Jonathan Prince
| Jonathan Prince | |
|---|---|
| Born | August 16, 1958 Beverly Hills, California |
Jonathan Alexander Prince (born August 16, 1958) is an American actor, director, screenwriter and movie producer.
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[edit] Biography
[edit] Career
Prince embarked on an acting career following graduation from Harvard University. His most prominent roles include "Leo" in the 1981 CBS series Mr. Merlin, "Roy" in the 1983 sex comedy Private School and "Zach Armstrong" in the 1986 syndicated sitcom Throb. He appeared on Super Password (set the Endgame record at :31) and Match Game in 1990 and hosted The Quiz Kids Challenge that year. Prince said he decided to expand into other aspects of show business when he was on the cast of Mr. Merlin. Prince's next break came when George Burns asked him to co-write and produce Burns' feature film 18 Again. That led to a job as consultant on the Whatever Became of...? television specials, where Prince met Dick Clark.
This meeting with Dick Clark proved fortuitous because it lead to the creation of "American Dreams", an ensemble show tracking one Catholic family through the tumultuous years of 1963-1967. Clark's "American Bandstand" is a key part of the story and the episodes all include musical performances from the show. Prince is listed as the creator but he worked with Josh Goldstein to develop it. Dick Clark also played a large roll in the show's creation and he's listed as an executive producer.
[edit] Personal life
Prince was born in Beverly Hills, California, the son of Gayle Prince (née Schlanger), a special education teacher, and Martin Harry Prince, an optometrist.[1] Prince is Jewish.[2]
On June 17, 1995, Prince married actress Julie Warner. They have one son, Jackson, born in 1997.
[edit] References
- ^ Jonathan Prince Biography (1958?-)
- ^ Jonathan Prince at Tavis Smiley's PBS website, 5 November 2004.
[edit] External links
- Jonathan Prince interview on American Dreams
- Jonathan Prince at the Internet Movie Database
- (1995, June 18). Weddings: Jonathan A. Prince and Julie Warner. The New York Times
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