||This biographical article needs additional citations for verification, as it includes attribution to IMDb. (September 2008)|
Justin Hayward in 2007
|Birth name||Justin Hayward|
14 October 1946 |
England, United Kingdom
|Genres||Rock, progressive rock|
|Instruments||Guitar, piano, vocals, mandolin, sitar|
|Associated acts||The Moody Blues|
Justin explains his actual name is Justin, not David, in a May 2010 letter he posted on his website, justinhayward.com: One rather odd question that was on the list, but that our Storyteller girl never got round to asking me was ‘when did you decide to call yourself Justin?’ Now there’s an assumption in a question for you! Well, my mother and father called me Justin when I was born, and as I grew up they would tell me of how it happened - in the upstairs room of the house next door to my grandparents house (as a teenager I became quite close to my grandparents neighbours, Mr and Mrs Jones). My parents had nowhere of their own to live at the time, and so they were staying with Grandpa and Grandma. But with no room at all for another baby to be born in their house, (my brother was still only eighteen months old), it was next-door at No 11 for my mother and ‘baby me’ on the morning of October 14th! My Grandmother was, to use an American expression, ‘a tough cookie’ and when I was born she vehemently protested that no one, apart from a Classical Roman scholar, could get their mind round such a daft name as Justin, so when the Registrar came round on the day after I was born, (as was the custom in those days, many children being born at home with a midwife attending - or a district nurse in the case of my sister), my grandma declared to him that I was to be David Justin Hayward (David was the middle name my parents had chosen). The big problem was that to all of the rest of my family I was just Justin, and always would be. A few days after I was born (as was also the custom at the time), I was baptised Justin David Hayward and remained so ever since. I went from being baby Justin, to annoying little brother Justin, to gangly lanky Justin to daddy Justin and to grandpa Justin. But – and I can’t emphasise this enough – there were numerous occasions during my school days, when after being called everything from Dustbin to Jason to Chester (Marshall Dillon’s lame sidekick), I would have given anything at all not to be called Justin! My dear Grandmother was proved right many times over - it was true - there was a sad lack of Classical Roman scholars at Shrivenham Village Primary school, or anywhere else for that matter, until Twiggy’s fella came along and made it Ok for us Justins!
When Hayward was 15 he was able to afford a Gibson guitar and a Vox amplifier through performing with local Swindon groups in clubs and dance halls playing mostly Buddy Holly songs. One of Hayward's early groups was All Things Bright, which opened for The Hollies and Brian Poole and the Tremeloes. At age 17, he signed a publishing contract as a songwriter with the skiffle artist and record producer Lonnie Donegan, a move Hayward later regretted as it meant the rights to all his songs written before 1974 would always be owned by Donegan's Tyler Music. In 1965 he answered an advertisement in Melody Maker and auditioned as guitarist for Marty Wilde and he went on to work with Wilde and his wife in The Wilde Three.
Hayward was recently involved in the remastering of The Moody Blues back catalogue for Universal Music.
On February 26, 2013 Hayward released his solo album "Spirits of the Western Sky" on the Eagle Rock label. He toured solo with this album on the east coast of the USA in August 2013, to much acclaim, with Moody Blues backups keyboardist Alan Hewitt, and vocalist Julie Ragins and an opening act and accompanying guitarist for Justin in the show, UK's Mike Dawes, an amazing guitarist in his own right. The final show of the solo tour in Atlanta, GA was recorded for a dvd project to be released soon.
The Moody Blues
In 1966, after answering another ad in Melody Maker, this time placed by Eric Burdon of The Animals, Hayward was contacted by Mike Pinder of The Moody Blues after Burdon had passed on Hayward's letter and demo discs to Pinder. Within a few days Hayward had replaced departing Moody Blues vocalist and guitarist Denny Laine. Bassist John Lodge replaced temporary deputy Rod Clarke who had stood in for departed Bassist Clint Warwick at the same time.
After beginning by singing the old blues-inspired repertoire of The Moodies' 1964-1965 era, Hayward's initial artistic contribution to The Moody Blues was his song 'Fly Me High', which was a Decca single early in 1967. It failed to chart but gave the revised band a new direction forward from the 'R & B' sound they had been largely producing up to that point.
Hayward's driving rocker 'Leave This Man Alone' was then used as 'B' side to the next Moodies single on Decca, backing Mike Pinder's 'Love And Beauty' (1967) the first Moodies record to feature the mellotron.
Hayward's and Lodge's integration into the Moody Blues along with Pinder's use of the Mellotron sparked greater commercial success and recognition for the band, transforming them into one of pop music's biggest-selling acts. Hayward says of Pinder: "Mike and the Mellotron made my songs work."
The 1967 album Days of Future Passed, one of the first and most influential symphonic rock albums, spawned the Hayward-penned singles "Tuesday Afternoon" and "Nights in White Satin". The latter record went on to sell over two million copies, charting three times in the UK (1967, 1972, and in 1979) and has been recorded by many other recording artists. Hayward's 'B' side song 'Cities' being an early ecology themed item.
Hayward became the group's main onstage figurehead over the 1967-1974 period, and the most prolific songwriter and composer of several big hit singles for the band. During this time he wrote memorable album tracks such as: "Tuesday Afternoon" (originally the first half, with John Lodge's (Evening) Time to Get Away, of "'Forever Afternoon (Tuesday?)"), "The Actor", "Lovely to See You", "Never Comes the Day", "Gypsy (Of a Strange and Distant Time)", "It's Up To You", "Dawning is The Day","You Can Never Go Home", "The Story in Your Eyes" (a US chart hit), "New Horizons", "The Land of Make-Believe", and "Island"
Hayward wrote the band's UK #2 hit, "Question" as well as "Voices in the Sky", "Driftwood", "The Voice", "Blue World", "Your Wildest Dreams", "I Know You're Out There Somewhere", "English Sunset" and "December Snow"; in all, writing 20 of the group's 27 post-1967 singles.
In addition to handling the lead vocals on his own compositions, Hayward also took a featured lead or co-lead vocal on other band members songs such as; "Dawn is A Feeling" (Pinder), "Gimmie A Little Something", "Isn't Life Strange", "Candle of Life" (Lodge), "After You Came", "I'll Be Level With You", "The Spirit". "Nothing Changes" (Edge) etc....
The Moodies' attempts to come up with another specific 'hit single' during the 1967-68 period saw them record three other Hayward compositions; "Long Summer Days", "King and Queen" and "What Am I Doing Here?" all of which were then left unissued, but together with unissued songs by Mike Pinder and John Lodge later formed the 'studio side four' of Decca's 1977 release; Caught Live Plus Five which largely comprised a December 1969 Live Recording of a concert at The Royal Albert Hall (issued against the group's wishes).
Hayward also co-wrote album tracks with Ray Thomas - "Visions of Paradise", "Are You Sitting Comfortably", "Watching and Waiting", and much later "Never Blame the Rainbows for the Rain", plus later co-wrote many songs with John Lodge for The Moodies, notably "Gemini Dream" (a US Chart hit), "Meet Me Halfway", "Talkin' Talkin'", "Want To Be With You", "Once is Enough", "Strange Times","Sooner or Later (Walking on Air)" among others.
Hayward's songs have opened each of The Moodies albums in their 'post Mike Pinder era' since Long Distance Voyager in 1981, and his songs, both solo compositions and co-written with John Lodge, plus his lead vocals, harmony voice, and guitar playing have been a major overriding factor in the bands work and continued success since 1981.
Their album sales from 1978 to the present are more than 60 million. This is the regularly quoted total of their album sales, since the total sales of their albums before 1978 is disputed due to lack of official record company data, However the period 1967 to 1974 was when their albums (and singles) were charting highest in the UK and US plus worldwide (album track "Melancholy Man" made number one in France as a single in 1970) - Days of Future Passed topped the US album charts on re-issue in 1972, then was followed into the album charts by the new studio album Seventh Sojourn.
Hiatus and Blue Jays / Solo Work
In 1974, the Moody Blues decided to take what ended up being a four-year break from performing and recording. Hayward continued working with Lodge and producer Tony Clarke, using musicians from the Moody Blues' label, Threshold, and sounding very much like the mother group. Together, they had a hit in 1975 with "Blue Guitar" (a Hayward recording with the band 10cc), and released an album titled Blue Jays.
In 1977 Justin recorded his first solo album Songwriter. He enjoyed international solo success in 1978 when he appeared on Jeff Wayne's Musical Version of The War of the Worlds concept album, which yielded his hits "Forever Autumn" and "The Eve of the War". Wayne later contributed to Hayward's 1980 album Night Flight.
Hayward issued a rare non-album single "Marie" c/w "Heart of Steel' (Decca F13834) in April 1979, both sides composed by him, the 'A' side dedicated to his wife. These tracks were later included among the 'Bonus' tracks on a CD re-issue of his Songwriter solo album in 2004.
During the 1980s, Hayward composed and performed for film and television, including the theme song "It Won't Be Easy" for the 1987 BBC2 science fiction series Star Cops, "Something Evil, Something Dangerous" for the film Howling IV: The Original Nightmare, "Eternal Woman" for the film She and music for the animated television series The Shoe People.
In 1989, with producer-arranger Mike Batt, Hayward released Classic Blue, an album of pop standards written by other composers, set to orchestration arranged by Batt. Classic Blue included a cover version of Led Zeppelin's hit "Stairway to Heaven." Hayward's solo album, The View from the Hill, was released in 1996, and a live recording, Live in San Juan Capistrano, followed in 1998.
In 2003 he sang along with other rock singers on another orchestral album, consisting of Moody Blues songs with the Frankfurt Rock Orchestra, titled Justin Hayward and Friends Perform the Hits of the Moody Blues (alternatively called Justin Hayward and Friends Sing the Moody Blues Classic Hits). Hayward was later involved in a legal dispute, now resolved, arguing he was not paid for his participation on the album.
In April 2006, Hayward took part in the stage tour of Jeff Wayne's Musical Version of The War of the Worlds, reprising his role in Autumn 2007 in Australia and in the UK in December 2007. He did so again in the UK in June 2009, and appeared on the tour in November and December 2010. In March 2007 Hayward collaborated with a Manchester DJ Damian Corcoran, their work thrived in the underground dance scene with 1 track 'Its stopped' entering the Billboard charts at number 3, this track is cited as 'The reason I wanted to make music' by Will i am.
The Moody Blues, with Hayward, Lodge and original drummer Graeme Edge, continue to tour extensively and in a recent[when?] BBC World Service interview, Hayward and Lodge made it clear they have no plans to stop working, regarding it as "a privilege" to still be working in the music industry. In an interview, in 2005, Edge said if he remained in good health, he could go on for 10 more years.
On December 10, 2011 Hayward along with Ian Anderson from Jethro Tull and Bruce Dickinson from Iron Maiden played a concert together at Canterbury Cathedral. Hayward's album Spirits of the Western Sky was released on 26 February 2013 on the Eagle/Lagare International labels.
For the most part, Hayward has used a red Gibson ES-335 ("main axe"), though he also uses other guitars in both performing and recording, including a 1955 Martin D-28 "Dreadnought", a James Olson six-string acoustic, a black Guild acoustic, a Squier Stratocaster (essentially an inexpensive Fender Stratocaster, as Squier is a subsidiary of Fender), a Fender Telecaster, a blonde Guild 12-string acoustic (tuned to "open C"), a 12-string Gibson acoustic (for "Question"), and in 1967 a black Gibson Les Paul. Between 1965 and 1968 he was without his Gibson 335 and relied on other instruments, most notably a 1964 Fender Telecaster and a hand-built 12-string guitar he had renovated for Donegan (he eventually bought this guitar from Donegan's widow). However, in an interview included on the Lovely to See You concert DVD (2005), Hayward says the 1963 Gibson 335 has been with him since 1967. Recently he has played a Collings D3 on stage and on recordings. Among other instruments, Hayward also played mandolin on A Question of Balance and sitar on "In Search of the Lost Chord".
At the end of one love affair and the beginning of another, the song "Nights in White Satin" was, according to Hayward, written 'in adoration of all women'. Ann Marie Guirron & Justin were married on 19 December 1970. A little over a year later the couple bought the 250-year-old "The Courtyard", originally a coach house near Hampton Court. Their daughter, Doremi Celeste Hayward, was born on 3 December 1972.
The couple were last reported as living in the South of France.
Hayward was awarded the first of numerous awards from the American Society of Composers, Authors and Publishers (ASCAP) for songwriting in 1974. In 1985, the Moody Blues picked up the Ivor Novello Award for Outstanding Contribution to Music, and in 1988 Hayward received the Novello, among other honours, for Composer of the Year (for "I Know You're Out There Somewhere"). In 2000, he was one of a handful of British artists to receive the "Golden Note" award for lifetime achievement by ASCAP. In 2004, Hayward was awarded the "Gold Badge" for lifetime achievement by the British Academy of Songwriters, Composers and Authors (BASCA).
- 1965 ~ "London Is Behind Me" (45 RPM Debut Single)
- 1966 ~ "Day Must Come" (45 RPM Single)
- 1966 ~ "I Can't Face the World Without You" (45 RPM Single)
- 1966 ~ "I'll Be Here Tomorrow" (45 RPM Single)
- 1967 ~ "Tuesday Afternoon" on Days of Future Passed
- 1967 ~ "Nights in White Satin" on Days of Future Passed
- 1967 ~ "Fly Me High" (45 RPM Single)
- 1967 ~ "Leave This Man Alone" (45 RPM Single)
- 1967 ~ "Cities" (45 RPM Single)
- 1967 ~ "Long Summer Days" (Released 1977)
- 1967 ~ "King and Queen" (Released 1977)
- 1967 ~ "What Am I Doing Here?" (Released 1977)
- 1968 ~ "Voices in the Sky" on In Search of the Lost Chord
- 1968 ~ "Visions of Paradise" (with Ray Thomas) on In Search of the Lost Chord
- 1968 ~ "The Actor" on In Search of the Lost Chord
- 1969 ~ "Lovely to See You" on On the Threshold of a Dream
- 1969 ~ "Never Comes the Day" on On the Threshold of a Dream
- 1969 ~ "Are You Sitting Comfortably?" (with Ray Thomas) on On the Threshold of a Dream
- 1969 ~ "Gypsy (Of a Strange and Distant Time)" on To Our Children's Children's Children
- 1969 ~ "Watching and Waiting" (with Ray Thomas) on To Our Children's Children's Children
- 1969 ~ "I Never Thought I'd Live to be a Hundred" on To Our Children's Children's Children
- 1970 ~ "Question" on A Question of Balance
- 1970 ~ "It's Up to You" on A Question of Balance
- 1970 ~ "Dawning Is The Day" on A Question of Balance
- 1971 ~ "Procession" (with Thomas, Lodge, Edge and Pinder) on Every Good Boy Deserves Favour
- 1971 ~ "The Story in Your Eyes" on Every Good Boy Deserves Favour
- 1971 ~ "You Can Never Go Home" on Every Good Boy Deserves Favour
- 1972 ~ "You and Me" (with Graeme Edge) on Seventh Sojourn
- 1972 ~ "New Horizons" on Seventh Sojourn
- 1972 ~ "The Land of Make Believe" on Seventh Sojourn
- 1973 ~ "Island" on Seventh Sojourn (Digitally Remastered 5.1 Edition)
- 1973 ~ "The Dreamer" (with Ray Thomas) on Seventh Sojourn (Digitally Remastered 5.1 edition)
- 1975 ~ "This Morning" on Blue Jays
- 1975 ~ "Remember Me My Friend" (with John Lodge) on Blue Jays
- 1975 ~ "My Brother" (with John Lodge) on Blue Jays
- 1975 ~ "Nights Winters Years" on Blue Jays
- 1975 ~ "I Dreamed Last Night" on Blue Jays
- 1975 ~ "Who Are You Now" on Blue Jays
- 1975 ~ "When You Wake Up" (with John Lodge) on Blue Jays
- 1975 ~ "Blue Guitar" on Blue Jays (CD Reissue)
- 1977 ~ "Tightrope" on Songwriter
- 1977 ~ "Songwriter" on Songwriter
- 1977 ~ "Country Girl" on Songwriter
- 1977 ~ "One Lonely Room" on Songwriter
- 1977 ~ "Lay It on Me" on Songwriter
- 1977 ~ "Stage Door" on Songwriter
- 1977 ~ "Raised on Love" on Songwriter
- 1977 ~ "Doin' Time" on Songwriter
- 1977 ~ "Nostradamus" on Songwriter
- 1977 ~ "Marie" on Songwriter (CD Reissue)
- 1977 ~ "Heart of Steel" on Songwriter (2nd CD Reissue)
- 1977 ~ "Wrong Time Right Place" on Songwriter (2nd CD Reissue)
- 1978 ~ "Had to Fall in Love" on Octave
- 1978 ~ "The Day We Meet Again" on Octave
- 1978 ~ "Driftwood" on Octave
- 1978 ~ "Top Rank Suite" on Octave
- 1980 ~ "Crazy Lovers" on Night Flight
- 1980 ~ "Nearer to You" on Night Flight
- 1980 ~ "A Face in the Crowd" on 'Night Flight
- 1980 ~ "Suitcase" on Night Flight
- 1981 ~ "The Voice" on Long Distance Voyager
- 1981 ~ "Gemini Dream" (with John Lodge) on Long Distance Voyager
- 1981 ~ "In My World" on Long Distance Voyager
- 1981 ~ "Meanwhile" on Long Distance Voyager
- 1983 ~ "Blue World" on The Present
- 1983 ~ "Meet Me Halfway" (with John Lodge) on The Present
- 1983 ~ "It's Cold Outside of Your Heart" on The Present
- 1983 ~ "Running Water" on The Present
- 1983 ~ "Eternal Woman" (from the film She)
- 1985 ~ "One Again" on Moving Mountains
- 1985 ~ "Take Your Chances" on Moving Mountains
- 1985 ~ "Is it Just a Game?" on Moving Mountains
- 1985 ~ "Moving Mountains" on Moving Mountains
- 1985 ~ "Silverbird" (with Jeff Wayne) on Moving Mountains
- 1985 ~ "Who Knows?" on Moving Mountains
- 1985 ~ "Goodbye" on Moving Mountains
- 1985 ~ "Lost and Found" on Moving Mountains
- 1985 ~ "The Lights are Low" on Moving Mountains (CD Reissue)
- 1985 ~ "The Angels Cry", performed by Agnetha Fältskog and Annie Haslam, separately
- 1986 ~ "Your Wildest Dreams" on The Other Side of Life
- 1986 ~ "Talkin' Talkin'" (with John Lodge) on The Other Side of Life
- 1986 ~ "I Just Don't Care" on The Other Side of Life
- 1986 ~ "Running Out of Love" (with John Lodge) on The Other Side of Life
- 1986 ~ "The Other Side of Life" on The Other Side of Life
- 1986 ~ "Slings and Arrows" (with John Lodge) on The Other Side of Life
- 1987 ~ "It Won't Be Easy" (with Tony Visconti) (Theme from the show Star Cops)
- 1988 ~ "I Know You're Out There Somewhere" on Sur La Mer
- 1988 ~ "Want to Be With You" (with John Lodge) on Sur La Mer
- 1988 ~ "River of Endless Love" (with John Lodge) on Sur La Mer
- 1988 ~ "No More Lies" on Sur La Mer
- 1988 ~ "Vintage Wine" on Sur La Mer
- 1988 ~ "Breaking Point" (with John Lodge) on Sur La Mer
- 1988 ~ "Miracle" (with John Lodge) on Sur La Mer
- 1988 ~ "Deep" on Sur La Mer
- 1989 ~ "Shoe People" (from the children's television show of the same name)
- 1989 ~ "Something Evil, Something Dangerous" (from the film The Howling IV)
- 1991 ~ "Say It With Love" on Keys of the Kingdom
- 1991 ~ "Bless the Wings (That Bring You Back)" on Keys of the Kingdom
- 1991 ~ "Is This Heaven?" (with John Lodge) on Keys of the Kingdom
- 1991 ~ "Say What You Mean" (Parts I & II) on Keys of the Kingdom
- 1991 ~ "Hope and Pray" on Keys of the Kingdom
- 1991 ~ "Once Is Enough" (with John Lodge) on Keys of the Kingdom
- 1991 ~ "Never Blame the Rainbows for the Rain" (with Ray Thomas) on Keys of the Kingdom
- 1996 ~ "I Heard It" on The View from the Hill
- 1996 ~ "Broken Dream" on The View from the Hill
- 1996 ~ "It's Not Too Late" on The View from the Hill
- 1996 ~ "The Way of the World" on The View from the Hill
- 1996 ~ "Sometimes Less is More" (with Dennis Lambert) on The View from the Hill
- 1996 ~ "Troubadour" on The View from the Hill
- 1996 ~ "Shame" on The View from the Hill
- 1996 ~ "Billy" on The View from the Hill
- 1996 ~ "Children of Paradise" on The View from the Hill
- 1999 ~ "English Sunset" on Strange Times
- 1999 ~ "Haunted" on Strange Times
- 1999 ~ "Sooner or Later" (with John Lodge) on Strange Times
- 1999 ~ "Foolish Love" on Strange Times
- 1999 ~ "All That is Real is You" on Strange Times
- 1999 ~ "Strange Times" (with John Lodge) on Strange Times
- 1999 ~ "The One" (with John Lodge) on Strange Times
- 1999 ~ "The Swallow" on Strange Times
- 2001 ~ "Water" (with John Lodge) on Journey into Amazing Caves
- 2001 ~ "We Can Fly" (with John Lodge) on Journey into Amazing Caves
- 2003 ~ "Don't Need a Reindeer" on December
- 2003 ~ "December Snow" on December
- 2003 ~ "In The Quiet of Christmas Morning (Bach 147)" (lyrics only, with John Lodge) on December
- 2003 ~ "Yes, I Believe" on December
- Blue Jays (1975) with John Lodge UK #4
- Songwriter (1977) UK #28
- Night Flight (1980) UK #41
- Moving Mountains (1985) UK #78
- Classic Blue (1989) with Mike Batt UK #47
- The View from the Hill (1996)
- Spirits of the Western Sky (2013) UK #81
- Live in San Juan Capistrano (1998)
- Justin Hayward and Friends Sing the Moody Blues Classic Hits (2003)
- BMI Database
- Justin Hayward friend of Commonweal
- "Happenings : News". Justin Hayward. Retrieved 2012-05-22.
- Decca Moody Blues liner notes, Decca Records / Universal Music 2006
- Review: Jeff Wayne’s War of The Worlds - Goldenplec
- Odyssey Arena, Belfast ... - California Chronicle
- "I got married in 1970" quote of Justin Hayward correcting Sammy Sultan in Sammy Sultan Interviews, 9/13 Feb..
- "Ann Marie Guirron". sentstarr.tripod.com/. Retrieved 30 January 2013.
- Justin Hayward official site
- 2005 Justin Hayward Interview
- Justin Hayward discography at Discogs
- Tony Brown's Moody Blues Gallery; biographical multi-media site
- Justin Hayward biography at the AMG website