||This article may be too technical for most readers to understand. (May 2013)|
||This article provides insufficient context for those unfamiliar with the subject. (May 2013)|
|Hindustani classical music|
Pandit Vishnu Narayan Bhatkhande’s classification of the Ragas has ten different logical groups, consisting of various closely related ragas; Kafi is one of them. The raga Kafi is the principal one, which essentially describes the nature of the Kafi. It is not quite an ancient raga. According to Pandit Bhatkhande, the name of the raga first appears in the Raga Tarangini of Lochana Pandit, who lived in the Mithila district around the fifteenth century (common era).
Nowadays, quite a few variations of Kafi exist. Contamination with vivadi swaras are judiciously being used to increase the listening pleasure. This sort of forced contamination has given rise to Mishra Kafi. Hence, a pure form of Kafi is seldom heard in recent performances.
Sa Re ga Ma Pa Dha ni Sa
Vadi & Samavadi
A typical improvisation of Kafi starts as nD,PmgR *, SS RR gg mm P, P m g R, g m P g - R.
The phrases below and termination in R are characteristic of the raga. S R g M P D n. S, RgMP, M P D (M)g R
The typical chalan of the raga can be illustrated as follows:
S S R R g g M M P - - D M P g R R n D n P D M P S n D P M G R S.
M P D D n S - S R g R S N D S - S R S n D n D P M P D P g - R - R n D n P D M P S n D P M g R S
Organization & Relationships
Evening and the first part of Night.
The raga is suitable to be performed during any season. Specially Hindi Month Fagun (Indian Festival Holi) time, February Last to March
The principal rasa for this raga is shringar.
1. Hindustani Sangeet Paddhati and his concise commentary, A Comparative Study of Some of the Leading Music Systems of the 15th, 16, 17th, & 18th Centuries by Pandit Vishnu Narayan Bhatkhande.