Jones Hewson

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John Jones Hewson (2 September 1874 – 1902), credited as Jones Hewson, was a Welsh singer and actor known for his creation and portrayal of baritone roles with the D'Oyly Carte Opera Company from 1896 to 1901.

Hewson began in the chorus of the company but moved up from smaller roles to larger ones on tour and then again from smaller roles to larger ones at the Savoy Theatre in London. He died of tuberculosis at the age of 27.

Biography[edit]

Hewson was born in Swansea, Wales. He was the son of John Jones Hewson (born 1829) and his wife Elizabeth (born 1833), proprietors of the Union Workhouse, Mount Pleasant, Swansea. His older sister was Jane (born 1868), and his younger brother was Howell (born 1878).[1]

Early roles[edit]

Hewson grew up in Swansea. He joined the D'Oyly Carte Opera Company 1894 as a member of the chorus of the original production of Mirette at the Savoy Theatre in London. He soon went on tour with the company, doubling in the small roles of Captain Corcoran and Calynx in Utopia Limited and playing Francal in Mirette. In early 1895, he took the larger roles of Mr. Goldbury in Utopia, Gerard de Montigny in Mirette, Tommy Merton in The Vicar of Bray, and Ferdinand de Roxas in The Chieftain. He reverted to smaller roles later that year but took on the new bass-baritone roles of Sergeant Bouncer in Cox and Box that summer and Arac in Princess Ida in the autumn.[2]

Back at the Savoy Theatre in November 1895, he played Pish-Tush in a revival of The Mikado. He soon added the role of Selworthy in the curtain raiser After All!, a role that he would play whenever this piece was revived at the Savoy thereafter. In March 1896, he created the role of the Herald in the original production of The Grand Duke at the Savoy Theatre, earning an encore from the Savoy audience and praise from the critics.[3][4] Occasionally, he substituted for Rutland Barrington in the lead role of Ludwig in The Grand Duke. He also played Pish-Tush in matinee performances that summer and again, later the same year, in the Savoy's revival of The Mikado and sometimes played the title role or Pooh-Bah during that long run.[2]

Later roles[edit]

He next created the role of Baron Vincentius in His Majesty (1897), also substituting at times in the larger role of King Mopolio. Later the same year he played Sir Richard Cholmondeley in the first Savoy Theatre revival of The Yeomen of the Guard to good notices[5] and added the role of the Rt. Hon. Claude Newcastle in the curtain raiser Old Sarah, another role that he repeated in revivals. In The Grand Duchess of Gerolstein (1897-98), he played Captain Hochheimer (and sometimes Baron Grog). He appeared at the benefit performance of Trial by Jury held for Nellie Farren in March 1898. Later that year at the Savoy, he played Luiz in the first Savoy revival of The Gondoliers, created the role of Nicholas Dircks in The Beauty Stone and played Sir Marmaduke Pointdextre in a revival of The Sorcerer.[6] He also played the Counsel to the Plaintiff in Trial by Jury and Sir Marmaduke Pointdextre in The Sorcerer when they were revived together in the autumn of 1898.[2]

Hewson went back on tour at the beginning of 1899, reprising his role of Tommy Merton in The Vicar of Bray, and then toured in seven leading baritone roles in repertory: Captain Corcoran in H.M.S. Pinafore, the Pirate King in Pirates, Lord Mountararat in Iolanthe, the title role in The Mikado, Sergeant Meryll in Yeomen, Giuseppe in The Gondoliers and Mr. Goldbury in Utopia Limited, until August 1899, when he left the company for ten months.[2]

He returned to the D'Oyly Carte Opera Company at the Savoy as a replacement for the role of Abdallah during the original production of The Rose of Persia in the summer of 1900. After this, he played the Pirate King in Pirates (1900)[7] and Colonel Calverly in the first Savoy revival of Patience (1900–01), in each case earning approval from The Times.[8] At a lecture by Sir Alexander Mackenzie on Sir Arthur Sullivan, given in May 1901, at which musical illustrations were given by members of the Savoy company, The Times singled out Hewson: "a special word of praise is due to Mr. Jones Hewson's delightful singing of "This Helmet, I Suppose" from Princess Ida".[9] Hewson's last part for the D'Oyly Carte company was the Earl of Newtown, which he created in the original production of The Emerald Isle beginning in April 1901.[6]

Early death[edit]

Hewson's health deteriorated from tuberculosis during the run of The Emerald Isle, and eventually he had to withdraw from the role. In October 1901, the company held a benefit matinee performance of The Emerald Isle for him. He sailed to Australia and New Zealand hoping "that the voyage and a dry climate [would] give him renewed strength",[10] but he died there in 1902 at the age of only 27.[2]

Notes[edit]

  1. ^ 1891 census
  2. ^ a b c d e Stone, David. Jones Hewson at Who Was Who in the D'Oyly Carte Opera Company, 12 February 2007
  3. ^ Collected early reviews of The Grand Duke
  4. ^ The Times review of The Grand Duke
  5. ^ "Savoy Theatre", The Times, 6 May 1897, p. 10, col. E
  6. ^ "Savoy Theatre", The Times, 2 July 1900, p. 4, col. G
  7. ^ "Savoy Theatre", The Times, 8 November 1900, p. 8, col. G
  8. ^ "The Royal Institution – Sir A. C. Mackenzie", The Times, 17 May 1901, p. 12, col. C
  9. ^ "Court Circular", The Times, 7 October 1901, p. 7, col. E

References[edit]

  • Ayre, Leslie (1972). The Gilbert & Sullivan Companion. London: W.H. Allen & Co Ltd.  Introduction by Martyn Green.

External links[edit]