Jude the Obscure
|This article relies on references to primary sources. (May 2008)|
|Jude the Obscure|
Original title page of Jude the Obscure
|Original title||The Simpletons
|Media type||Print (Hardback & Paperback)|
|Preceded by||Tess of the d'Urbervilles|
|Followed by||The Well-Beloved|
Jude the Obscure, the last of Thomas Hardy's novels, began as a magazine serial and was first published in book form in 1895. Its hero, Jude Fawley, is a working-class young man who dreams of becoming a scholar. The other main character is his cousin, Sue Bridehead, who is also his central love interest. The themes in the novel revolve around issues of class, education, religion and marriage.
Plot summary 
The novel tells the story of Jude Fawley, a village stonemason in the southern English region of Wessex who yearns to be a scholar at "Christminster", a city modeled on Oxford. As a youth, Jude teaches himself Greek and Latin in his spare time while working in his aunt's bakery. Before he can try to enter the university, the naïve Jude is manipulated, through a process he later calls erotolepsy, into marrying a rather coarse and superficial local girl, Arabella Donn, who deserts him within two years. By this time, he has abandoned the classics altogether.
After Arabella leaves him, Jude moves to Christminster and supports himself as a mason while studying alone, hoping to be able to enter the university later. There, he meets and falls in love with his free-spirited cousin, Sue Bridehead. Jude shortly introduces Sue to his former schoolteacher, Mr. Phillotson, whom she later marries. Sue is satisfied by the normality of her married life, but quickly finds the relationship an unhappy one; in addition to being in love with Jude, not her husband, she is physically disgusted by her spouse, and, apparently, by sex in general.
Sue eventually leaves Phillotson for Jude. Sue and Jude spend some time living together without any sexual relationship; they are both afraid to get married because their family has a history of tragic unions, and they suspect that being legally bound to one another might destroy their love. Jude eventually convinces Sue to sleep with him and, over the years, they have two children together. They are also bestowed with a child "of an intelligent age" from Jude's first marriage to Arabella, whom Jude did not know about earlier. He is named Jude and nicknamed "Little Father Time" because of his intense seriousness and moroseness.
Jude and Sue are socially ostracized for living together unmarried, especially after the children are born. Jude's employers dismiss him because of the illicit relationship, and the family is forced into a nomadic lifestyle, moving from town to town across Wessex seeking employment and housing before eventually returning to Christminster. Their socially-troubled boy, "Little Father Time," comes to believe that he and his half-siblings are the source of the family's woes. The morning after their arrival in Christminster, he murders Sue's two children and commits suicide by hanging. He leaves behind a note that simply reads, "Done because we are too menny." Shortly thereafter, Sue has a miscarriage.
Beside herself with grief and blaming herself for "Little Father Time's" actions, which were, in part, instigated by her own emotional outburst on the previous night, Sue turns to the church that has ostracized her and comes to believe that the children's deaths were divine retribution for her relationship with Jude. Although horrified at the thought of resuming her marriage with Phillotson, she becomes convinced that, for religious reasons, she should never have left him. Arabella discovers Sue's feelings and informs Phillotson, who soon proposes they remarry. This results in Sue leaving Jude for Phillotson. Jude is devastated and remarries Arabella after she plies him with alcohol to once again trick him into marriage.
After one final, desperate visit to Sue in freezing weather, Jude becomes seriously ill and dies within the year. It is revealed that Sue has grown "staid and worn" with Phillotson. Arabella fails to mourn Jude's passing, instead setting the stage to ensnare her next suitor.
The novel explores several themes of social unrest, especially concerning the institutions of marriage, Christianity, and the university. These themes are developed through Hardy's use of contrasting foils. For example, at the beginning of their relationship, Jude's Christian faith contrasts with Sue's religious skepticism, a contrast which is heightened even further by their later role-reversal. Although the central characters represent both perspectives, the novel as a whole is firmly critical of Christianity and social institutions in general.
Although Hardy claimed that "no book he had ever written contained less of his own life," contemporary reviewers found several parallels between the themes of the novel and Hardy's life as a working-class man of letters. The unhappy marriages, the religious and philosophical questioning, and the social unrest of Jude the Obscure appear in many other Hardy novels (although to a lesser degree) and in Hardy's life. The struggle against fixed class boundaries is an especially important link between the novel and Hardy's life, especially concerning higher education and the working class. Although Jude wishes to attend the university at Christminster, he can't afford to pay for a degree, and he lacks the rigorous lifelong training necessary to qualify for a fellowship. He is therefore prevented from gaining economic mobility out of the working class. This theme of unattainable education was personal for Hardy since he, like Jude, was not able to afford a degree at Oxford or Cambridge, in spite of his early interest in scholarship and the classics. Several specific details about Jude's self-directed studies actually appear in Hardy's autobiography, including their late-night Latin readings while working full-time as a stonemason or architect, respectively.
Another parallel between the book's characters/themes and Hardy's actual life experience occurs when Sue becomes obsessed with religion after previously having been indifferent and even hostile towards it. Through this extreme change in the character of Sue, Hardy shows Christianity as an extraordinarily powerful social force that is capable of causing a seemingly independent-minded woman like Sue to be self-immolating and sexually repressed.
Like Sue Bridehead, Hardy's first wife, Emma, went from being free-spirited and fairly indifferent to religion in her youth to becoming obsessively religious as she got older. Since Hardy was always highly critical of organized religion, as Emma became more and more religious, their differing views led to a great deal of tension in their marriage, and this tension was a major factor leading to their increased alienation from one another.
Emma was also very disapproving of Jude the Obscure, in part because of the book's criticisms of religion, but also because she worried that the reading public would believe that the relationship between Jude and Sue directly paralleled her strained relationship with Hardy (which, in a figurative sense, it did).
Around 1887, Hardy began making notes for a story about a working-man's frustrated attempts to attend the university, perhaps inspired in part by the scholastic failure and eventual suicide of his friend Horace Moule. From December 1894 to November 1895, a bowdlerized version of the novel ran in installments in Harper's New Monthly Magazine, originally under the title The Simpletons, then Hearts Insurgent. In 1895, the book was published under its present title, Jude the Obscure. In the Preface to the first edition, Hardy provides details of the conception and writing history of the novel, claiming that certain details were inspired by the death of a woman (most likely his cousin, Tryphena Sparks) in 1890.
Called "Jude the Obscene" by at least one reviewer, Jude the Obscure received a harsh reception from scandalised critics; it is thought largely for this reason that Hardy made the decision to produce only poetry and drama for his remaining 32 years.
D. H. Lawrence, an admirer of Hardy, was puzzled by the character of Sue Bridehead, and attempted to analyse her conflicted sexuality in his essay "A Study of Thomas Hardy" (1914).
Film, TV, theatrical adaptations, cultural references 
The novel has been adapted into two major feature films:
- Jude the Obscure (1971), directed by Hugh David, and starring Robert Powell and Fiona Walker
- Jude (1996), directed by Michael Winterbottom, and starring Christopher Eccleston and Kate Winslet
A two-part musical stage adaptation of "Jude the Obscure" by Ian Finley (book), Bruce Benedict (music), Jonathan Fitts (music), and Jerome Davis (lyrics), premiered at Burning Coal Theatre Company in Raleigh, NC in April 2012.
- Slack, Robert C. Nineteenth-Century Fiction, Vol. 11, No. 4 (Mar., 1957), pp. 261-275
- "Jude the Obscure, Chapter 2". Online-literature.com. 2007-01-26. Retrieved 2012-08-12.
- Jude the Obscure, p. 738. Books.google.co.uk. Retrieved 2012-08-12.
- Hardy, Florence Emily (2007). The Life of Thomas Hardy. London: Wordsworth Editions. p. 282.
- Hardy, Florence Emily (2007). The Life of Thomas Hardy. London: Wordsworth Editions. p. 29.
- Tomalin, Claire. "Thomas Hardy." New York: Penguin, 2007.
- Pinion, F.B. (1968). A Hardy Companion. London: Macmillan. p. 52.
- "Book description of ''Jude the Obscure'', edited by Cedric Watts (1999)". Broadviewpress.com. Retrieved 2012-08-12.
- Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. University of Virginia Press, 2000.
- Jude The Obscure (1971) at imdb.com
- Jude (1996) at imdb.com
- "Jude the Obscure, Parts 1 and 2". Triangleartsandentertainment.org. 2012-04-13. Retrieved 2012-08-12.
- The Honest Ulsterman
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