer, Salzburg, Austria, 1694–1701
- Holy Trinity Church (Dreifaltigkeitskirche), Salzburg, Austria, 1694–1702
- Johannesspitalskirche, Salzburg, Austria, 1699–1703
- Mariazell Basilica high altar, Graz, Austria, 1692–1704
- Ursulinenkirche, Salzburg, Austria, 1699–1705
- Stadtpalais Liechtenstein side portal, Vienna, Austria, 1705
- Collegiate Church (Kollegienkirche), Salzburg, Austria, 1696–1707
- Franciscan Church high altar, Salzburg, Austria, 1708
- Lobkowitz Palace, Vienna, Austria, 1709–11
- Trautson Palace, Vienna, Austria, 1710–12
- Perchtoldsdorf plague column, Vienna, Austria, 1713
- Bohemian Court Chancellery, Vienna, Austria, 1708–14
- Clam-Gallas Palace, Prague, 1714–18
- Cekin Mansion, Ljubljana, 1720
- Palais Schwarzenberg, Vienna, Austria, 1720–22
- Imperial Stables, Vienna, Austria, 1723
- Karlskirche, Vienna, Austria, 1716–23
- Wrocław Cathedral electoral chapel, Wrocław, Poland, 1716–24
- Austrian National Library plans, Vienna, Austria, 1723–26
- Aurenhammer, Hans (1973). J. B. Fischer von Erlach. Cambridge: Harvard University Press. ISBN 9780713904406.
- Dotson, Esther Gordon (2012). J. B. Fischer Von Erlach: Architecture as Theater in the Baroque Era. New Haven: Yale University Press. ISBN 9780300166682.
- Kreul, Andreas (2006). Johann Bernhard Fischer von Erlach: Regie der Relation. Salzburg: Anton Pustet. ISBN 9783702505349.
- Lorenz, Hellmut (1992). Johann Bernhard Fischer von Erlach. Zürich: Verlag für Architektur. ISBN 9783760881324.
- Polleroß, Friedrich (1995). Fischer von Erlach und die Wiener Barocktradition. Vienna: Böhlau Verlag. ISBN 9783205984009.
- Sedlmayr, Hans (1997). Johann Bernhard Fischer von Erlach. Stuttgart: Deutsche Verlags-Anstalt. ISBN 9783421031358.
- Toman, Rolf (1999). Vienna: Art and Architecture. Cologne: Könemann. ISBN 9783848005307.
|Wikimedia Commons has media related to Johann Bernhard Fischer von Erlach.|
- Johann Bernhard Fischer von Erlach at the archINFORM database
- "Fischer von Erlach, Johann Bernhard". New International Encyclopedia. 1905.
- "Fischer von Erlach, Johann Bernhard". Encyclopedia Americana. 1920.
- "Fischer von Erlach" photos by Georg Parthen