John Linnell (painter)

This article is about the painter. For other people named John Linnell, see John Linnell (disambiguation).

Selfportrait of John Linnell, circa 1860

John Linnell (June 16, 1792 – January 20, 1882) was an English landscape and portrait painter and engraver. Linnell was a naturalist and a rival to John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with William Blake, to whom he introduced Samuel Palmer and others of the Ancients.

Life and work

Linnell was born in Bloomsbury, London. His father being a carver and gilder, he was brought into contact with artists from an early age, and was drawing and selling his portraits in chalk and pencil at the age of 10. His first artistic instruction was received from Benjamin West, and he spent a year in the house of John Varley the water-colour painter, where he had William Hunt and William Mulready as fellow-pupils, and made the acquaintance of Shelley, Godwin and other men of mark. In 1805 he was admitted a student of the Royal Academy, where he obtained medals for drawing, modelling and sculpture. He was also trained as an engraver, and executed a transcript of Varley's "Burial of Saul."

Gravel pits of Kensington, 1811-1812

In later life he frequently occupied himself with the burin, publishing, in 1834, a series of outlines from Michelangelo's frescoes in the Sistine Chapel, and, in 1840, superintending the issue of a selection of plates from the pictures in Buckingham Palace, one of them, a Titian landscape, being engraved in mezzotint by himself. At first he supported himself mainly by miniature painting, and by the execution of larger portraits, such as the likenesses of Mulready, Richard Whately, Peel and Thomas Carlyle. Several of his portraits he engraved with his own hand in line and mezzotint.

He also painted many subjects like the "St John Preaching," the "Covenant of Abraham," and the "Journey to Emmaus," in which, while the landscape is usually prominent the figures are yet of sufficient importance to supply the title of the work. But it is mainly in connexion with his paintings of pure landscapes that his name is known. His works commonly deal with some scene of typical uneventful English landscape, which is made impressive by a gorgeous effect of sunrise or sunset. They are full of true poetic feeling, and are rich and glowing in colour.

Linnell was able to command very large prices for his pictures, and about 1850 he purchased a property at Redhill, Surrey, where he resided till his death on 20 January 1882, painting with unabated powers till within the last few years of his life. His leisure was greatly occupied with a study of the Bible in the original, and he published several pamphlets and larger treatises of Biblical criticism. Linnell was one of the best friends and kindest patrons of William Blake. He gave him the two largest commissions he ever received for single series of designs—£150 for drawings and engravings of The Inventions to the Book of Job, and a like sum for those illustrative of Dante Aligheri.

He was a friend of the painter Edward Thomas Daniell.

See also

• English school of painting

Sources

• Alfred Thomas Story. The life of John Linnell: Volume 1, Volume 2 (London, R. Bentley and son, 1892).

References

Attribution

•  Chisholm, Hugh, ed. (1911). "Linnell, John". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links

• Linnell online (ArtCyclopedia)
• Linnell biography and Gallery (Fitzwilliam Museum)
• Linnell biography (History of Redhill & reigate))
•  This article incorporates text from a publication now in the public domain: Sidney Lee, ed. (1893). "Linnell, John". Dictionary of National Biography. 33. London: Smith, Elder & Co. 
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.