Judy Malloy

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Judy Malloy
Born Judith Ann Powers
January 9, 1942
Boston, Massachusetts
Residence El Sobrante, California[1]
Alma mater Middlebury College
Children Sean Langdon Malloy
Parents Barbara Lillard Powers
Wilbur Langdon "Ike" Powers
Relatives Walter Powers (cousin)
Website
http://www.well.com/user/jmalloy/

Judy Malloy is a poet whose works embrace the intersection of hypernarrative, magic realism, and information art. Beginning with Uncle Roger in 1986,[2] Malloy has composed works in both new media literature and hypertext fiction. She was an early creator of online interactive and collaborative fiction on The WELL and Arts Wire.[citation needed]

Malloy has served as editor and leader for books and web projects. Her literary works have been exhibited worldwide.

Biography[edit]

Early life and education[edit]

Born as Judith Ann Powers in Boston a month after the attack on Pearl Harbor, Malloy was raised in Massachusetts. Her mother was a journalist and newspaper editor, and her father, a Normandy veteran, worked as an assistant district attorney in two Massachusetts counties and then as Chief Assistant US Attorney for Massachusetts. Malloy skiied and played tennis, summering in New Hampshire, Cape Cod, and the Berkshires. Malloy felt an early calling to the visual arts and began painting and sketching as a child.[3]

Career[edit]

After graduating from Middlebury College with a degree in literature and work in studio art and art history, Malloy took a job at the Library of Congress; she also traveled in Europe.[3] In the next few years, while writing and making art, Malloy worked as a technical information specialist at the NASA contractor Ball Brothers Research Corporation, running their technical library and learning FORTRAN programming in order to identify relevant content for research.[3] Malloy moved to the East Bay in the early 1970s and lived in Berkeley where, in addition to installations and performances, she developed a series of artist's books that incorporated non-sequential narratives driven by words and images.[3] She currently resides in El Sobrante, California.

Her papers are currently being collected by the David M. Rubenstein Rare Book & Manuscript Library at Duke University.

Online[edit]

In 1986, Malloy wrote and programmed Uncle Roger, the first online hyperfiction project with links that took the narrative in different directions depending on the reader's choice. The Wall Street Journal mentioned Uncle Rogeras the start of a future art form in their 1989 centennial publication.[4] Uncle Roger was a three-part hypertextual "narrabase" (narrative database) that used keyword searching (including Boolean operators) and appeared on Art Com Electronic Network on the WELL.[5]

In 1988, Malloy became the coordinating editor of FineArt Forum, under the Leonardo publishing umbrella, and developed F. A. S. T. (Fine Art Science and Technology), a resource on the Whole Earth 'Lectronic Link (The WELL) bulletin board.[6] Malloy was the initial editor of Leonardo Electronic News, 1991–1993, now Leonardo Electronic Almanac.[7] For Leonardo, she worked to make the work of new media artists more visible, creating the artists' "Words on Works" (WOW) Project, published in Leonardo Electronic News and Leonardo.

Malloy's hyperfiction work its name was Penelope was exhibited in 1989 at the Richmond Art Center and published in 1993 by Eastgate Systems. Also in 1993, Malloy was invited to XEROX PARC as an artist-in-residence, where she developed Brown House Kitchen, an online narrative written in LambdaMOO.[8] Malloy then wrote l0ve0ne, published in 1994 by Eastgate Web Workshop as their first work.[9] Malloy created Making Art Online] in 1994.[10] One of the first arts websites, Making Art Online is currently hosted by the Walker Art Center.

Between 1993 and 1996, while working with PARC, Malloy and Cathy Marshall (hypertext developer) collaborated on "Closure Was Never a Goal in this Piece", an article published in the book Wired Women which documented their experiences working on their other project, Forward Anywhere: Notes on an Exchange between Intersecting Lives, a hypernarrative work based on electronic communication that passed between the two in which they sought "to exchange the remembered and day-to-day substance of our lives".[11]

Malloy worked for Arts Wire, a program of the New York Foundation for the Arts (NYFA) from its early origins in 1993. She began serving as editor of the online periodical Arts Wire Current in March 1996.[12] She continued as editor through the periodical's name change to NYFA Current in November, 2002, until March 2004.[13][14]

Malloy is the editor of Women, Art & Technology (MIT Press, 2003), a documentation of the central role of female artists in the development of new media. The book lays out a historical outline of the female influence in art and technology including papers written by notable members of the field. She is also the editor of Authoring Software,[15] a website of resources related to the authoring tools used for hyptertext and other forms of database-driven writing. Her most recent work is the 2010 new media poetry trilogy Paths of Memory and Painting, the first part of which appeared in 2008 under the title where every luminous landscape.

Her work has been exhibited and published internationally including the 2008 Electronic Literature Conference, San Francisco Art Institute, Tisch School of the Arts, New York University, São Paulo Art Biennial, the Los Angeles Institute for Contemporary Art, Boston Cyberarts Festival, the Walker Art Center, Visual Studies Workshop, Berkeley Art Center, Finger Lakes Environmental Film Festival, Centenary of Carmen Conde, Cartagena, Spain, Istanbul Contemporary Art Museum and the Hellenic American Union in Athens, Houston Center for Photography, Richmond Art Center, San Antonio Art Institute, A Space, Toronto, Canada, National Library of Madrid, Eastgate Systems, E. P. Dutton, Tanam Press, Seal Press, MIT Press, The Iowa Review Web, and Blue Moon Review. Malloy's where every luminous landscape (2008) was exhibited at The Future of Writing, University of California, Irvine, November, 2008 and the E-Poetry Festival, Barcelona, May, 2009. In May 2009 it was a finalist in the prix poésie-média 2009 hosted by the Biennale Internationale des poetes (BIPVAL) in Val de Marne, France.[16]

Art California Web[edit]

Malloy is the host of the Art California Web, in partnership with the California Studies Association. The website is a portal to information regarding artist and art organizations in California. The primary focus is to encourage California art, with a list of over 6,000 mainstream and non-profit artists and organizations.[17]

Selected works[edit]

See also[edit]

References[edit]

  1. ^ Poets & Writers. Directory of Writers: "M", Retrieved on May 9, 2009.
  2. ^ "Judy Malloy". Leonardo Online. The International Society for the Arts, Sciences and Technology. February 25, 2005. Retrieved December 12, 2010. 
  3. ^ a b c d Judy Malloy website. My Life
  4. ^ Miller, Michael W. (1989). "A Brave New World: Streams of 1s and 0s". Wall Street Journal. 
  5. ^ "Judy Malloy". People. Eastgate Systems. Retrieved December 12, 2010. 
  6. ^ Leonardo on-line. About LEA: History. Leonardo Electronic Almanac (LEA), Retrieved on May 9, 2009.
  7. ^ Art California. About. Retrieved on May 9, 2009.
  8. ^ Judy Malloy. Public Literature: Narratives and Narrative Structures in Lambda MOO
  9. ^ Eastgate. L0ve0ne by Judy Malloy
  10. ^ "Judy Malloy Timeline". Making Art Online. Telematic. Retrieved December 12, 2010. 
  11. ^ The Independent, 6 April 1997. Marek Kohn, Technofile. Retrieved on April 29, 2009.
  12. ^ Wayback Machine. Artswire.org. Arts Wire Current. March 5, 1996.
  13. ^ Judy Malloy. MICHAEL RICHARDS: August 2, 1963 – September 11, 2001
  14. ^ Judy Malloy resume
  15. ^ Authoring Software (website)
  16. ^ "Evenement: Prix poésie-média 2009" (in French). Alfortville, France: Biennale Internationale des poetes. May 15, 2009. Retrieved December 12, 2010. 
  17. ^ http://artcalifornia.net/about_calart.html

External links[edit]