John Blanke (also rendered Blancke or Blak) (fl. 1501–1511) was a black musician in London in the early 16th century.
He was probably brought to England as one of the African attendants of Catherine of Aragon in 1501. He is one of the earliest recorded black people in England after the Roman period. His name may be a reference to his skin colour, derived either from the word "black" or from the French word "blanc" meaning white.
Historian Onyeka has written about John Blanke's possible origins in his 2013 book Blackamoores: Africans in Tudor England, their Presence, Status and Origins. John Blanke has also been mentioned by historian Onyeka in two articles. One entitled "Tudor Africans: What’s in a Name?" in October 2012 for History Today Magazine and also "The Missing Tudors. Black People in 16th Century England" for the BBC History Magazine, published in July 2012.
Little is known of Blanke's life, but he was paid 8d per day by Henry VII, and a surviving document from the accounts of the Treasurer of the Chamber records a payment of 20 shillings to "John Blanke, the blacke trumpeter" as wages for the month of November 1507, with payments of the same amount continuing monthly through the next year.
Blanke was probably the black person depicted twice in the Westminster Tournament Roll, an illuminated manuscript 60 feet long now held by the College of Arms that records the royal procession to the lavish tournament held on 12 and 13 February 1511 to celebrate the birth of a son, Henry, Duke of Cornwall, to Catherine and Henry VIII on New Year's Day 1511. Blanke appears as one of the six trumpeters in the royal retinue. All six of the trumpeters are mounted on horseback, wearing yellow and grey livery, and bearing a trumpet decorated with the royal arms; Blanke alone wears a brown and yellow turban, while the others are bare-headed. He appears a second time in the roll, in the procession back, wearing a green and gold head covering. The infant prince died days later, on 23 February 1511.
Black trumpeters and drummers are recorded in other Renaissance cities, including a trumpeter for the royal ship Barcha in Naples in 1470, a trumpeter recorded as galley slave of Cosimo de' Medici in 1555, and black drummers in the court of James IV in Edinburgh.
- Onyeka. Blackamoores: Africans in Tudor England, their Presence, Status and Origins, London. Narrative Eye, 2013.
- Onyeka (October 2012), "Tudor Africans: What's in a Name?" History Today 62 (10).
- Onyeka, "The Missing Tudors: black people in 16th-century England", History Extra, 24 January 2014. First published in BBC History Magazine, July 2012.
- Miranda Kaufmann, "Blanke, John (fl. 1507–1512), royal trumpeter", Oxford Dictionary of National Biography.
- "John Blanke, Black Trumpeter", Black Presence: Asian and Black History in Britain, National Archives.
- K. J. P. Lowe, Black Africans In Renaissance Europe, Cambridge University Press, 2005, ISBN 0521815827, p. 39.
- David Bindman, Henry Louis Gates, Karen C. C. Dalton, The Image of the Black in Western Art: pt. 1. From the 'age of discovery' to the age of abolition: artists of the Renaissance and Baroque, Volume 3, Part 1 of The Image of the Black in Western Art; Harvard University Press, 2010, ISBN 0674052617, p. 236.
- Imtiaz H. Habib, Black Lives in the English Archives, 1500-1677: Imprints of the Invisible, Ashgate Publishing, 2008, ISBN 0754656950, p. 39.
- "Britain's first black community in Elizabethan London", BBC News, 20 July 2012.
- Marika Sherwood, "Blacks in Tudor England", History Today, Volume: 53 Issue: 10.
- "Blanke, John (16th Century)", BlackPast.org.
- "John Blanke-A Black Trumpeter in the court of King Henry VIII", The Black Presence in Britain, 12 March 2009.