Joseph Severn
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Joseph Severn (7 December 1793 – 3 August 1879) was an English portrait and subject painter and a personal friend of the famous English poet John Keats. He exhibited portraits, Italian genre, literary and biblical subjects and a selection of his paintings can today be found in some of the most important and renowned museums in London including the National Portrait Gallery, the Victoria and Albert Museum and the Tate Britain.
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[edit] Background
Severn was born in London and later apprenticed to an engraver. During his earlier years he practised portraiture as a miniaturist.
[edit] Early years in London 1815-1820
In 1815 he was admitted to the Royal Academy Schools in London and exhibited his first work in oil, Hermia and Helena, a subject from A Midsummer Night's Dream, in the Royal Academy Exhibition of 1819. He first met the poet John Keats in 1816.
In 1819, Severn was awarded the gold medal of the Royal Academy for his painting Una and the Red Cross Knight in the Cave of Despair which was inspired by the epic poem The Faerie Queene by Edmund Spenser. It was the first time the prize had been awarded in eight years and the painting was exhibited at the Academy in 1820. This award also allowed Severn to apply for a three years' traveling studentship, paid for by the Royal Academy.
According to a biography of Severn, published by Grant F Scott in 2005, Severn fathered an illegitimate child shortly before leaving England for Italy.
[edit] Journey to Italy with John Keats 1820-1821
On 17 September 1820, Severn sailed on board the ship Maria Crowther from England to Italy with the famous English poet John Keats. Keats and Severn had already known one another in England, but they were only passing acquaintances, yet it was Severn who agreed to accompany him to Rome when all others could, or would, not. They arrived in Rome on 15 November 1820. The trip was supposed to cure Keats's lingering illness, which he suspected was tuberculosis, however his friends and several doctors disagreed and urged him to spend some time in a warm climate. In Rome they both lived in an apartment at number 26 Piazza di Spagna, just on the right side of the world famous Spanish Steps.
Severn had left England against his father's wishes and without much money. While in Rome during the winter of 1820-21, Severn wrote numerous letters about Keats to their mutual friends in England. Severn's letters are the considered the definitive account of the poet's final months and are used as the primary historical source for scholars of Keats final months of life. Selections from them are often present in biographies of Keats.
Severn nursed Keats in Italy until his death in February 1821, 3 months after having both arrived there. Keat's close friend Charles Armitage Brown joined Severn in 1822. Severn's troubles were noted and understood by Keats himself, and he was later thanked for his devotion to Keats by the poet Percy Shelley in the preface to his pastoral elegy named Adonais which was written for Keats in 1821. It was also at this time that Severn met Edward John Trelawny. Severn made a sketch of Trelawny in 1838.
[edit] Life and work after the death of Keats
In 1861 he was appointed British consul in Rome, a post which he held till 1872, and during a great part of the time he also acted as Italian consul. He was often at odds with the UK government at home and only narrowly escaped being sacked. He eventually retired as consul in 1872.
[edit] Death
Severn died in August 1879 at the age of 85, and was buried in the Protestant Cemetery adjacent to John Keats. Both graves are still standing today. Shelley and Trelawny are also buried side by side in the same Cemetery.
[edit] Paintings
His most remarkable work is the Spectre Ship from the Ancient Mariner. He painted Cordelia Watching by the Bed of Lear, The Roman Beggar, Ariel, The Fountain, and Rienzi, executed a large altarpiece for the church of St Paul at Rome, and produced many portraits, including one of Baron Bunsen and several of Keats.
Links to images and descriptions of Severn's drawings and paintings
- Drawing of the dying Keats kept at the Keats-Shelley house in Rome
- Painting of Ophelia
- Severn's Portrait of Keats painted in 1819 kept in the The Fitzwilliam Museum in Cambridge
- Severn's portrait paintings of himself, Keats, Edward John Trelawny and John Hamilton Reynolds kept in the National Portrait Gallery in London
- "Ariel" kept at the Victoria and Albert Museum in London
- Ariel - Where the Bee Sucks... kept at the Victoria and Albert Museum in London
- Ariel riding on a Bat kept by the Ashmolean Museum in Oxford
- The Infant of the Apocalypse Saved from the Dragon kept by the Tate Britain museum in London
- Portrait of Keats kept at The New Art Gallery in Walsall (on the website, chose from the dropdown menu to see the image)
- View of a bay through trees from the Courtauld Institute of Art Gallery, London
- Sketch of a mountain landscape from the Courtauld Institute of Art Gallery, London
- Portrait of John Crossley of Scaitcliffe kept at the Christchurch Art gallery in Christchurch, New Zealand (use searchbar on website to look for the image)
[edit] Publication of Severn's letters regarding Keats
The first significant collection of Severn's papers was published by William Sharp in 1892 in the book "The Life and Letters of Joseph Severn". Subsequent biographers have put doubt on the accuracy of Sharp's transcriptions and wondered about omissions. In 2005 Grant F Scott published "Joseph Severn: Letters and Memoirs" in which he redited the original material, added hundreds of "new" letters, added a largely unknown memoir and combined all this material with a critical commentary.
[edit] References
- The Life and Letters of Joseph Severn by William Sharp, 1892 London
- Joseph Severn: Letters and Memoirs edited by Grant F Scott, 2005
- Against Oblivion, The Life of Joseph Severn by Sheila Birkenhead, 1944 New York
[edit] External links
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Wikisource has the text of the 1911 Encyclopædia Britannica article Severn, Joseph. |
Media related to Joseph Severn at Wikimedia Commons- Website of the Keats Shelley house museum in Rome, Italy where Severn lived 1820-1821
- Transcripts of some of Severn's letters about Keats
- Detailed history about Severn and Keats in the years 1819-1821
- Guardian newspaper article on Grant F Scott's new book about Severn
- "'Once More the Poet': Keats, Severn and the Grecian Lyre". Article by John Curtis Franklin about Severn's role in the design of Keats' tombstone, Protestant Cemetery, Rome
