Kathputli is a string puppet theatre, native to Rajasthan, India, and is the most popular form of Indian puppetry. Being a string marionette, it is controlled by a single string that passes from the top of the puppet over the puppeteers.
Kathputli is a join of two rajasthani language words Kath meaning wood and Putli meaning a doll which has no life . Kathputli means a puppet which is made entirely from wood. However it is made out of wood, cotton cloth and metal wire.
Some scholars believe Kathputli art tradition is more than thousands years old. One finds its reference in Rajasthani folk tales, ballads and sometimes even in folk songs. The tribes of Rajasthan have been performing this art from the ancient times and it has become an eternal part of Rajasthani culture and tradition. No village fair, no religious festival and no social gathering in Rajasthan can be complete without the Kathputlis. It is believed that somewhere 1500 years ago, tribal Rajasthani Bhat community started the use of Kathputli as string marionette art and it is in their love for tradition that art of Kathputli survived the test of time. Tradition of Kathputli is based on folk tales and stories. Scholars believe that folk tales convey the lifestyle of ancient Rajasthani tribal people and Kathputli art might have originated from present day Nagaur and surrounding areas. Rajasthani Kings and nobles were patrons of Art and Craft and they encouraged the craftsmen in activities ranging from wood and marble carving to weaving, pottery and painting. Over the last 500 years, Kathputli was a system of patronage supported by kings and well-off families. The patrons would look after the artists in return for the artists singing praises of the patrons’ ancestors. Bhat community claim that their ancestors had performed for royal families, and received great honour and prestige from the rulers of Rajasthan.
Today Kathputli art is one of the most popular performing arts of Rajasthan after Ghoomar. Organisations like Rupayan Sansthan in Jodhpur founded by Vijaydan Detha and Komal Kothari in 1960 and Bharatiya Lok Kala Mandal, Udaipur, founded by Devilal Samar in 1952, are working in the field preserving and promoting the art of Kathputli, the latter even has a puppet theater as well as puppet museum. Capital New Delhi also has an area known as 'Kathputli Colony', in Shadipur Depot, where puppeteers, magicians, acrobats, dancers and musicians and other itinerant performance groups have settled since half a century.
Characteristic to this form are the shrill voices produced by the lead puppeteer which are spoken through a bamboo reed. The art of Rajasthani puppetry (also called Kathputli) originated a thousand years ago when the Bhat community began to practice this art. Patronised by many ruling families in the state, it soon grew into a major art form of the region. Due to the invasion of Rajasthan by the Mughals, Kathputli gradually lost its importance. It has been one of the oldest forms of entertainment. Historically, these puppets were not only a source of entertainment, but also provided moral and social education. The shows tackled problems like the dowry system, women's empowerment, illiteracy, poverty, unemployment, and cleanliness. These puppet shows made people aware of the social problems that everybody was facing and also showed ways of solving them.
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- Ghosh, p. 75
- Rajasthan, by Anymique Choy, Tarangi Singh , pg 35.
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- "Magic slum may vanish in puff of development smoke". The Sydney Morning Herald. March 27, 2010.
- "Show begins at Kathputli Colony". Indian Express. Feb 16, 2009.
- Shrager, Heidi J. (Jun 20, 2008). "Postcard from Kathputli: Magic Abounds in a Delhi Slum". TIME magazine.
- Brandon, James R.; Martin Banham (1997). The Cambridge guide to Asian theatre. Cambridge University Press. ISBN 0-521-58822-7.
- Ghosh, Sampa; Utpal Kumar Banerjee (2006). Indian puppets. Abhinav Publications. ISBN 81-7017-435-X.
- Rajathani puppet at Britannica.com
- Noted Kathputli artists