Joseph and the Amazing Technicolor Dreamcoat

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Joseph and the Amazing
Technicolor Dreamcoat
Joseph and the Amazing Technicolor Dreamcoat.jpg
1991 Revivals Logo
Music Andrew Lloyd Webber
Lyrics Tim Rice
Basis The story of Joseph in Genesis
Productions 1968 Colet Court cantata

1972 Edinburgh
1976 Brooklyn
1976 Dublin
1977 Tel Aviv
1980 Wetzlar
1982 Broadway
1983 Venezuela
1991 Hungary
1991 West End
1992 Toronto
1992 Tel Aviv
1993 Australia
1993 Broadway revival
1993 Chicago
1993 Los Angeles
1994 Minneapolis
1995 Chicago, Detroit
1996 Boston, Detroit
1996 Radom
1997 Toronto
1997 Tel Aviv
2003 West End revival
2007 West End revival
2007 UK Tour
2007 US Tour
2008 Hungary
2008 Netherlands
2008 Tel Aviv
2008 Riga
2009 Brisbane, Australia
2009 Off Broadway, New York

Joseph and the Amazing Technicolor Dreamcoat is the second British musical theatre show written by the team of Andrew Lloyd Webber and Tim Rice. Its predecessor, The Likes of Us, was not performed until 2005.

Based on the "coat of many colors" story of Joseph from the Hebrew Bible's Book of Genesis, the show was first presented as a 15-minute pop cantata at Colet Court School in London in 1968. After many transformations and expansions, and West End and Broadway productions, it was adapted as a straight-to-video film, starring Donny Osmond, in 1999.

The show has very little spoken dialogue, it is sung-through almost completely. It runs under two hours and is occasionally performed without intermission. Its family-friendly storyline, universal themes, and catchy music have made Joseph and the Amazing Technicolor Dreamcoat one of the most dependably profitable titles in musical theatre, particularly when producers cast a headlining star — and, according to the Really Useful Group, more than 20,000 schools and amateur theatre groups have successfully put on productions.

Contents

[edit] Production history

[edit] Original short musical and album

Alan Doggett, head of the Colet Court's music department, commissioned the 15-minute piece from Andrew Lloyd Webber and Tim Rice for Colet Court's first school musical. Doggett conducted the performance with an orchestra, a rock group called the Mixed Bag, and singers from Colet Court, the preparatory school for St Paul's School.[1] This first performance was given in March 1968.[2]

Lloyd Webber's father, William, felt the show had the seeds of greatness. He encouraged and arranged for a second performance — at his church, Westminster Central Hall — with a revised and expanded format. The boys of Colet Court sang at this performance in May 1968,[2] which also included the Mixed Bag. It received positive reviews: London's Sunday Times said it was a new pop oratorio. By its third performance at St Paul's Cathedral in November 1968, it had been expanded to 35 minutes and included songs such as "Potiphar".[2]

Novello agreed to publish the work, and Decca Records recorded it in 1969 as a concept album. David Daltrey, front man of British psychedelic band Tales of Justine, played the role of Joseph; and Tim Rice was Pharaoh. Other vocalists included Terry Saunders and Malcolm Parry of the Mixed Bag.[3][4]

[edit] American and Young Vic performances

In 1970, Lloyd Webber and Rice used the popularity of their second rock opera, Jesus Christ Superstar, to promote Joseph — which was advertised in America as a "follow-up" to Superstar.[1] Riding on Jesus' coattails proved profitable for Joseph, and the U.S. Decca recording topped America's charts for three months. The first American production was in May 1970, at Cathedral College of the Immaculate Conception in Douglaston, New York. Colleges and amateur groups expressed great interest in the show, and there were two professional productions in New York.

In late August and September 1972, Joseph was presented at the Edinburgh International Festival by the Young Vic Theatre Company, directed by Frank Dunlop. It starred Gary Bond in the title role, Peter Reeves as the narrator, and Gordon Waller as Pharaoh. In October the production played at London's Young Vic Theatre, and in November at the Roundhouse. The production was part of a double bill called Bible One: Two Looks at the Book of Genesis. Part I, entitled The Genesis Mediaeval Mystery Plays: The Creation to Jacob (at the Young Vic originally called simply Mediaeval Mystery Plays), was Dunlop's reworking of the first six of the medieval Wakefield Mystery Plays, with music by Alan Doggett. Part II was Joseph and the Amazing Technicolor Dreamcoat.[1] The Young Vic production was recorded for an LP released on the RSO label in 1972. This production was also televised in the UK by Granada Television in 1972.[5]

In February 1973, theatre producer Michael White and impresario Robert Stigwood mounted the Young Vic production at the Albery Theatre. The mystery plays which had preceded the original Young Vic productions were dropped, and instead the musical was preceded by a piece called Jacob's Journey, with music and lyrics by Lloyd Webber and Rice and a book by television comedy writers Ray Galton and Alan Simpson. Jacob's Journey, which contained a great deal of spoken dialogue, was eventually phased out in favour of the sung-through score of Joseph. The first production of the show in its modern, final form was at the Haymarket Theatre in Leicester.[1]

[edit] MCA album; Broadway

A recording of the full musical was released on the MCA label in 1974, again featuring Bond, Reeves, and Waller. This is the earliest recording of Joseph to still be available commercially. Waller would go on to appear on another recording, in 1979, this time featuring Tim Rice as the narrator and Paul Jones as Joseph, on the Music For Pleasure label.

It was not until January 1982 that the show reached Broadway — at the Royale Theatre, where it ran for 749 performances.[1] This Broadway production, starring Bill Hutton as Joseph, Laurie Beechman as the Narrator, and Tom Carder as Pharaoh, was recorded for release on the Chrysalis label, and is the first to feature the Prologue (dubbed on the Chrysalis release "You are what you feel"). The show received several respectable Tony Award nominations including Best Musical and Best Original Score.

The world premiere in Spanish was presented in Venezuela in 1982, translated by Edwin Munoz and directed by Emilio de Soto, with 151 actors, singers and dancers, accompanied by an orchestra of 35 musicians and a rock group.

[edit] West End; Osmond video

With Jason Donovan, who had enjoyed a chart success after his role in the Australian soap opera Neighbours, in the lead, the expanded show was restaged in 1991 at the London Palladium with Steven Pimlott as director, winning the 1992 Laurence Olivier Awards for set design. The cast album of this production was the #1 UK album for two weeks in September 1991, and the single "Any Dream Will Do" from it was also the #1 UK single for two weeks in June–July 1991. When Donovan left, former children's TV presenter Phillip Schofield portrayed Joseph.

In 1999, a video version with Donny Osmond in the title role was released, directed by David Mallet and Stephen Pimlott. Osmond had toured North America in the role after opening the Toronto revival in 1992. Maria Friedman appears as the Narrator; Richard Attenborough and Joan Collins also appear in the video.[6]

[edit] 2000s

A modest production starring former Boyzone singer Stephen Gately, "with cartoon cut-out sets and props and naff panto choreography", previewed in Oxford in December 2002, before moving to Liverpool over Christmas 2002. It reached the West End at the New London Theatre in March 2003.

A 2007 revival of the London Palladium production at the Adelphi Theatre was the subject of BBC One's second search for a West End star, capitalizing on the success of the BBC's 2006 Lloyd Webber talent search series, How Do You Solve a Problem Like Maria?. This new talent search show, Any Dream Will Do, with the participation of Lloyd Webber and other theatre luminaries, sought a new leading man to play Joseph. More than 3 million viewers cast votes during the 9 June 2007 series finale, and made 25-year-old Lee Mead "officially the people's Joseph". Mead had given up his ensemble role in The Phantom of the Opera, where he also understudied Raoul. The new Joseph production, which began 6 July 2007, used Steven Pimlott's (who had died since staging the Palladium production) original direction, with Bombay Dreams star Preeya Kalidas as the Narrator.

Tickets for the show's originally-planned six-month run sold so fast that in three weeks all tickets for the first three months were sold out, and the producers had extended the show's run — and Mead's contract — until 7 June 2008. Before opening night, the producers had banked £10 million in receipts from advance ticket sales. In his review for Variety, David Benedict wrote, "Mead delivers.... [He] is contracted for at least a year. For as long as Mead chooses to continue in it, Joseph is, commercially speaking, the safest of bets." Lloyd Webber's Really Useful Group donated all receipts from two special performances to the BBC's Children in Need charity appeal. Additionally, the money normally given to the cast for first-night gifts in July 2007 went instead to Children in Need.

In January 2009 Mead left the show and was replaced by Gareth Gates. The production closed in May 2009.

[edit] Synopsis

Act I

The story is based on the Biblical story of Joseph, found in the Book of Genesis. It is set in a frame in which a narrator is telling a story (sometimes to children, encouraging them to dream). She then tells the story of Joseph, another dreamer ("Prologue," "Any Dream Will Do"). In the beginning of the main story Jacob and his 12 sons are introduced ("Jacob and Sons"). Joseph's brothers are jealous of him for his coat, a symbol of their father's preference for him ("Joseph's Coat"). It is clear from Joseph's dreams that he is destined to rule over them ("Joseph's Dreams"). To get rid of him and prevent the dreams from coming true, they attempt fratricide, but then they sell Joseph as a slave to some passing Ishmaelites ("Poor, Poor Joseph"), who take him to Egypt.

Back home, his brothers, accompanied by their wives, break the news to Jacob that Joseph has been killed. They show his tattered coat smeared with his blood – really goat blood – as proof that what they say is true ("One More Angel in Heaven"). In most productions, one brother usually sings the solo; the song often segues into a celebratory hoedown after the bereft Jacob has tottered off the stage.

In Egypt, Joseph is the slave of Egyptian millionaire Potiphar. He rises through the ranks of slaves and servants until he is running Potiphar's house. When Mrs. Potiphar makes advances, Joseph spurns her. Potiphar overhears, barges in, sees the two together – and jumps to conclusions. He jails Joseph ("Potiphar"). Depressed, Joseph sings Close Every Door – but his spirits rise when he helps two prisoners put in his cell. Both are former servants of the Pharaoh and both have had bizarre dreams. Joseph interprets them. One cellmate, the Baker, will be executed, but the other, the Butler, will be returned to service ("Go, Go, Go Joseph").

Act II

The Narrator talks about impending changes in Joseph's fortunes ("A Pharaoh Story") because the Pharaoh is having dreams that no-one can interpret. Now freed, the Butler tells Pharaoh (acted in the style of Elvis Presley) of Joseph and his dream interpretation skills ("Poor, Poor Pharaoh"). Pharaoh orders Joseph to be brought in and the king tells him his dream involving seven fat cows, seven skinny cows, seven healthy ears of corn, and seven dead ears of corn ("Song of the King").

Joseph interprets the dream as seven plentiful years of crops followed by seven years of famine ("Pharaoh's Dreams Explained"). An astonished Pharaoh puts Joseph in charge of carrying out the preparations needed to endure the impending famine, and Joseph becomes the most powerful man in Egypt, second only to the Pharaoh ("Stone the Crows"). In the 2007 London revival, Pharaoh has a new song (King of my Heart).

Back home, the famine has caught up with Joseph's brothers, who – led by the brother Reuben – express regret at selling him and deceiving their father ("Those Canaan Days"). They hear Egypt still has food and decide to go there to beg for mercy and to be fed, not realising that they will be dealing with Joseph ("The Brothers Come to Egypt"). He gives them handfuls of food and sends them on their way, but plants a golden cup in the sack of his brother Benjamin ("Grovel, Grovel"). When the brothers try to leave, Joseph stops them, asking about the "stolen cup". Each brother empties his sack, and it is revealed that Benjamin has the cup. Joseph then accuses Benjamin of robbery ("Who's the Thief?"). The other brothers, though, beg for mercy for Benjamin, imploring that Joseph take them prisoner and set Benjamin free ("Benjamin Calypso").

Seeing their selflessness and penitence, Joseph reveals himself ("Joseph All the Time") and sends for his father. The two are reunited ("Jacob in Egypt") for a happy conclusion. The show ends with two songs ("Finale: Any Dream Will Do (Reprise)/Give Me My Coloured Coat"), and for curtain call in some big productions, a rock/disco medley of most of the musical's major numbers ("Joseph Megamix").

[edit] Characters

The cast also includes an adult chorus and a children's chorus.

[edit] Musical numbers

Act I
  • Prologue - Narrator
  • Any Dream Will Do - Joseph & Children
  • Jacob and Sons - Narrator, Brothers, Wives, Children, & Ensemble
  • Joseph's Coat - Jacob, Narrator, Brothers, Wives, Children, & Ensemble
  • Joseph's Dreams - Narrator, Brothers, & Joseph
  • Poor, Poor Joseph - Narrator, Brothers, Children, & Ensemble
  • One More Angel in Heaven - Solo Brother (usually Reuben), Brothers, Jacob, Napthali, & Wives.
  • Potiphar - Narrator, Potiphar, Mrs. Potiphar, Joseph, Children, & Ensemble
  • Close Every Door - Joseph, Children, & Ensemble
  • Go, Go, Go Joseph - Narrator, Baker, Butler, Joseph, & Ensemble
Act II
  • Pharaoh's Story - Narrator, Children, & Ensemble
  • Poor, Poor Pharaoh - Narrator, Butler, Pharaoh, Joseph, & Ensemble
  • Song of the King (Seven Fat Cows) - Pharaoh & Ensemble
  • Pharaoh's Dreams Explained - Joseph, Children, & Ensemble
  • Stone the Crows - Narrator, Pharaoh, Joseph, & Ensemble
  • King of My Heart - Pharaoh (included in the 2007 revival)
  • Those Canaan Days / Close Every Door (Reprise) - Solo Brother (usually Simeon), Jacob, Brothers, Joseph, & Pharaoh
  • The Brothers Come To Egypt - Narrator, Reuben, Brothers, & Joseph
  • Grovel, Grovel - Joseph, Narrator, Brothers, Children, & Ensemble
  • Who's the Thief? - Joseph, Narrator, Brothers, & Children
  • Benjamin Calypso - Brothers, Solo Brother (usually Judah), & Ensemble
  • Joseph All the Time - Narrator, Joseph, & Children
  • Jacob in Egypt - Full Company
  • Finale: Any Dream Will Do / Give Me My Coloured Coat - Full Company
  • Joseph Megamix (curtain call) - Full Company


Notable in the composition of the music is the variety of styles used by Lloyd Webber, including parodies of French ballads ("Those Canaan Days"), Elvis-inspired rock and roll ("Song of the King"), western ("One More Angel In Heaven"), 1920s Charleston ("Potiphar"), Reggae ("Benjamin Calypso") and disco ("Go, Go, Go Joseph"). Often, productions will make costume and prop changes to reflect each of the various musical styles.

"Prologue" is a late addition to the show, not included in any recordings produced before the 1982 Broadway production; the use of "Any Dream Will Do" at the start of the show (and the renaming of the closing version as per the above list) dates from the 1991 revival.

The UK touring production circa 1983-1987 (produced by Bill Kenwright), included an additional song "I Don't Think I'm Wanted Back At Home", which was originally part of Jacob's Journey.[7] Sung by the title character, the brothers jokingly throw Joseph out of the family home, throwing a number of props at the lone Joseph who is seen in a spotlight – first a suitcase, then a cane and top hat, leaving our hero to tap-dance his way to the end of the number. The tune has been recycled into numbers in By Jeeves and The Likes of Us.

[edit] Awards and nominations

1982 Tony Awards
1992 Olivier Awards

[edit] Published music

A piano/vocal/guitar edition of most of the show's major vocal selections has been published. A vocal score of the original production is also available. And when the 2007 London revival opened, Lloyd Webber and Rice produced a new updated vocal score which contains all of the additional material, including the prologue, new dance music, and updated arrangements.

[edit] In popular culture

[edit] References

  1. ^ a b c d e Vocal Selections: Joseph and the Amazing Technicolor Dreamcoat. Milwaukee, WI: Hal Leonard. 1994. ISBN 0-7935-3427-5. 
  2. ^ a b c The Really Useful Group. "About The Show". http://www.reallyuseful.com/shows/joseph/history-inspiration. Retrieved 2008-12-29. 
  3. ^ 1969 Decca Concept Album (vocalists)
  4. ^ 1969 Decca Concept Album – Credits
  5. ^ Joseph and the Amazing Technicolor Dreamcoat (TV, 1972) at the Internet Movie Database
  6. ^ "IMDB listing for 1999 video". http://imdb.com/title/tt0175790/. Retrieved 2007-08-17. 
  7. ^ "TimRice.com". http://www.timrice.co.uk/songst.html. Retrieved 2007-07-05. 
  8. ^ "We're on the Road to D'ohwhere". The Simpsons. 2006-01-29. No. 11, season 7.
  9. ^ "The Wig Master". Seinfeld. 1996-04-04. No. 19, season 7.

[edit] External links

Preceded by
Metallica by Metallica
UK number one album
31 August 1991 – 13 September 1991
Succeeded by
From Time to Time - The Singles Collection
by Paul Young
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