Jonathan Del Arco
|Jonathan Del Arco|
March 7, 1966 |
|Occupation||Stage, film, television actor|
Jonathan Del Arco (born March 7, 1966) is a Uruguayan American actor and gay rights and political activist. He is best known for his role as Hugh the Borg on Star Trek: The Next Generation and for his recurring role as medical examiner Dr. Morales on The Closer and Major Crimes. He is also a consultant for and active in the Gay, Lesbian and Straight Education Network.
As a teenager, Del Arco became interested in acting and the theater. He often traveled by commuter train to New York City, where he watched plays. He eventually enrolled in acting classes there, and after graduating from high school he moved to New York City permanently. Shortly after his move, Del Arco won a role in the road company of Torch Song Trilogy.
In 1990, with a role on the Miami Vice television show and a role in the independent film Lost Angeles under his belt, Del Arco moved to Los Angeles, California. Guest starring roles on the television series True Colors, Sisters, The Wonder Years, and Blossom as well as a small role in the film The Mambo Kings followed. His most notable role during this period was as the Borg drone, Hugh, on Star Trek: The Next Generation in 1992, which he reprised in 1993.
Del Arco turned to waiting tables in 1995 for an income. Instead, through a friend, he found paid work on an environmental campaign being led by actor/director Rob Reiner. Over the next decade, Del Arco worked on five political campaigns. Del Arco credits the political activism with allowing him to find a new passion and expansiveness as an actor, which led to new acting roles.
Del Arco's breakout role came in 2003 when he won a three-episode guest starring shot on FX Networks' highly popular series Nip/Tuck, where he played a transgender woman named Sofia Lopez. Roles on other highly rated shows such as 24, The Sopranos, and Dollhouse followed. Beginning in 2007, Del Arco had a recurring role on TNT cable network's The Closer as the openly gay medical examiner, Dr. Morales. He continued in the role in the series' spin-off, Major Crimes. In 2014, he appeared in the episode "Love Sucks" of The Crazy Ones as Timothy, the previously unseen husband of Brad Garrett's character.
Del Arco has appeared in a wide range of live theatrical plays. His Broadway theatre debut came in 1987 in Milcha Sanchez-Scott's Roosters at the INTAR Theatre. Theater critic Mel Gussow called his a "most sensitive performance", and said his debut was "auspicious". His second Broadway role followed in 1988, when he played Martin in Michael Weller's play Spoils of War at the Music Box Theatre (taking over from Christopher Collet). This was followed in 1990 by a role in John Jesurun's Everything That Rises Must Converge at the Kitchen Theatre Company.
Del Arco's numerous other stage performances include (in alphabetical order):
- Amulets Against the Dragon Forces by Paul Zindel, in 1989 at Circle Repertory Company
- Blood Wedding by Federico García Lorca, a bilingual production in English and Spanish in 2006 at the La Jolla Playhouse
- Common Infractions/Gross Injustices in 1999 at the American Repertory Theater
- House Arrest by Anna Deavere Smith in 1989 at the Mark Taper Forum
- Virgin Molly, The by Quincy Long in 1991 (a development production) at Ensemble Studio Theatre
In 1996, Del Arco began participating in the Hispanic Playwrights Project at the South Coast Repertory, and spent six seasons there. He also spent the summer of 1998 and 1999 at the Institute on the Arts and Civic Dialogue at Harvard University, working under Anna Deveare Smith.
In addition to acting, Del Arco is a political, environmental, and gay rights activist.
He is a supporter of and consultant for the Gay, Lesbian and Straight Education Network (GLSEN), which works to improve the educational environment for LGBT elementary and secondary students in the United States. Del Arco says his work with GLSEN has been life-changing. "Never did I imagine that working for a nonprofit organization would have such a great effect on me personally. It's changed the structure of how I use my career as an actor because now I have a reason beyond entertainment to promote something other than me."
- "Jonathan Del Arco." MajorCrimesTV.net. No date. Accessed 2013-03-09.
- "Sparking Creativity Through Activism: Actor Jonathan Del Arco." DiversityInc. April 14, 2011. Accessed 2013-03-09.
- Whitney, Allison. "Love at First Contact: Sex, Race, and Colonial Fantasy in Star Trek: First Contact." In The Sex Is Out of This World: Essays on the Carnal Side of Science Fiction. Sherry Ginn and Michael G. Cornelius, eds. Jefferson, N.C.: McFarland & Co., 2012, p. 84.
- "'The Closers Coroner Comes Out." ET Online. June 29, 2009. Accessed 2013-03-09.
- Gussow, Mel. "Stage: 'Roosters' at INTAR." New York Times. March 24, 1987. Accessed 2013-03-09.
- Rich, Frank. "'Spoils of War,' in a Family, Life and the World." New York Times. May 18, 1988. Accessed 2013-03-09.
- Grussow, Mel. "A Kaleidoscope of Language Onstage and on Video." New York Times. March 16, 1990.
- Charles Dickens' 'A Christmas Carol'. South Coast Repertory Theater. 2002, p. 8. Accessed 2013-03-09.
- Rich, Frank. "Overcoming a Loveless Childhood." New York Times. April 6, 1989. Accessed 2013-03-09.
- Phillips, Michael. "New La Jolla Era Begins, Written in 'Blood'." Los Angeles Times. June 6, 2000. Accessed 2013-03-09.
- Shapira, Ian. "Institute Tackles Injustices." Boston Globe. July 30, 1999.
- "Jonathan Del Arco of 'The Closer' Talks About His Work with GLSEN and His Character's Coming Out." GLSEN.org. June 30, 2009. Accessed 2013-03-09.
- Del Arco, Jonathan. "Pregnant... With Anticipation." Huffington Post. October 10, 2012. Accessed 2013-03-09.