Kirby Dick

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Kirby Dick

Kirby Dick at the 2006 Sundance Film Festival
Born August 23, 1952 (1952-08-23) (age 59)
Phoenix, Arizona, U.S.[1]
Occupation Director, producer, screenwriter, editor
Years active 1981–present
Spouse Rita Valencia (1985-present)
Website
Official website

Kirby Dick (born August 23, 1952) is an American film director, producer, screenwriter, and editor. He is best known for directing documentary films. He received an Academy Award nomination for Best Documentary Feature for directing Twist of Faith (2005).[2][3] He has also received numerous awards from film festivals, including the Sundance Film Festival and Los Angeles Film Festival.

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[edit] Life and career

Dick studied at Nova Scotia College of Art and Design, California Institute of the Arts, and the American Film Institute.[4] His first documentary feature, Private Practices: The Story of a Sex Surrogate (1986), enjoyed a successful festival run, and Dick spent the following decade pursuing a variety of projects before completing Sick: The Life and Death of Bob Flanagan, Supermasochist (1997). Sick examined the life of performance artist Bob Flanagan, who utilized sadomasochism as a therapeutic device to help cope with cystic fibrosis. The film was an international festival hit, winning a Special Jury Prize at the 1997 Sundance Film Festival[4] and helping to establish Dick's position in the world of independent filmmaking.

Dick's next film, Chain Camera (2001), was made entirely with footage shot on consumer digital video cameras by students at John Marshall High School, located near Dick's home in Los Angeles. Many critics saw Chain Camera as an American response to Michael Apted's Up series.[5][6] Dick has welcomed these comparisons and has indicated that he would like to eventually direct a sequel that follows up on the same characters as adults.[7]

In 2002, Dick co-directed Derrida with Amy Ziering Kofman. The film, about the French philosopher Jacques Derrida, again performed well at festivals. His next project, Twist of Faith (2005), followed a man who decides to speak out about his childhood sexual abuse at the hands of a Catholic priest. The film garnered widespread attention, as it was released during the midst of the Catholic sex abuse scandal. It was also nominated for an Academy Award for Best Documentary Feature.[2][3]

Twist of Faith marked the beginning of a politicization of Dick's work, as his next two films would similarly expose the hypocrisy of powerful organizations. This Film Is Not Yet Rated (2006) investigated the Motion Picture Association of America and its secretive ratings board. The film argues that the MPAA serves the interests of the major Hollywood studios at the expense of independent filmmakers and also that the organization often turns a blind eye to violence while working to effectively censor sexual content, especially when it involves homosexuality or female sexual empowerment.

Dick's most recent film, Outrage (2009), discusses politicians, predominantly Republican, who vote against gay rights – some of whom, Dick alleges, are themselves closeted gays. The film also criticizes the mainstream media's reluctance to report on this subject.

[edit] Themes

Dick's work often focuses on issues of secrecy, hypocrisy, and human sexuality. Many of his films explore subjects and issues that have traditionally been taboo, such as homosexuality, sadomasochism, and sexual abuse. Ryan Stewart of Cinematical notes that, "Kirby Dick has been compared to photographer Diane Arbus in the way he prefers to open the camera lens to the pained, the freakish and the inexplicable that exists on the margins of everyday life".[8]

Aesthetically, Dick often employs intricately edited montages that blend together television news clips, archival footage, music videos, documentary interviews, and other sources. Beginning with This Film Is Not Yet Rated, he has also pioneered applying the "fair use" doctrine to appropriate copyrighted footage without the need to obtain licenses or compensate rights holders.[9]

Dick employs a cinéma vérité style of filmmaking. He has said that he prefers to work this way because it allows for a more complex relationship with his subjects.[10] In many cases, Dick has also encouraged his subjects to record their own footage, which is then incorporated into the finished film.

[edit] Awards and nominations

Year Award Organization Work Category Result
1997 Special Jury Prize Sundance Film Festival SICK: The Life & Death of Bob Flanagan, Supermasochist Documentary Feature Won[11]
Grand Prize Los Angeles Film Festival Documentary Feature Won[11]
2001 Grand Jury Prize Sundance Film Festival Chain Camera Documentary Nominated[12]
2002 Golden Gate Award San Francisco Film Festival Derrida Documentary Feature Won[11]
Grand Jury Prize Sundance Film Festival Documentary Nominated[13]
2005 Academy Award Academy of Motion Picture Arts and Sciences Twist of Faith Best Documentary Nominated[2][3]
Grand Jury Prize Sundance Film Festival Documentary Nominated[14]
2009 Jury Award Miami Gay and Lesbian Film Festival Outrage Best Documentary Won[15]
2010 Emmy Award National Academy of Television Arts and Sciences Outstanding Investigative Journalism: Long Form Nominated[16]

[edit] Filmography

Year Film Role
1981 Men Who Are Men Director, Producer
1986 Private Practices: The Story of a Sex Surrogate Director, Producer
1987 I am Not a Freak Writer, Editor
1988 Patti Rocks First assistant director
1993 America Undercover Director
1997 Sick: The Life and Death of Bob Flanagan, Supermasochist Director, Producer, Editor, Cinematographer
Guy Writer
2001 Chain Camera Director
2002 Derrida Director, Editor
2003 Showgirls: Glitz & Angst Director, Executive producer
2004 The End Director
2005 Twist of Faith Director, Executive producer
2006 This Film is Not Yet Rated Director, Writer, Camera
2009 Outrage Director, Writer, Camera, Interviewer
2012 The Invisible War Director

[edit] References

  1. ^ "International Film Festival Rotterdam". filmfestivalrotterdam.com. http://www.filmfestivalrotterdam.com/en/iffr-2009/filmpro.aspx?ID=48484574-a568-4f26-9ea5-c9010b233e58. Retrieved 2009-06-17. 
  2. ^ a b c Blade staff and David Germain (Associated Press) (January 26, 2005). "Academy Award nominations - Aviator's 11 Howard Hughes biopic leads Oscar nomination". The Blade (Toledo, Ohio): p. D1. 
  3. ^ a b c Aufderheide, Pat (February 13, 2005). "Docs, Good for What Ails Us? - Social-Minded Films Add Entertainment Values to Their Messages". The Washington Post (The Washington Post Company): p. N3. 
  4. ^ a b "Kirby Dick Official Website". kirbydick.com. http://www.kirbydick.com. Retrieved 2009-06-17. 
  5. ^ Landmann, Dennis (2005-07-26). "DVD Review: Chain Camera". moviefreak.com. http://www.moviefreak.com/artman/publish/dvd_chaincamera.shtml. Retrieved 2009-06-17. 
  6. ^ Belerie, Aaron (2005-07-26). "Chain Camera". dvdtalk.com. http://www.dvdtalk.com/reviews/16889/chain-camera/. Retrieved 2009-06-17. 
  7. ^ Chain Camera DVD Special Feature Interview
  8. ^ Stewart, Ryan (2006-08-30). "Interview: Kirby Dick, Director, This Film Is Not Yet Rated". cinematical.com. http://i.cinematical.com/2006/08/30/interview-kirby-dick-director-this-film-is-not-yet-rated/. Retrieved 2009-06-17. 
  9. ^ McNary, Dave (2007-02-22). "Insurance for documentary 'fair use'". Variety. http://www.variety.com/article/VR1117960027.html?categoryid=18&cs=1. Retrieved 2009-06-17. 
  10. ^ Dick, Kirby; Amy Ziering Kofman (2005). Derrida. Routledge. p. 48. ISBN 0415974070. 
  11. ^ a b c Man, Anthony (May 14, 2009). "Outrage movie: Watch the trailer, read the reviews". Sun Sentinel (Fort Lauderdale, Florida). 
  12. ^ Caro, Mark (January 18, 2001). "Tempo". Chicago Tribune: p. 1. 
  13. ^ Miller, Melinda (November 28, 2001). "Sundance 2002 Opens With 'Laramie Project' - Sundance: Fresh, Familiar Faces at Festival". The Salt Lake Tribune: p. D1. 
  14. ^ "Feelin' a draft in N.C.". Bucks County Courier Times (Levittown, Pennsylvania): p. 5E. June 28, 2005. 
  15. ^ "Best Documentary". Awards for 2009 (Miami, Florida: Miami Gay and Lesbian Film Festival). April 24, 2009. 
  16. ^ Popkey, Dan (July 21, 2010). "Two films with Idaho political connections to be honored at Emmy Awards". The Idaho Statesman. 

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