John Greenhill

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Self-portrait.

John Greenhill (c. 1644 – 19 May 1676) was an English portrait painter, a pupil of Peter Lely, who approached his teacher in artistic excellence, but whose life was cut short by a dissolute lifestyle.[1]

Life and work[edit]

Greenhill was born at Salisbury, [Wiltshire] around 1644, the eldest son of John Greenhill, registrar of the diocese of Salisbury, and Penelope Champneys, daughter of Richard Champneys of Orchardleigh, Somerset. His grandfather was Henry Greenhill of Steeple Ashton in Wiltshire. His father was connected through his brothers with the East India trade.

Greenhill's first attempt was a portrait of his paternal uncle, James Abbott of Salisbury, whom he is said to have sketched surreptitiously, as the old man would not sit for him. About 1662 he moved to London, and became a pupil of Sir Peter Lely. His progress was rapid, and he acquired some of Lely's skill and method. He carefully studied Vandyck's portraits, and George Vertue commented that he copied so closely Vandyck's portrait of "Thomas Killigrew and his dog" that it was difficult to know which was the original.[2] Vertue also says that his progress excited Lely's jealousy.

Greenhill was at first industrious, and married early. But a taste for poetry and drama, and living in Covent Garden in the vicinity of the theatres, led him to associate with many members of the free-living theatrical world, and he fell into "irregular habits". On 19 May 1676, while returning from the "Vine Tavern" (in Holborn) in a state of intoxication, he fell into the gutter in Long Acre, and was carried to his lodgings in Lincoln's Inn Fields, where he died the same night. He was buried in St Giles in the Fields church. He left a widow and family, to whom Lely gave an annuity.

Among Greenhill's personal admirers was dramatist Aphra Behn, who kept up an amorous correspondence with him, and lamented his early death in a fulsome panegyric.

Portraits[edit]

Greenhill's portraits are of great merit, often approaching those of Lely in excellence. Among his chief sitters were Bishop Seth Ward, in the Guildhall at Salisbury, painted in 1673; Anthony Ashley Cooper, 1st Earl of Shaftesbury, painted more than once during his chancellorship in 1672 (engraved by Abraham Blooteling); John Locke, who wrote some verses in Greenhill's praise (engraved by Pieter van Gunst); Sir William D'Avenant (engraved by William Faithorne); Philip Woolrich (engraved in mezzotint by Francis Place); poet Abraham Cowley, Admiral Edward Spragge and others.

Greenhill painted a self-portrait, now hanging in the Dulwich Picture Gallery in London[3] (engraved in Wornum's edition of Horace Walpole's "Anecdotes of Painting"). He also drew a portrait of himself as did Lely.

Family[edit]

Henry Greenhill (21 June 1646 – 24 May 1708), was the younger brother of John, also born in Salisbury. He distinguished himself in the merchant service in the West Indies, and was rewarded by the admiralty. He was appointed Governor of the Gold Coast by the Royal African Company. In 1685 he was elected an elder brother of the Trinity House, in 1689 commissioner of the Transport Office, and in 1691 one of the principal commissioners of the navy. The building of Plymouth Dockyard was completed under his direction. He received a mourning ring under Samuel Pepys's will. He died 24 May 1708, and was buried at Stockton, Wiltshire, where there is a monument to his memory. An etched portrait of Henry Greenhill was made in 1667.

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