Kirana gharana

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Kirana Gharana is one of the most prolific Hindustani khyal gharanas.[1]

Contents

[edit] History

The name of this school of music derives from Kirana or Kairana, a town and tehsil of prabuddh nagar District in Uttar Pradesh [2]. It is the birthplace of Ustad Abdul Karim Khan (1872–1937), who was one of the most important musicians of this gharana and of Hindustani music in general in the twentieth century, and considered by some to be the real founder of the Kirana Gharana, while the roots of the tradition can be traced back to his great-grandfather Ghulam Ali and Ghulam Maula, the brother of Ghulam Ali. A frequent visitor to the Court of Mysore, Ustad Abdul Karim Khan was influenced by Carnatic music.

[edit] Singing style

Much to the credit of Abdul Karim Khan, today most Hindustani musicians from Karnataka are exponents of Kirana Gharana and Kirana Gharana has imbibed many of the features of the Carnatic tradition. Particularly the culturally fecund border region between Karnataka and Maharashtra is famous for its tradition of the Kirana school of singing.

Another towering figure of this gharana in the early 20th century was Abdul Karim Khan’s cousin Abdul Wahid Khan (1871?-1949). Bhimsen Joshi and Prabha Atre are considered to be the foremost representatives of the Kirana school of music today.

It was late in the nineteenth century that the two ustads Abdul Karim Khansahab and Abdul Waheed Khansahab revolutionized the very concept of khayal gayaki by introducing the vilambit or the slow tempo method to delineate the raga note by note.

In the Kirana Gayaki, the individual swaras (notes) of the raga are considered not just random points in the scale but independent realms of music capable of horizontal expansion. Mind blowing, emotion drenched Pukars in the higher octaves form a part of the musical experience. Another unique feature of this gharana is the highly intricate and ornate use of the Sargam Taan (weaving patterns with the notations themselves) which was improvised by Ustad Abdul Karim Khansahab as a direct influence of the Carnatic Classical style.

Performers from this gharana have established their indelible mark on certain Ragas so much so that both the audience and the performer desire the Ragas time and again. Ragas like Todi, Lalit, Multani, Patdeep, Puriya, Marwa, Shuddha Kalyan, Darbari Kanhara, Komal-Rishabh Asavari and many others have acquired new dimensions under the Kirana Gayaki.

Noted Marathi thespian PuLa Deshpande has pointed out that performers from the Kirana gharana have had a "soft corner" for the Komal Rishabh note of the Indian Classical Music scale. The ragas mentioned above as Kirana favorites support this observation.

[edit] Lineage

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Gopal Nayak
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Nayak Dhondu
 
Nayak Bhannu
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Ghulam Ali
 
Ghulam Maula
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Bande Ali Khan
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Eliahee Baksh Khan
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Abdullah Khan Utd. Kale Khan Utd. Nanhe Khan
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Majid Khan
 
Utd. Abdul Habib Khan
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Abdul Karim Khan (founder)
 
 
 
Utd. Nanhe Khan
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Abdul Wahid Khan
 
 
 
 
 
 
 
 
 
 
Pt. Ganpatbuwa Behere Pt. Balkrishnabuwa Kapileshwari Pt. Sawai Gandharva Pt. Dasharathbuwa Muley Pt. Vishwanathbuwa Jadhav Smt. "Surashri" Kesarbai Kerkar Roshanara Begum
 
 
 
Pt. Shankarrao Sarnaik
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pt. Sureshbabu Mane
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pt. Ganpatrao Gurav
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pt. Pran Nath
 
 
Begum Akhtar
 
 
Utd. Shakoor Khan (sarangiya)
 
 
Smt. Hirabai Badodekar
 
 
 
 
 
Smt. Gangubai Hangal Pt. Basavaraj Rajguru Firoz Dastur Bharat Ratna Pt. Bhimsen Joshi
 
 
Pt. Baburao Jadhav Pt. Rajaram Jadhav Pt. Pandurang Jadhav Smt.Shakuntalaraje Jadhav
 
 
 
 
 
 
 
 
 
 
 
Utd. Hafizullah Khan
 
Mohammed Rafi (playback singer)
 
 
Pt. Ram Narayan (sarangiya)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pt. Sangmeshwar Gurav
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Smt. Saraswati Rane Dr. Prabha Atre
 
Smt. Krishna Hangal Shrikant Deshpande
 
 
Pt. Madhav Gudi
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pt. Shripati Padegar
 
Shrinivas Joshi
 
 
Utd.Rashid Khan(influence)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Utd. Mashkoor Ali Khan
 
 
 
 
Smt. Pranati Mhatre
 
 
 
 
 
 
 
 
 
 
 
 
 
Rajendra Kandalgaonkar
 
 
 
 
 
 
 
 
 
 
 
Pt. Kaivalya Kumar Gurav
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Jayateerth Mevundi
 
 
 
 
 
 
 
Anand Bhate
 
 
 
 
 
 
 
 
 
 
Arshad Ali Khan

[edit] Prominent exponents

[edit] Further reading

  • Kirana, by Roshan Ara Begum. Published by Gramophone Co. of India, 1994.

[edit] References

[edit] External links

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