Jupiter and Io

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Jupiter and Io
Artist Antonio da Correggio
Year c. 1532-1533
Type Oil on canvas
Dimensions 163.5 cm × 70.5 cm (64.4 in × 27.8 in)
Location Kunsthistorisches Museum

Jupiter and Io (c. 1530) is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio. It is housed in the Kunsthistorisches Museum of Vienna, Austria.

Contents

[edit] History

The series of Jupiter's Loves was conceived after the success of Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.

In the first edition of his Lives, late Renaissance art biographer Giorgio Vasari mentions only two of the paintings, Leda (today at the Gemäldegalerie, Berlin) and one Venus (presumably the Danae currently in the Borghese Gallery of Rome), although he knew them only from descriptions provided by Giulio Romano. Vasari mentions that the commissioner, duke Federico II Gonzaga, wanted to donate the works to emperor and King of Spain Charles V: the fact that the other two works, Ganymede Abducted by the Eagle and Jupiter and Io, were in Spain during the 16th century implies that they were part of the same series. British art historian Cecil Gould suggested that Federico had commissioned the Io and Ganymede for himself, and that they were ceded them to Charles V only after the duke's death in 1540, perhaps in occasion of the marriage of the king's son, Philip[1]; other hypotized that Federico ordered them for the Ovid room in his Palazzo Te[2]

The canvas was in Vienna since as early as the 1610s, when it is mentioned in the Habsburg imperial collections together with Ganymede[1].

[edit] Description

The scene of Jupiter and Io is inspired by Ovid's classic Metamorphoses. Io, daughter of the first king of Argos Inachus, is seduced by Jupiter (Zeus in Greek), who hides behind the dunes to avoid hurting the jealous Juno (Hera in Greek).

Noteworthy is the contrast between the evanescent figure of the immaterial Jupiter, and the sensual substance of Io's body, shown lost in an erotic rapture which anticipates the works of Bernini and Rubens.

[edit] References

  1. ^ a b Gould, Cecil (1976). The paintings of Correggio. London. pp. 130–131. 
  2. ^ Verheyen, Egon (1966). "Correggio's Amori di Giove". Journal of the Warburg and Courtauld Institutes XXIX: 160–192. 

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[edit] External links

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