Alternative cover for issue #1, designed by Kagan McLeod.
|Publication date||April 2010-August 2011 – February 2011-Present|
|Number of issues||16 (As of May 2013)|
|Writer(s)||Anthony Del Col
|Volume 1: A Sea of Troubles||ISBN 1600107818|
|Volume 2: The Blast of War||ISBN 1613770251|
|Volume 3: The Tide of Blood||ISBN 1613777329|
Kill Shakespeare is a twelve-issue comic book limited series released by IDW Publishing. It was produced by Anthony Del Col and Conor McCreery, who also served as co-writers, with Andy Belanger as artist, Ian Herring as colourist, and Kagan McLeod as cover artist. The first issue was published on April 14, 2010.
- 1 Publication history
- 2 Plot synopsis
- 3 Characters
- 4 Enchanted objects
- 5 Collected editions
- 6 Reception
- 7 Adaptation
- 8 Notes
- 9 References
- 10 External links
The idea first came to Del Col and McCreery in 2005, however due to other commitments the project was put on hiatus. Originally Kill Shakespeare was intended to be a video game, the pair also contemplated using the idea for a movie as well. In 2009, the pair attended the New York Comic-Con and sparked interest in publishing companies, from whom they eventually chose IDW.
On November 9, 2010 IDW released a collected edition of issues #1-6 called, Kill Shakespeare Volume 1: A Sea of Troubles. The second collected edition of the Kill Shakespeare series, Kill Shakespeare Volume 2: The Blast of War, was released on November 22, 2011.
On October 11, 2012 IDW announced Kill Shakespeare's return in a new, five-issue, limited series titled, The Tide of Blood, which will continue the story of the first series. The first issue of The Tide of Blood, was released on February 20, 2013.
Prince Hamlet is being banished with Rosencrantz and Guildenstern from his country of Denmark for the murder of Polonius . Before he leaves he takes one last look around his city and is confronted by a strange mist that tells him he should kill his uncle. Hamlet then denies that he's a killer and gets onto the ship headed for England. That night Hamlet has another encounter with the mist, the ship is then attacked by pirates. Rosencrantz and Guildenstern are killed, but Hamlet manages to escape on a piece of the ship with a deceased sailor already on it. Hamlet then wakes up in a strange bedroom and meets Richard the Third. Richard tours Hamlet through his city showing him that he is building libraries and schools for them. He then asks Hamlet if he will help steal Shakespeare's quill because he is the only one who can find Shakespeare, in exchange Richard will resurrect Hamlet's father. Richard then demonstrates this by bringing the sailor that Hamlet was found with back to life. Hamlet agrees to join Richard's quest to find Shakespeare. Hamlet doesn't know how to find Shakespeare, then Iago asks him if he could just relax, that causes a path to appear in the woods. Richard's party go down the path and find themselves in a small village where they are attacked by a group called Prodigals. Richard hands him a knife to protect himself. That night Hamlet is almost killed by bandits but is saved by Falstaff who knocks him out and kidnaps him. Iago is sent to find Hamlet. Hamlets wakes up and Falstaff says he was trying to protect Hamlet from people trying to kill him. Hamlet tries to escape by creating another path, but can't. Falstaff offers to take him to a safer place through the woods. While they travel through the woods they meet Puck, Falstaff then reveals that he's a Prodigal. Hamlet tries to get away from Falstaff, but instead Falstaff takes him to a brothel. The bandits attack the brothel, Hamlet and Falstaff escape dressed as women. At the same time, Richard is attempting to create an alliance with Macbeth. Lady Macbeth kills her husband because she's in league with Richard.
Hamlet and Falstaff meet up with Juliet Capulet and Othello, the leaders of the Prodigal Rebellion. Falstaff tells them that Hamlet is the "Shadow King" but they don't believe it. Richard's army attacks, Hamlet saves Juliet's life and then Iago saves both of them by attacking Tamora Andronicus, one of the bandits. Othello tries to kill Iago but Iago manages to talk him down. Hamlet tries to leave with Iago, but Juliet won't let him do that so she decides to make him her captive. Hamlet tries to escape with Iago late at night but Juliet catches them and Iago tells Hamlet to go by himself. Hamlet then meets with his father's ghost who turns into Polonius and then into Hamlet. Hamlet escapes and sees some of Richard's army torturing a group of Prodigals for information. Hamlet is found by Lysander, Demetrius and Adriana who want to join with Juliet's rebellion. Juliet, Othello, Iago and Falstaff meet up with Hamlet in a barn and they work on Adriana's farm for payment for hospitality. Later, they hold a meeting with several prodigals and the rebellion begins. Then, Richard's army attacks and the rebellion protects Juliet, Juliet begins to believe Hamlet is the Shadow King and Iago decides to join the rebellion. Later, Iago meets up with Lady Macbeth and begin to conspire.
A troupe of actors led by Feste, arrive in the camp of the Prodigal Rebellion and put on a production of The Murder of Gonzago, with Hamlet on-stage. Hamlet is reminded of his father's murder and flees. Juliet chases him and they each relate their own personal tragedies, Hamlet's murder of Polonius and Juliet losing Romeo. Hamlet, Iago and Falstaff get ready to begin the search for Shakespeare. The night before they leave Juliet meets with Hamlet and they kiss. The next day they begin the journey, but they are stopped by a group of Paladins led by Romeo Montague. Hamlet uses his power to part the trees and shows the way to the The Globe Woods where Shakespeare lives. Hamlet goes in by himself and comes across Puck. Puck leads him to a house on the other side of a river. Hamlet tries to swim the river but then gets pulled down into the water by creatures made up of manuscript pages. At the same time, Iago contacts Lady Macbeth and tells her that Hamlet was killed, but he's discovered by Falstaff. They start to torture Iago to find out what he knows, Iago tells them that Hamlet will kill Shakespeare and not survive his meeting with Shakespeare. Hamlet manages to escape the monsters and finally meets Shakespeare who seems uninterested in doing anything with the Prodigals or Hamlet. Hamlet throws aside his knife which then begins to move by itself and then tries to kill Shakespeare.
After his Father the King is murdered by Hamlet's Uncle the young Dane vowed revenge. However, after killing family friend Polonius with a blow meant for his Uncle, The Prince questions his thirst for vengeance and flees Denmark. Still haunted by his father's ghost, confused and distraught, Hamlet is now caught up in a destiny far greater than he could have ever imagined.
One of the most powerful and shrewd generals in the land, Richard oversees a growing nation built on the backs of his serfs. Along with his desire to create a legacy through the glorification of his name Richard seeks to crush all opposition and conquer further kingdoms. He has formed a temporary alliance with Lady Macbeth after her betrayal of her husband, but can he trust her?
Beautiful and ruthless, Lady Macbeth has an unmatched thirst for power. Using her sexuality—and three witches as her council—she subtly steered her husband's rise to prominence. But with Lord Macbeth locked in a battle with Richard III the time was ripe for the Lady to step out of her husband's shadow. She drugged her husband's mead and walled him up in his Cawdor castle. However, will her own ambition lead her to discard Richard in his turn—and can she trust him not to betray her?
After fleeing from Othello's side Iago quickly attached himself to Richard III. Using wits and treachery the Spaniard efficiently moved up the ranks and is now one of Richard's most relied-upon deputies. But the corrupt influencer continues to play the odds, a charlatan who can easily change his allegiances—and does.
A wonderful pain-in-the-ass, Falstaff is quick with both the jab and the jibe. While he plays the quintessential fool he possesses more wisdom and heart than most. A man of faith, Falstaff is unshakeable in his belief in Shakespeare as Creator.
After he was unable to kill Iago in vengeance for Desdemona's death, Othello became a hired mercenary, but now leads the Prodigals resistance movement at the side of Juliet. He still hungers for revenge against his old adversary Iago, but has restrained himself thus far.
Her Capulet relatives spirited her away from Verona after she survived her attempted suicide. Witnessing injustice and oppression, and believing her 'lost love' Romeo is dead, she assumes the role of Prodigals resistance movement co-leader, and proves herself a courageous warrior.
However, unknown to Juliet, Romeo has also survived his own attempted suicide, back in Verona, and attempts to make amends by joining the Knights Paladin, who seek to aid the Prodigals resistance to Richard III and Lady Macbeth. Hamlet knows who Romeo is, but he has not yet told him that his former love is also still alive.
Rosencrantz and Guildenstern (Hamlet), Puck, Demetrius and Lysander (A Midsummer Night's Dream) and Tamora and Titus Andronicus are featured as either bandits or mercenaries of uncertain affiliation. Furthermore, Mistress Page and Mistress Ford now run a brothel and are eager to renew their acquaintance with their old friend Falstaff. In Issue # 7, the travelling players enact The Murder of Gonzago, the same mise en abyme play used to provoke King Claudius into disclosing his guilt over the murder of Hamlet's father in Hamlet.
This quill gives the user the ability to change reality. Most of the characters want the quill for themselves. It is unknown what it looks like or if it really is a quill.
In ancient Rome, the dagger was given by Hecate to Brutus to kill Caesar with. The Dagger is first used by Lady Macbeth in the raising of a sailor. Richard then gives the dagger to Hamlet. Later, it turns out that the dagger can move by itself and also lets Lady Macbeth see through its reflection. The Dagger then tries to kill Shakespeare while Hamlet is talking to him
|#||Title||ISBN||Release date||Collected material|
|1||Kill Shakespeare Volume 1: A Sea of Troubles||ISBN 1-6001-0781-8||November 9, 2010||Kill Shakespeare #1–6|
|2||Kill Shakespeare Volume 2: The Blast of War||ISBN 1-6137-7025-1||November 22, 2011||Kill Shakespeare #6-12|
|3||Kill Shakespeare Volume 3: The Tide of Blood||ISBN 1-6137-7732-9||October 1, 2013||Kill Shakespeare: The Tide of Blood #1-5|
|Kill Shakespeare: The Complete Edition||ISBN 1-6137-7130-4||January 7, 2014||Kill Shakespeare #1-12|
Shakespearean actor and writer of Shakespeare on Toast Ben Crystal opined that the comic was "beautifully drawn", elaborating that it "reminds me of Hellboy, particularly the ghosts and witches. It looks great, has a good pace, and is exciting to read." Crystal offers room for improvement, "The language is a bit of a tricky one. For the most part, it works well. There’s an error here and there... but those aside, I think it falters when the writer tries to attempt a mock-Shakespearean style." George Gene Gustine of The New York Times called the series "gripping, violent and dark fun, even if you’re not fully versed in Shakespearean lore", while Fangoria called it "a highly enjoyable adventure," saying that "McCreery and Del Col skillfully juggle a Who’s Who assortment of characters, and Belanger places them in stylishly imagined backdrops on every page".
Shakespearean scholar Kimberly Cox, partner of well-known comic creator Frank Miller, criticized the book, primarily taking issue with its non-adherence to Shakespeare's well-known iambic pentameter style, stating, "Under duress and under a deadline, I can write exactly in the same meter and syntax as the Bard. It’s not so difficult once you study enough of the text". Cox also noted that the comic is "so poorly done, so flawed on even the most elementary levels of story-telling".
The first twelve issues of Kill Shakespeare were adapted into a live staged reading format in 2011 by Del Col, McCreery, and dramaturg Toby Malone at Soulpepper Theatre Company in Toronto. The first full-length showing was part of 'The Word Festival,' which in 2011 focused on the works of Shakespeare. The success of this production led to further development and showings at comic-book conventions in Montreal, New York, and Halifax; as well, general-audience performances have been produced in Halifax and Tucson. Future planned productions include dates in Toronto, Chicago, and Dubai.
- All the world's a stage for Timmins native, by Benjamin Aubé, at the Timmins Daily Press; published December 23, 2012; retrieved January 20, 2013
- "Kill Shakespeare". Idwpublishing.com. 2009-12-02. Retrieved 2013-12-27.
- Kill Shakespeare #1
- Kill shakespeare #12
- Kill Shakespeare Volume 1: A Sea of Troubles
- Kill Shakespeare Volume 2: The Blast of War
- "Award-winning comic Mash-up Kill Shakespeare Returns to IDW with New Limited Series". Idwpublishing.com. 2012-10-11. Retrieved 2013-12-27.
- The Tide of Blood #1
- Kill Shakespeare #2
- Kill Shakespeare #3
- Kill Shakespeare #4
- Kill Shakespeare #5
- Kill Shakespeare #6
- Kill Shakespeare #7
- Kill Shakespeare #8
- Kill Shakespeare #9
- Kill Shakespeare Volume 1: Bonus Gallery
- Johnston, Rich (April 12, 2010). "Shakespearean Scholar (And Frank Miller’s Girlfriend) Blasts KILL SHAKESPEARE". Bleeding Cool. Retrieved June 14, 2010.
- Gustine, George Gene (November 12, 2010). "Graphic Books". New York Times. Retrieved January 31, 2011.
- Jorge, Solis (November 13, 2010). ""KILL SHAKESPEARE" (Graphic Novel Review)". Fangoria. Retrieved February 6, 2011.
- 'Kill Shakespeare': A comic book where the superpower is literary wizardry by Nelson Wyatt, from The Canadian Press; published September 14, 2012; retrieved January 20, 2013
- A Human Superstar Among the Superheroes, by George Gene Gustines, at the New York Times; published October 11, 2012; retrieved January 20, 2013
- Kill Shakespeare comic book art brings Bard alive, by Elissa Barnard, at the Chronicle-Herald; published October 31, 2012; retrieved January 20, 2013
- Kill Shakespeare kills it: A memorable and entertaining adaptation of a famed graphic novel series., by Kate Watson, at The Coast; published November 1, 2012; retrieved January 20, 2013
- City Week: Shakespeare in the Comics, by Inés Taracena and Mariana Dale, at the Tucson Weekly; published September 06, 2012; retrieved January 20, 2013
- Thill, Scott (April 10, 2010). "Kill Shakespeare Comic Puts the Bard in a Blender". Underwire. Wired. Retrieved June 14, 2010.
- Renaud, Jeffrey (February 8, 2010). "Who's Afraid of the Big Bad Bard?". Comic Book Resources. Retrieved June 14, 2010.
- DeCourcy, Pete (April 8, 2010). "Merely Players: An Interview with the Creators of Kill Shakespeare". Comic Book Daily. Retrieved June 14, 2010.
- Dork Shelf Team (May 15, 2010). "Interview with Kill Shakespeare Creators Conor McCreery and Anthony Del Col". Dork Shelf. Retrieved June 14, 2010.
- Kotler, Kate (April 3, 2010). "GGotS Exclusive Interview: The creators of IDW’s Kill Shakespeare (Pt 1)". Geek Girl on the Street. Retrieved June 14, 2010.
||This section includes a list of references, but its sources remain unclear because it has insufficient inline citations. (June 2010)|
- Review: Kill Shakespeare #1, Comic Book Resources
- Kill Shakespeare #1 Review, IGN
- AICN Comics Reviews: Brightest Day! Kill Sahkespeare! Irredeemable! Hotwire! & Much More!, AICN Comics
- Kill Shakespeare #1 Review, Comics Bulletin
- Best Shots Comic Reviews: FLASH, SIEGE: LOKI, More, Newsarama
- Kill Shakespeare #1 Review, CraveOnline
- Kill Shakespeare #2 Review, Comics Bulletin