Joseph-Marie Vien

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Joseph Marie Vien, portrait by Joseph Siffred Duplessis (1784).

Joseph-Marie Vien (English name version Joseph-Mary Wien) (18 June 1716 – 27 March 1809), French painter, was born at Montpellier. He was the last holder of the post of Premier peintre du Roi, serving from 1789 to 1791.

Biography[edit]

Protected by Comte de Caylus, he entered at an early age the studio of Natoire, and obtained the grand prix in 1745. He used his time at Rome in applying to the study of nature and the development of his own powers all that he gleaned from the masterpieces around him; but his tendencies were so foreign to the reigning taste that on his return to Paris he owed his admission to the academy for his picture Daedalus and Icarus (Louvre) solely to the indignant protests of François Boucher.[1]

When in 1776, at the height of his established reputation, he became director of the school of France at Rome, he refused to take Jacques-Louis David with him amongst his pupils, stating he was too old to teach a young artist. After his return, five years later, his fortunes were wrecked by the French Revolution; but he undauntedly set to work, and at the age of eighty (1796) carried off the prize in an open government competition. Napoleon Bonaparte acknowledged his merit by making him a senator.[1]

Joseph-Marie Vien died in Paris, and was buried in the crypt of the Panthéon ( to date, the only painter so honored). He left behind him many other brilliant pupils, amongst whom were François-André Vincent, Jean-Antoine-Théodore Giroust, Jean-Baptiste Regnault, Joseph-Benoît Suvée, Jean-Pierre Saint-Ours, François-Guillaume Ménageot, Jean-Joseph Taillasson and others of high merit; nor should the name of his wife, Marie-Thérèse Reboul (1728–1805), herself a member of the academy, be omitted from this list. Their son, Marie Joseph, born in 1761, also distinguished himself as a painter.[1]

Works[edit]

  • La résurrection de Lazare (1747), Église Sainte-Marthe, Tarascon
  • Sainte Marthe recevant le Christ à Bethanie (1747), Église Sainte-Marthe, Tarascon
  • L'agonie de sainte Marthe (1748), Église Sainte-Marthe, Tarascon
  • L'arrivée de sainte Marthe en Provence (1748), Église Sainte-Marthe, Tarascon
  • Les funérailles de sainte Marthe (1748), Église Sainte-Marthe, Tarascon
  • La prédication de sainte Marthe (1748), Église Sainte-Marthe, Tarascon
  • L'embarquement de sainte Marthe (1751), Église Sainte-Marthe, Tarascon
  • Hermite endormi (1753), Musée du Louvre
  • Dédale dans le Labyrinthe attachant les ailes à Icare (1754), Musée du Louvre
  • La Douce Mélancolie (1756), Cleveland Museum of Art
  • L'Enlèvement de Proserpine (1762), Museum of Grenoble
  • La Marchande d'amours (1763), Palace of Fontainebleau
  • Une Femme qui sort des bains, 1763, (huile 95x68 cm) (private collection)[2]
  • Saint Denis préchant (1767), Church of Saint-Roch, Paris
  • Grecque au bain (1767), Museo de Arte de Ponce, Puerto Rico
  • Jeunes grecques parant de fleurs l'Amour endormi (1773), Musée du Louvre
  • Venus, Wounded by Diomedes, is Saved by Iris (1775), Columbus Museum of Art
  • Les adieux d'Hector et d'Andromaque (1786), Musée du Louvre
  • Love Fleeing Slavery (1789), Princeton University Art Museum
  • Saint Louis remet la régence à sa mère, Saint-Louis Chapel, École Militaire, Paris
  • Toilette d'une jeune mariée dans le costume antique, (100x135 cm) (private collection)[3]

Notes[edit]

  1. ^ a b c Encyclopædia Britannica , 1911
  2. ^ Auctioned €426,685 on 26 March 2004 Gazette de l'Hôtel Drouot.
  3. ^ Auctioned €401,487 in June 1992 by Sotheby's Monaco.

References[edit]

External links[edit]