John Eberson

From Wikipedia, the free encyclopedia
Jump to: navigation, search

John Adolph Emil Eberson (1875–1954) was an American architect best known for the development and promotion of movie palace designs in the atmospheric theatre style.

Life and career[edit]

John Adolf Emil Eberson was born in Cernăuți, Bukovina, Austria-Hungary, part of Romania (today Ukraine), on January 2, 1875. He was the son of Sigfried and Lora (Schmidt) Eberson.[1]

He attended high school in Dresden, Saxony and studied electrical engineering at the University of Vienna. After completing his studies in 1896, Eberson joined the Fourteenth Hussaren Regiment of the Austrian Army.

Eberson immigrated to the United States in 1901, sailing on a ship that left Bremerhaven. He arrived in New York City, and traveled to settle in St. Louis. His first work there was with an electrical contracting company. Within a few years, he affiliated with Johnson Realty and Construction Company, a theatre architecture and construction company. Eberson and Johnson traveled around the eastern part of America, promoting opera houses in small towns. Once the town was persuaded to build an opera house, Eberson would design it and Johnson would build it. It was in this pursuit that Eberson took the title "Opera House John."[2]

Eberson married Beatrice Lamb (1885-1954) in 1903. She immigrated from Great Britain, and was an interior decorator. They had three children, Drew, Lora Mary and Elsa.

In 1904, Eberson and his family moved to Hamilton, Ohio. It was there that Eberson's first theatre was located, the Hamilton Jewel. The 350-seat Jewel was constructed in an existing, pre-Civil War building.[3] While in Hamilton, Eberson designed local buildings, and continued his opera house design work.

The Ebersons moved in Chicago in 1910. In Chicago, Eberson was able to increase his theatre architectural commissions. An early client was Karl Hoblitzelle's Interstate Amusement Company. The first two theatres he designed for Hoblitzelle were the Fort Worth Majestic (Fort Worth, TX, 1911) and the Austin Majestic (Austin, TX, 1915). Neither was ground-breaking in design, and neither was in the atmospheric style. He first experimented with atmospheric design at the Dallas Majestic (1921), the Indiana Theatre (Terre Haute, 1922) and the Wichita Orpheum ((1922). [4] It was in the design of the Houston Majestic (1923) that Eberson created his first full atmospheric theatre.

In 1926 Eberson moved to New York City. He opened an office at the Rodin Studios, 200 West Fifty-seventh Street. In July 1929, he made the decision to close the Chicago office and consolidate all of the design work in New York. At about the same time, he formally brought his son Drew Eberson (1904–1989) into the business, although Drew had helped before on many sites. Drew became his partner and carried on the business after his father's death.

Eberson attained national, and even international acclaim for his atmospheric theatres, many of them executed in exotic revival styles, including Italian Renaissance, Spanish Revival, Moorish Revival and others.[5]

Terre Haute, Indiana is home of Eberson's Indiana Theatre, and to one of Eberson's earliest theaters, the Hippodrome Theatre, which opened in 1915. Branching out from his usual theater design, Eberson also designed the home of Theodore W. Barhydt, the man who commissioned Eberson for the Hippodrome and Indiana Theatres. Terre Haute is one of the few places in the world to boast multiple Eberson buildings, including his only residential design.


Eberson's Uptown Theater (Kansas City, MO) Marquee in 2005

Many of Eberson's later designs, some executed with his son Drew, were in the Art Deco style. In all Eberson designed close to 100 movie palaces, located in dozens of states in the United States, including:

Others can be found in Mexico City, Mexico as well as in Perth, Sydney and Melbourne, Australia.

A significant number of his estimated 500 buildings, and including an estimated 100 atmospheric theatres, have however been destroyed, as redevelopment and changing taste came to consider the style dated.


TampaTheatre front05.jpg
Tampa Theatre, Tampa FL The Louisville Palace, Louisville KY Indiana Theatre, Terre Haute IN

1924, Orpheum Theatre, Tulsa, OK 1924, Ritz Theatre, Tulsa, OK 1930, Midwest Theatre, Oklahoma City, OK


  1. ^ Hoffman, Scott L. A Theatre History of Marion, Ohio: John Eberson's Palace and Beyond. Charlotte, NC: The History Press, 2015.
  2. ^ Levin, Steve. A John Eberson Scrapbook. Theatre Historical Society of America 27 (2000)
  3. ^ Keim, Norman O. Our Movie Houses: A History of Film and Cinematic Innovation in Central New York. Syracuse: Syracuse UP (2014), 76
  4. ^ Levin, John Eberson Scrapbook, 2.
  5. ^ Williams, Celeste M., and Dietmar E. Froehlich. “John Eberson and the Development of the Movie Theater: Fantasy and Escape.” In Contribution and Confusion: Architecture and the Influence of Other Fields of Inquiry. Paper presented at 91st ACSA International Conference, Helsinki. Association of Collegiate Schools of Architecture, 2004.
  6. ^ a b c d "National Register Information System". National Register of Historic Places. National Park Service. 2009-03-13. 
  7. ^ White, Norval (1991). The Guide to the Architecture of Paris. Charles Scribner's Sons. p. 169. ISBN 0-684-19293-4. 
  • Earl, John. "Landscape in the Theatre: Historical Perspective." Landscape Research 16, no. 1 (1991): 21–29.
  • Hall, Ben M. The Best Remaining Seats: The Golden Age of the Movie Palace. New York: Bramhall House, 1961.
  • Herzog, Charlotte. “The Movie Palace and the Theatrical Sources of Its Architectural Style.” Cinema Journal (Spring 1981): 15–37.
  • Hoffman, Scott L., A Theatre History of Marion, Ohio: John Eberson's Palace and Beyond. Charlotte, NC: The History Press, 2015.
  • Naylor, David. American Picture Palaces: The Architecture of Fantasy. New York: Van Nostrand Reinhold, 1981.
  • Rosenblum, Constance. Boulevard of Dreams: Heady Times, Heartbreak, and Hope Along the Grand Concourse in the Bronx. New York: New York University Press, 2011
  • Thorne, Ross, Picture Palace Architecture in Australia, Sun Books Pty. Ltd., South Melbourne, Australia, 1976.
  • Wondra, Keith. From the Land of Andalusia to the Wheat Fields of Kansas: A History of Wichita’s Historic Orpheum Theatre. Charleston, SC: CreateSpace, 2011.

External links[edit]