Karla F.C. Holloway

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Karla Francesca Holloway (née Clapp; September 29, 1949) is an American academic.[1] She is James B. Duke Professor of English & Professor of Law at Duke University, and holds appointments in the Duke University School of Law as well as the university's Department of English, Department of African & African American Studies, and Program in Women's Studies.

Early life and education[edit]

Holloway's early life was spent in Buffalo, New York, the middle daughter of prominent educators Claude D. and Ouida H. Clapp.[2] She received an A.B. From Talladega College. Part of her undergraduate credits were earned at Wroxton College (Wroxton Abbey), where she studied British literature, politics and economics, and part were earned at Harvard University where she studied Linguistics.[3]

Holloway received an M.A. from Michigan State University, an M.L.S. from Duke University School of Law, and a Ph.D in American Literature and Linguistics from Michigan State University. Her dissertation, about the anthropologist Zora Neale Hurston, was titled "A Critical Investigation of Literary and Linguistic Structures in the Fiction of Zora Neale Hurston".[1][4]

Professional activities[edit]

Holloway has been a member of the Duke faculty since 1994. Previously she taught at North Carolina State. She was hired, she later recalled, because Henry Louis Gates, Jr. "had just left for Harvard and Duke suddenly needed someone to teach a night course that had already been scheduled for Gates."[5]

She has served on the boards of Duke University's Center for Documentary Studies, and Princeton University's Council on the Study of Women and Gender. She has been affiliated with Duke University's Institute on Care at the End of Life, and with the Trent Center for Bioethics and Medical Humanities. She was the first African American woman to serve as a department chair (African & African-American Studies). While chair, she led the program to full departmental status with the authority to hire and tenure its own faculty.[6]

Her teaching and research focusses on African American cultural studies, gender, biocultural studies, law, and ethics.[7] Professor Holloway's books primarily analyze race, gender, literature, and especially the writings of African-American women.[8] Referring to twentieth-century African-American women authors, Holloway wrote the following,[9] which has been favorably quoted by others in her field:[10][11][12][13]

Recursive structures accomplish a blend between figurative processes that are reflective (like a mirror) and symbolic processes whose depth and resonance make them reflexive. This combination results in texts that are at once emblematic of the culture they describe as well as interpretive of this culture.

In 1999 she became the first African American woman to serve as a dean of faculty at Duke. She was Dean of the Faculty of Humanities and Social Sciences until 2004, when she took a leave of absence to attend Duke Law School, earning her Master of Legal Studies (2005). She is a current member of its faculty.[14]

Holloway was a founding co-director of the John Hope Franklin Center and the Franklin Humanities Institute.[15] She is a member of the Hastings Center, an elected association of leading bioethics researchers and also serves on the Faculty Scholars in Bioethics Board of the Greenwall Foundation.[16][17][18]

In 2013, she was named to the Institute of Medicine's Committee on Transforming Care at the End of Life, within the National Academies of the United States. She serves on this committee with 20 other members from around the country.[19]

Books[edit]

Professor Holloway has written eight books to date, which can be summarized as follows, in chronological order.[8]

  • New Dimensions of Spirituality: A BiRacial and BiCultural Reading of the Novels of Toni Morrison. Westport (1987; with S. Demetrakopoulos)

This book coauthored with Stephanie Demetrakopoulos, is a series of essays about Toni Morrison's first four novels: The Bluest Eye, Sula, Song of Solomon, and Tar Baby. The coauthors, both professors of English, each write one chapter on each novel, as well as a chapter of introduction, "personal reveries", and a conclusion. The writing is relatively free of academic jargon. However, Demetrakopoulos brings to bear an interest in women's studies and Jungian psychology, whereas Holloway’s interest is more in black studies and linguistics.[20]

  • The Character of the Word: The Texts of Zora Neale Hurston (1987)

This 1987 book follows up on Holloway’s 1978 doctoral dissertation about the anthropologist Zora Neale Hurston. According to Cynthia Davis and Verner Mitchell, this book by Holloway is a "rather dense study of linguistic codes in Hurston’s novels." Davis and Mitchell acknowledge that the book does "usefully explore Hurston’s battle against pejorative conceptions of dialect".[21]

  • Moorings & Metaphors: Figures of Culture and Gender in Black Women's Literature (1992)

This 1992 study considers the ways that cultural tradition is reflected in the language and figures of black women's writing, covering works of Gloria Naylor, Alice Walker, Ama Ata Aidoo, Ntozake Shange, Buchi Emecheta, Octavia Butler, Efua Sutherland, Gayl Jones, and particularly focusing on Toni Morrison's Beloved and Flora Nwapa's Efuru. Analyzing the work of contemporary African-American and West African writers, Holloway draws connections across two continents.[22]

  • Codes of Conduct: Race, Ethics, and the Color of Our Character (1995)

In Codes of Conduct, Holloway departs from the formality of scholarly prose to meditate about her experiences as a black person in the larger society, the experiences of her son, and the experiences of African-American women who faced public trials and tribulations; in the latter category, she places Tawana Brawley, Anita Hill, Phillis Wheatley, Zora Neale Hurston, and Whoopi Goldberg. This book also discusses the visual power of the black female body, the resonance and drama of language, and African-American community life.[23]

  • Passed On: African American Mourning Stories (2002)

Holloway argues that the susceptibility of African-Americans to early death has had unique cultural effects, and this 2002 book examines the "life of death" in that culture. The book is a memorial for Bem Kayin Holloway, an emotionally-disturbed son who died in in an attempted prison break, after failing to receive appropriate therapy. Karla Holloway studied mourning rituals and visited funeral homes throughout the United States as well as absorbing evidence from Richard Wright's death in Paris, black cult members' deaths in Jonestown, and other episodes. This is a survivor's tale, and a mordant humor surfaces occasionally.[24]

  • BookMarks: Reading in Black and White — A Memoir (2006)

This 2006 book by Holloway profiles 25 black authors who tended in their memoirs to cite the white giants of English-language literature, while citing markedly fewer black authors, or merely listing the latter as afterthoughts. Holloway interprets this tendency of black authors to "bookmark" primarily white authors as a signal from the memoirists of their supremely literate mastery of Anglo-American literature.[25]

  • Private Bodies/Public Texts: Race, Gender, and a Cultural Bioethics (2011)

In Private Bodies/Public Texts, Holloway examines instances where personal medical information has been forced into the public sphere, and says that women and African Americans are often the victims. In view of history from Henrietta Lacks to Terri Schiavo, Holloway argues that some populations are more vulnerable to this phenomenon than others.[26]

  • Legal Fictions: Constituting Law, Composing Literature (2014)

In Legal Fictions, Professor Holloway explores the relationship between U.S. literature and U.S. jurisprudence, especially the effect that race concepts in law have had upon literary fiction. Holloway sees such relationships in Toni Morrison's Beloved, in Charles R. Johnson's Middle Passage, in David Bradley's The Chaneysville Incident and in Ralph Ellison's Invisible Man.[27]

Group of 88[edit]

During the Duke lacrosse case of 2006-07, in which the men's lacrosse team were accused — falsely it turned out — of raping a black woman at a party, Holloway coordinated the so-called "Group of 88" statement.[28] This was an advertisement that she and Professor Wahneema Lubiano crafted for the Duke student newspaper, describing concerns about racism and sexism that the incident allegedly raised, and discussing "what happened to this woman".[28][29] Historian KC Johnson and journalist Stuart Taylor, Jr. note that Holloway and Lubiano made it a point to publish the statement before the release of DNA results, which prosecutor Mike Nifong had said would determine the veracity of the accusations, and before any indictments.[30] The ad proved polarizing.[31]

As the facts of the case became clearer, Duke president Richard H. Brodhead, who had barred the indicted players from campus, invited them back. In response, Holloway resigned from a campus committee, stating that she "could no longer work in good faith with this breach of common trust", and she charged the university with failing to allow the judicial process to play out.[28] According to Johnson and Taylor, Holloway had previously said: "the seriousness of the matter cannot be finally or fully adjudicated in the courts" because "justice inevitably has an attendant social construction."[30]

Holloway also announced that she had overheard that there was a witness to racial slurs by lacrosse players.[30] No such witness was ever produced, say Johnson and Taylor, but the Wilmington Journal printed the story, and "Holloway was never disciplined or criticized by the Duke administration."[30] In 2006, Holloway said that she was a "victim" of the case, and that she would sign the Group of 88's ad again “in a heartbeat.”[30]

Personal life[edit]

Holloway's husband, Russell Holloway, is an Associate Dean for Corporate and Industry Relations at the Pratt School of Engineering at Duke. Her daughter, Ayana Holloway Arce, is an Assistant Professor of Physics, also at Duke University.[32][33] She had an adoptive son, Bem Kayin Holloway, who ran into trouble with the law, and subsequently died.[24][34]

References[edit]

  1. ^ a b Davis, Cynthia and Mitchell, Verner. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism, p. 236 (Scarecrow Press 2013).
  2. ^ "Uncrowned Community Builders". 
  3. ^ "Wroxton College-Fairleigh Dickinson University". Retrieved November 22, 2014. 
  4. ^ "Showing all editions for 'A critical investigation of literary and linguistic structures on the fiction of Zora Neale Hurston'", Worldcat.
  5. ^ "Finding Duke's Front Door". Duke Today. December 2, 2009. 
  6. ^ Stroup, Katherine. "Tenure plan brightens future for AAAS", The Chronicle (Duke University) (April 28, 1998).
  7. ^ Duke English: Karla F. Holloway.
  8. ^ a b "Publications of Karla FC Holloway". Duke.edu. Retrieved October 21, 2012. 
  9. ^ Holloway, Karla. "Revision and (Re)membrance: A Theory of Literary Structures in Literature by African-American Women Writers", Black American Literature Forum, Vol. 24, No. 4, Women Writers Issue (Winter, 1990), pp. 617-631.
  10. ^ Ermest, John. Chaotic Justice: Rethinking African American Literary History, p. 158 (2010).
  11. ^ George-Graves, Nadine. Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out, p. 72 (2010).
  12. ^ Davis, Rocio. "Identity in Community in Short Story Cycles" in Ethnicity and the American Short Story, p. 18 (Julie Brown ed. 2013).
  13. ^ Schreiber, Evelyn. Subversive Voices: Eroticizing the Other in William Faulkner and Toni Morrison, p. 155 (2001).
  14. ^ "Karla F. Holloway". Retrieved November 21, 2014. 
  15. ^ "Karla FC Holloway, James B. Duke Professor of English and Professor of Law and Professor of Women's Studies". Duke.edu. Retrieved October 21, 2012. 
  16. ^ "Faculty Scholars Program Committee". Retrieved April 1, 2014. 
  17. ^ "The Bellagio Center Residencies". Retrieved November 21, 2014. 
  18. ^ "2007-08 DuBois Institute Fellows" (PDF). Retrieved November 21, 2014. 
  19. ^ Committee on Transforming Care at the End of Life, iom.edu; accessed November 21, 2014.
  20. ^ Overmyer, J. Choice: Current Reviews for Academic Libraries (February 1988).
  21. ^ Davis, Cynthia and Mitchell, Verner. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism, p. 20 (2013).
  22. ^ Moorings & Metaphors: Figures of Culture and Gender in Black Women's Literature, Google Books.
  23. ^ Kirkus Review (2010).
  24. ^ a b Saillant, John. Mourning in African American Life (book review), Humanities and Social Sciences Net Online (2002).
  25. ^ Greenlee-Donnell, Cynthia. "Duke's Karla F.C. Holloway studies black authors' favorite writers", Indy Week (November 29, 2006).
  26. ^ Private Bodies, Public Texts: Race, Gender, and a Cultural Bioethics, Google Books summary.
  27. ^ Legal Fictions: Constituting Race, Composing Literature, Google Books summary.
  28. ^ a b c Yaeger, Don & Mike Pressler. It's Not about the Truth: The Untold Story of the Duke Lacrosse Case and the Lives It Shattered, pp. 121-126 (New York: Threshold Editions, 2007).
  29. ^ Bourdillon, Meg. "Faculty letter aims to clarify '88'ad", The Chronicle (Duke University) (January 17, 2007). Accessed November 21, 2014.
  30. ^ a b c d e Johnson, KC; Taylor, Stuart, Jr. Until Proven Innocent: Political Correctness and the Shameful Injustices of the Duke Lacrosse Rape Case, pp. 145, 242, 290, 324-325 (MacMillan 2010).
  31. ^ Cohan, William. The Price of Silence: The Duke Lacrosse Scandal, the Power of the Elite, and the Corruption of Our Great Universities, p. 222 (2015).
  32. ^ "Industry". Retrieved November 21, 2014. 
  33. ^ "Tracing Family Threads Through Superstrings". Retrieved November 21, 2014. 
  34. ^ "Raleigh man sentenced to up to 95 years for rape, kidnapping", The Chronicle (November 19, 1998).