Kaleidoscope (Siouxsie and the Banshees album)

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Kaleidoscope
Studio album by Siouxsie and the Banshees
Released 1 August 1980
Recorded 1980
Genre Post-punk
Length 40:44
Language English
Label Polydor
Producer Nigel Gray, Siouxsie and the Banshees
Siouxsie and the Banshees chronology
Join Hands
(1979)
Kaleidoscope
(1980)
Juju
(1981)
Singles from Kaleidoscope
  1. "Happy House"
    Released: 7 March 1980
  2. "Christine"
    Released: 30 May 1980

Kaleidoscope is the third studio album by British rock band Siouxsie and the Banshees. It was released on 1 August 1980 by Polydor Records. The album was preceded by the hit singles "Happy House" and "Christine".

Background[edit]

Following the departure of two band members, the band regrouped and redirected their sound for their third record. Departing from their previous work, the Banshees incorporated synthesizers and drum machines for the first time. They particularly experimented in electronic music on a couple of tracks: the electro-dance minimalism "Red Light" and the atmospheric synth-based piece "Lunar Camel". Kaleidoscope also marks the debut of guitarist John McGeoch and new drummer Budgie.

Release and critical reception[edit]

The album peaked at No. 5 in the UK Albums Chart, the highest position the band has achieved.[1]

Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars[2]
Melody Maker favourable[3]

Melody Maker's Paulo Hewitt praised the album, and qualified "Paradise Place" and "Skin" as "classic Banshee pieces. Hypnotic, relentless and incisive, both feature Steve Jones on guitar, revealing a hitherto unknown side of the (S)ex-Pistol".[3] Alastair Macaulay, writing in Smash Hits, said that the album was "not a significant move in any direction". He added that it was a "fair album by their own standards, good by anyone else's", but he we wondered "where do they go from here?".[4]

"Happy House" and "Christine" were hailed by The Jam. Singer-songwriter Paul Weller said that they both used "some unusual sounds" while drummer Rick Buckler qualified them as "innovative".[5]

In a contemporary review, AllMusic described it as a "strong record" with "extraordinarily imaginative production values, featuring intricate synthesizer-flecked arrangements; psychedelic touches in "Christine", spaceship synthesizer swoops in "Tenant" and rhythmic camera clicks in "Red Light" all enliven their respective songs".[2]

Legacy[edit]

Kaleidoscope had an impact on several critically acclaimed musicians.

The Cure frontman Robert Smith cited the album to Steve Sutherland in 1985 when describing The Head on the Door: "It reminds me of the Kaleidoscope album, the idea of having lots of different sounding things, different colours."[6]

Johnny Marr from The Smiths stated on BBC Radio 2 in February 2008 about John McGeoch's contribution on "Happy House":

What is it about "Happy House" from a guitar player point of view. For start, it's modern. It's not going in any of these creaky or rock'n'roll aspects to it and it still sounded like the Banshees, or even more so. That's when I really began to become a fan of John McGeoch. It was a extra bonus for me. They had got a great guitar player who had left another band and came in. Not surprisingly, that to me was a very good scenario. I've always liked that. It was like get John's best on the guitar.[7]

Santigold said that she took inspiration from the song "Red Light". "'My Superman' is an interpolation of a Siouxsie Sioux song, 'Red Light'", she explained. "I love her song and I love this song."[8] Santigold also later sampled another song off Kaleidoscope, "Lunar Camel", on her Top Ranking remix album. Jeremy Jay covered the same song on his Airwalker EP.

Kaleidoscope was also praised by the singer of Suede, Brett Anderson.[9]

Track listing[edit]

All lyrics written by Siouxsie Sioux, except "Red Light" and "Christine" by Steven Severin., all music composed by Sioux and Steven Severin, except "Trophy", by Sioux, Severin and John McGeoch.

Side A
No. Title Length
1. "Happy House"   3:52
2. "Tenant"   3:41
3. "Trophy"   3:19
4. "Hybrid"   5:31
5. "Clockface"   1:53
6. "Lunar Camel"   3:02
Side B
No. Title Length
7. "Christine"   2:59
8. "Desert Kisses"   4:15
9. "Red Light"   3:21
10. "Paradise Place"   4:34
11. "Skin"   3:49

Personnel[edit]

Siouxsie and the Banshees
  • Siouxsie Sioux – vocals, acoustic and electric guitar, finger cymbals, camera, melodica, production
  • Steven Severin – bass guitar, electric guitar, vocals, piano, synthesizer, electric sitar, production
  • Budgie – drums, harmonica, bass guitar, percussion, production
  • John McGeoch – guitar, saxophone, Farfisa organ, sitar, string synth, production
Additional personnel
  • Steve Jones – lead guitar on "Clockface", "Paradise Place" and "Skin"
Technical

References[edit]

  1. ^ "Siouxsie & the Banshees | Artist | Official Charts". officialcharts.com. Retrieved 9 March 2013. 
  2. ^ a b Cleary, David. "Kaleidoscope – Siouxsie and the Banshees". AllMusic. AllRovi. Retrieved 2 September 2012. 
  3. ^ a b Hewitt, Paulo (26 July 1980). "Siouxsie's Sketches [album – review]". Melody Maker. Rock's Backpages. Retrieved 2 September 2012.  (subscription required)
  4. ^ Macaulay, Alastair. "Albums". Smash Hits (August 7–20, 1980): 28. 
  5. ^ "Desert Islands Disc: The Jam list their current favourite records" (n°1). Flexipop Magazine (now on flexipop.com). Retrieved 2014-05-30. 
  6. ^ Sutherland, Steve (17 August 1985). "A Suitable Case for Treatment". Melody Maker. 
  7. ^ Mitchell, Pete (first broadcast February 2008). "Spellbound: The Story of John McGeoch (4/6)". BBC Radio 2. YouTube. Retrieved 3 November 2011. 
  8. ^ Hresko, Lisa (28 April 2008). "All That Glitters Is Santogold". CMJ. Retrieved 2 September 2012. 
  9. ^ "Some Current Fascinations". brettanderson.co.uk. Retrieved 1 November 2011.