John Richard Briley (b. 25 August 1925) is an American writer best known for screenplays of biopics. He won the Academy Award For Best Original Screenplay at the 1982 Oscars for Gandhi. As well as film scripts, he has written for television and theatre, and published several novels.
Briley was born in Kalamazoo, Michigan, and served in the United States Air Force, 1943–46, reaching the rank of captain. At the University of Michigan, he gained a BA in 1950 and an MA in English 1951. He married Dorothy Louise Reichart in 1950, and they had four children. He worked in public relations for General Motors before rejoining the air force in 1955. He was posted to RAF Northolt airbase at South Ruislip near London, where he was director of orientation activities and started writing.
In 1960, he earned a PhD in Elizabethan drama from the University of Birmingham, left the air force and became a staff writer with Metro-Goldwyn-Mayer at Elstree Studios in Borehamwood. He left MGM in 1964. He also had an uncredited part in the 1965 comedy Situation Hopeless... But Not Serious.
Briley's 1972 script for Pope Joan had attracted the interest of Richard Attenborough, although Attenborough was ultimately not involved in that project, and the film was critically panned. Several scripts for Attenborough's Gandhi project had been rejected, and Robert Bolt was scheduled to rewrite his own earlier draft when he suffered a stroke. Attenborough then turned to Briley. Briley shifted the focus of the narrative away from the point of view of the British colonists to that of the Indian independence movement. He originally opposed Ben Kingsley in the title role, favouring John Hurt, but was later glad that Attenborough had gone with Kingsley. Briley envisaged more emphasis on the relationship between Gandhi and Jawaharlal Nehru, but Kingsley's towering performance came to dominate the finished film. Briley claims he and Attenborough were personally satisfied with the movie and unconcerned about any critical and commercial success. In the event, Briley's original screenplay won the Oscar and the Golden Globe. Attenborough later said of Briley, "He's a difficult bugger, a bit of a prima-donna, but the bastard's brilliant".
In 1985, Briley began developing a musical about Martin Luther King, writing the book and lyrics and acting as co-producer, originally for American Playhouse. He left the project in February 1989 after contract negotiations broke down. A different version opened in London in 1990. Briley attempted to obtain an injunction, claiming he had paid the King family $200,000 in personality rights.
In 1987, Briley again teamed up with Attenborough for Cry Freedom, about the South African anti-apartheid activist Steve Biko. Briley had disagreements with Donald Woods, the journalist whose books formed the basis of the script. Briley viewed the nonviolence of the Black Consciousness Movement as principled, whereas Woods felt it was a tactical decision. Although Woods feared Briley lacked an awareness of the complexities of political debate among black South Africans, those shown a preview of the film felt it was realistic.
In 1993, Briley switched agents from International Creative Management to the William Morris Agency. In 1998, he was a founding partner of "the Film Makers Company", a venture intended to encourage film production in Bridgeport, Connecticut, and was planning to relocate to there. He was given a Lifetime Achievement Award at the Big Bear Lake International Film Festival in 2000.
Unproduced scripts on which Briley worked include: adaptations of Henderson the Rain King, Mister God, This Is Anna, White Fang, and his own novel How Sleep the Brave; biopics of Franz Kafka, Genghis Khan — to have been directed by Shin Sang-ok, Tina Modotti (A Fragile Life), Beryl Markham (West with the Night), and Pope John Paul II; The Cross and the Crescent, about Francis of Assisi and the Crusades; and a miniseries about the Italian Renaissance. Briley's adaptation of Arthur Miller's play The Crucible was dropped when Miller's son Robert secured production rights; Arthur Miller himself wrote the screenplay for the 1996 film.
|The History of Sex||1999||television||History Channel documentary|
|The First Stone||1997||novel||A Jewish American woman is recruited by Mossad to marry a rich Saudi Arabian.|
|Mary Sidney — a 20th Century Reappraisal||1985||book chapter||In a festschrift for Willem Schrickx|
|The Last Dance||1978||novel||A rogue scientist tries to force global disarmament by threatening a nuclear holocaust.|
|So Who Needs Men!||1976||theatre||bedroom farce set in university lodgings; Briley also directed.|
|The Traitors||1969||novel||In the Vietnam War, six US soldiers are captured by the Viet Cong and indoctrinated by a renegade GI. Richard Rhodes reviewed the novel in the New York Times as, "Bitter reality... it all might have happened... the terrible thing is that it ever had to." The Chicago Sun-Times called it, "A magnificent blockbuster of a book. If you can find the time to read only one book this year, let The Traitors be that book." David Schoenbrun of CBS said, "It captures the tragedy and comedy, in the classic sense, of that absurd aberration of American history." Shirley K. Sullivan of KTIB Radio called it, "Unsettling, haunting... a proper shocker," and the Saturday Review of Literature urged, "Read it for his explosive accounts of jungle warfare and his moral passion." Described by Peter S. Prescott as "a sermon masquerading as a novel". UK edition (1971) titled How Sleep the Brave|
|The Airbase||1965||television||BBC sitcom ; based on his own experiences|
|Seven Bob a Buck, subtitled
How to Survive as a Tourist in the USA
|1964||theatre||"a short-lived, intimate revue which satirised American values and attitudes"; Briley also acted in it. Televised on BBC2 as See America First on 28 November 1964.|
|Hits and Misses||1962||television||BBC teleplay|
|A biography of William Herbert, third earl of Pembroke, 1580-1630||1961||dissertation||PhD dissertation|
|Edward Alleyn and Henslowe's Will||1958||journal article||in Shakespeare Quarterly|
|Of Stake and Stage||1955||book chapter||in Shakespeare Survey|
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- "John Briley Biography (1925-)". filmreference.com. Retrieved 2009-05-23.
- "John Briley > Filmography". allmovie. Retrieved 2009-05-23.
- Clarke, Gerald; Joseph J. Kane, Janice C. Simpson (25 April 1983). "History Crunches Popcorn". Time. Retrieved 2009-05-24.
- John Briley (I) at the Internet Movie Database
- Malanowski, Jamie (18 March 2001). "Shaping Words Into an Oscar: Six Writers Who Did". The New York Times. p. 15, Sec.2. Retrieved 2009-05-23.
- Rustici, Craig M. (2006). The afterlife of Pope Joan: deploying the Popess legend in early modern England. University of Michigan Press. pp. 153–4. ISBN 0-472-11544-8.
- Woods, Donald (22 November 1987). "Filming with Attenborough". The Observer (ProQuest). pp. 19–20.
- "American Playhouse slates 'King' musical for next year". Jet (Johnson Publishing Company) 69 (13): 64. 9 December 1985. ISSN 0021-5996.
- Cassidy, Suzanne (23 April 1990). "After Struggle, Musical on Dr. King Is Opening". The New York Times. pp. C11. Retrieved 2009-05-28.
- "Short Takes". Daily Variety. 21 October 1993.
- Mariani, Dominic (21 June 1998). "The View From Bridgeport: A City as a Backdrop In a Fledgling Film Plan". The New York Times. p. 2, section 14CN. Retrieved 2009-05-24.
- Awards for John Briley (I) at the Internet Movie Database
- "Kotcheff draws bead on Hitler in 'Populist'". The Hollywood Reporter. 22 November 1996.
- Honeycutt, Kirk (9 August 1996). "Panoptica's slate aims at Canadian, Euro co-prod'n". The Hollywood Reporter.
- "1992 Razzies". razzies.com. Golden Raspberry Award Foundation and John Wilson. Retrieved 2009-05-24.
- "Trans Atlantic ends Todd-AO co-venture". Daily Variety. 8 November 1994.
- Ptacek, Greg (24 May 1991). "'Gandhi' writer Briley pens 'Khan'". The Hollywood Reporter.
- Archerd, Army (14 November 1996). "Just for Variety". Daily Variety.
- "Pope pic plans Prague scouting". Daily Variety. 1 March 2002.
- Vivarelli, Nick (6 June 2000). "Eagle Pictures takes flight with widened slate". The Hollywood Reporter.
- Vivarelli, Nick (13 April 2000). "Eagle Pics flies in face of indie player status: Italian outfit wields $300 mil war chest". The Hollywood Reporter.
- Meyers, Jeffrey (2001). Privileged Moments: Encounters With Writers. University of Wisconsin Press. p. 36. ISBN 0-299-16944-8.
- Briley, John (1997). The First Stone: A Novel. W. Morrow and Co. ISBN 0-688-15235-X. OCLC 35822504.
- Briley, John (1985). "Mary Sidney — a 20th Century Reappraisal". In J.P. Vander Motten. Elizabethan and Modern Studies, presented to Professor Willem Schrickx on the Occasion of his Retirement. Ghent University: Seminarie Voor Engelse en Amerikaanse Literatuur. pp. 47–56. ISBN 90-900114-8-X. OCLC 18879080.
- Briley, John (1978). The last dance. London: Secker & Warburg. ISBN 0-436-06860-5. OCLC 59236063.
- Brians, Paul. "Chapter Two The Causes of Nuclear War". Nuclear Holocausts: Atomic War in Fiction. Retrieved 2009-05-24.
- Lewsen, Charles (8 October 1976). "Reviews: So Who Needs Men? New London". The Times. p. 11, col F; Issue 59829.
- Briley, John (1969). The traitors; a novel. New York City: G. P. Putnam's Sons. OCLC 33480.
- New York Times, 7 September 1969
- Prescott, Peter S. (2005). "A Genuinely Dreadful Novel". Encounters with American Culture Volume 1: (1963-1972). introduction by Anne L. Prescott. Transaction Publishers. p. 63. ISBN 1-4128-0496-5.
- Briley, John (1971). How sleep the brave. London: Corgi. ISBN 0-552-08670-3. OCLC 16213201.
- Stephens, Frances (1965). Theatre world annual 1966 : a full pictorial review of the 1964-65 London season (16 ed.). Rockliff. pp. 21, 29, 30. OCLC 221674302.
- Benedick, Adam (2 May 1996). "Obituary: David Kelsey". The Independent. Retrieved 2009-05-24.
- Gascoigne, Bamber (12 July 1964). "All the riches of the Incas". The Observer (ProQuest). p. 24.
- OCLC 34765036
- Briley, John (Summer, 1958). "Edward Alleyn and Henslowe's Will". Shakespeare Quarterly (Folger Shakespeare Library with George Washington University) 9 (3): 321–330. doi:10.2307/2867333. JSTOR 2867333.
- Briley, John (1955). "Of Stake and Stage". In Allardyce Nicoll. The Comedies. Shakespeare Survey. Vol.8. Cambridge: Cambridge University Press. doi:10.1017/CCOL0521816564.011.