Josh Wink performing live, 13 May 2007.
|Birth name||Joshua Winkelman|
|Also known as||Accent, The Crusher, Dinky Dog, Size 9, Wink|
|Born||April 1970 (age 44)|
|Origin||Philadelphia, United States|
|Genres||Electronica, techno, breakbeat|
|Associated acts||E-Culture, Jack Jones, Elite Music Management|
|Website||Josh Wink.com & Elite Music Management|
Josh Wink (born Joshua Winkelman in April 1970) is an electronic music DJ, label owner, producer, remixer, and artist. He is a native of Philadelphia, United States. A pioneering DJ in the American rave scene during the early 1990s, Wink was the most prominent exponent of the tribal forms of techno and house in the U.S. In 1995, he released several hits, including "Don't Laugh", and "I'm Ready" under the name Size 9 (which hit number one on the U.S. Hot Dance Club Play chart), and "Higher State of Consciousness," which topped the dance charts in Europe. He has had many club hits such as "How's Your Evening So Far?" (samples Lil Louis's 'French Kiss') and "Superfreak (Freak)" and has also gained a lot of attention for his remixes of FC Kahuna, Paul Oakenfold, Moby, Towa Tei, Ladytron and Depeche Mode, among others.
As a youth, Wink studied the piano for three years and took clarinet lessons as a teenager. His interest in DJing began as a 13-year-old, when he became apprentice to a friend, a radio station and mobile DJ in Philadelphia. It was at this time that Wink also became a vegetarian, following in the footsteps of his mother and brother. As a teen, he quickly gained familiarity with DJing equipment and taught himself how to mix beats in 1986. By 1988, Wink had met fellow DJ King Britt, and the two began creating original tracks together. 1988 was also professionally significant for Wink in that he turned eighteen, and was then able to work as a DJ in nightclubs.
Wink's current style is a mixture of techno, acid house, drum and bass, and experimental music. In interviews, he has stated that his music is "built around tension", and that his work is often influenced by "mistake theory, which is: I use a lot of things that you and I might consider mistakes....by (experimenting) with effects, with filters, with percentages in my sampler, and just doing stuff that you wouldn't ordinarily do."
In 1996, Rolling Stone writer Frank Broughton observed that "a Josh Wink record takes a series of sampled noises, then twists and warps them through a barrage of sound processors, resulting in a spiraling blend of acidic bass lines and trippy break beats." Another reviewer referred to Wink's Profound Sounds album series as "sensual techno, rendered as a whole composition rather than a collection of individual, flavor-of-the-month tracks."
Wink has acknowledged the music of Kraftwerk, 1980s synthpop and late 1980s Chicago house music as major influences on his style. He is a strong supporter of new DJing technology, most specifically utilising, demonstrating and advocating the Final Scratch application.
In 1990, Wink founded his own successful record label called Ovum Recordings with King Britt. He also has worked with Ursula Rucker and Trent Reznor of Nine Inch Nails. All of the above albums were released on his Ovum imprint with the exception of the first two. Josh Wink has also recorded some releases as Wink, Winc, Winks, Winx, The Crusher, E-Culture, and Size 9.
In 1996 Wink released two albums: A Higher State Of Wink's Work, which is a compilation of Wink's early 12 inch singles, and Left Above the Clouds, under the name Winx. In 1998, he released the Herehear album and the 20 To 20 EP appeared in 2003. In addition to his artist albums, Wink has released many DJ mix albums, three of his most well-known being Volumes 1, 2 and 3 of the Profound Sounds series. Profound Sounds Volume 3 is notable in that it contains Wink's popular remix of the Radiohead song "Everything in Its Right Place", which despite becoming a favorite of DJs as a bootlegged mp3, Wink was able to license exclusively for his album through negotiations with Radiohead, their publisher and management team."
Josh Wink's fourth studio album entitled When A Banana Was Just A Banana was released in February 2009 on Ovum Recordings, according to Wink, the album covers a spectrum of electronic music that cannot be assigned to one single genre.
- IMO Records. "Josh Wink Biography", IMO Records' Retrieved on 29 February 2011.
- Whitburn, Joel (2004). Hot Dance/Disco: 1974-2003. Record Research. p. 282.
- Rule, Greg. Josh Wink. Keyboard Vol. 24, Iss. 10 (October 1998)
- Broughton, Frank. Josh Wink lands techno at a major label. Rolling Stone Iss. 746 (October 31, 1996): p. 32.
- Mason, Kerri. Wink with a nod to compilations. Billboard Vol. 18 Iss. 24 (June 17, 2006): p. 62.
- Josh Wink on discogs.com
- Josh Wink Mixtapes
- Ovum Recordings
- Elite Music Management - Josh Wink's booking agents
- Review of 'When a Banana was Just a Banana' from Culturedeluxe
- Josh Wink live at Space Ibiza (video)