Kull of Atlantis

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"King Kull" redirects here. For the Fawcett Comics and DC Comics character, see King Kull (DC Comics). For the collection of short stories about this character, originally published under this title, see Kull (collection).
Kull of Atlantis
Created by Robert E. Howard
Information
Gender Male
Occupation Monarch

Kull of Atlantis or Kull the Conqueror is a fictional character created by American writer Robert E. Howard, also creator of Conan the Barbarian, Solomon Kane, and Bran Mak Morn. The character was more introspective than the subsequent Conan, whose first appearance was in a re-write of a rejected Kull story.

His first published appearance was "The Shadow Kingdom" in Weird Tales (August, 1929). Kull was portrayed in the 1997 movie Kull the Conqueror by actor Kevin Sorbo.

Fictional character biography[edit]

Life in Atlantis[edit]

Kull was born in pre-cataclysmic Atlantis c. 100,000 BC. At the time Atlantis was ruled by barbarian tribes. East of Atlantis lay the ancient continent of Thuria, divided among several civilized kingdoms, including Commoria, Grondar, Kamelia, Thule, and Verulia. Most powerful among these was Valusia. East of Thuria were located the islands of Lemuria, which were the mountaintops of the sunken continent of Mu.

Kull was born into a tribe settled in the Tiger Valley of Atlantis. Both the valley and tribe were destroyed by a flood while Kull was still a toddler, leaving the young Kull to live as a feral child for many years. Kull was captured by the Sea-Mountain tribe and eventually adopted by them. In "Exile of Atlantis", an adolescent Kull grants a woman a quick death so that she would not be burned to death by a mob; for this he is exiled from Atlantis.

Slave, pirate, outlaw and gladiator[edit]

Kull attempted to reach Thuria but was instead captured by the Lemurian Pirates. He spent a couple of years as a galley slave before regaining his freedom during a mutiny.

He tried the life of a pirate between his late adolescence and his early twenties. His fighting skills and courage allowed him to become captain of his own ship, creating a fearsome reputation for himself in the seas surrounding Atlantis and Thuria. Kull lost his ship and crew in a naval battle off the coast of Valusia but once again survived. He settled in Valusia as an outlaw but his criminal career proved to be short-lived as he was soon captured by the Valusians and imprisoned in a dungeon. His captors offered him a choice: execution or service as a gladiator. He chose the latter. After proving to be an effective combatant and gaining fame in the arenas of the capital, a number of fans helped to regain his freedom.

Soldier and king[edit]

Kull did not leave Valusia or return to the life of an outlaw. Instead, he joined the Royal army as a mercenary, pursuing elevation through the ranks. In The Curse of the Golden Skull Kull, approaching his thirties, is recruited by King Borna of Valusia in a mission against the ambitious sorcerer Rotath of Lemuria. Kull proves to be an effective assassin.

Borna promoted Kull into the general command of the mercenary forces. Borna himself, however, had gained a reputation for cruelty and despotism. There was discontent with Borna's rule among the nobility leading eventually to civil war. The mercenaries proved more loyal to Kull than any other leader, allowing him to become first the leadership of the revolt and then King. Kull killed Borna and took his throne while he was still in his early thirties. In The Shadow Kingdom, Kull has spent six months upon the Valusian throne and faces the first conspiracy against him.

The series continued with Kull finding that gaining the crown was easier than securing it. He faces several internal and external challenges throughout the series. The conspiring of his courtiers leaves Kull almost constantly threatened with loss of life and throne. The aging King is ever more aware of the Sword of Damocles that he inherited along with the crown.

The Mirrors of Tuzun Thune finds Kull reaching his middle-forties and becoming progressively more introspective. The former barbarian is left lost in contemplations of philosophy. At this point the series ends. His fate is left uncertain.

Supporting characters[edit]

Several characters reoccur throughout the series. The best known is his trusted ally Brule the Spear-slayer, a pre-cataclysmic Pict. First Councillor Tu is a trusted administrator, but also a constant reminder of the tradition bound laws and customs of Valusia. Ka-Nu (sometimes named Kananu), the Pictish Ambassador to Valusia and wise man, is responsible for the friendship between Kull and Brule despite the ancient enmity between Atlanteans and Picts. Kull's mortal enemy is the sorcerer Thulsa Doom.

Stories[edit]

Only three Kull stories were published before Howard committed suicide in 1936:[1]

Howard also wrote nine other Kull stories, which were not published until much later:

Finally, Howard also wrote one Kull poem:

Style[edit]

Kull is Conan the Barbarian's direct literary forerunner. Conan's first story (both as a written piece and a published one), "The Phoenix on the Sword", is a rewriting of an earlier Kull story "By This Axe, I Rule". The Conan version has a completely new backstory, less philosophy, more action and more supernatural elements to make it more saleable. Many passages of both stories still match word for word.

Adaptations[edit]

Comics[edit]

Kull has been adapted to comics by Marvel Comics with three series between 1971 and 1985. He also appeared several times in The Savage Sword of Conan series. Another graphic novel, Kull: The Vale of Shadow, was published in 1989.

In 2006, Dark Horse Comics bought the rights to use Kull for a new ongoing series. The first issue will be based on "The Shadow Kingdom". As of 2012, three mini-series were published, Kull, Kull: The Hate Witch, and Kull: The Cat and the Skull.

Film[edit]

The 1997 film Kull the Conqueror starred Kevin Sorbo in the title role. The film was originally intended to be a Conan film and some elements of this remain. The story's basis and several names can be directly traced to the Conan story "The Hour of the Dragon".

The 1982 Conan the Barbarian film starring Arnold Schwarzenegger borrowed many elements from Howard's Kull stories. The main villain Thulsa Doom was from the Kull series, as was the serpent cult. Conan's early life as a slave and gladiator in the movie borrows heavily from Kull's origin story and only shares minor details with Conan's literary origins; Conan was never a slave or a gladiator in Howard's stories, and left Cimmeria on his own will.

Namesakes in other works of fiction[edit]

Kull may have been the source of the name of King Kull, a Fawcett Comics supervillain and foe of Captain Marvel, later acquired by DC Comics.[citation needed] This King Kull combines barbarian elements with the bizarre science-fiction elements common in Captain Marvel stories of the Golden Age of comic books.

Translation notes[edit]

In the Finnish translations of the short stories Kull was renamed "Kall" since the original name is in many common grammatical cases (including genitive) the same as a slang name for a penis. In the Finnish subtitles of the movie, however, he is called Kull.

Note on Chronology[edit]

In Robert E. Howard's story "Kings of the Night", a character living in the time of the Roman Empire states that a contemporary of Kull's "has been dead a hundred thousand years as we reckon time."

Copyright and trademark[edit]

The name Kull and the names of Robert E. Howard's other principal characters are trademarked by Paradox Entertainment of Stockholm, Sweden, through its US subsidiary Paradox Entertainment Inc. Paradox also holds copyrights on the stories written by other authors under license from Kull Productions Inc.

The Australian site of Project Gutenberg has many Robert E. Howard stories, including several Kull stories.[2] This indicates that, in their opinion, the stories are free from copyright and may be used by anyone, at least under Australian law.

Subsequent stories written by other authors are subject to the copyright laws of the relevant time.

References[edit]