Kiyoshi Kurosawa

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Kiyoshi Kurosawa
Born July 19, 1955 (1955-07-19)
Kobe, Japan
Occupation Film director and screenwriter
Years active 1973 – present

Kiyoshi Kurosawa (黒沢 清 Kurosawa Kiyoshi?, born July 19, 1955) is a Japanese filmmaker best known for his many contributions to the J-horror genre.

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[edit] Biography

After taking film lessons in Tokyo under the guide of prominent film critic Shigehiko Hasumi, Kurosawa began directing in the 1980s, working on low-budget V-Cinema (direct-to-video) productions such as formula yakuza pictures. In the early 1990s, he won a scholarship to the Sundance Institute and was able to study filmmaking in the United States, although he had been directing for nearly ten years professionally.

Kurosawa first achieved international acclaim with his serial killer film Kyua (Cure) (1997). Also that year, Kurosawa experimented by filming two thrillers back-to-back, Serpent's Path and Eyes of the Spider, both of which shared the same premise (a father taking revenge for his child's murder) and lead actor (Show Aikawa) but spun entirely different stories.

Kurosawa followed up Cure with a semi-sequel in 1999 with Charisma, which established his penchant for apocalyptic imagery and themes of identity and isolation. In 2001 Kurosawa directed Pulse, a film about ghosts invading the world of the living by way of the Internet. More recently Kurosawa has released Akarui Mirai (Bright Future) (2003), starring Tadanobu Asano, the first film of his shot with a 24p High-definition video camera. Kurosawa followed this with another digital feature, Doppelganger, later the same year.

[edit] Style and influences

Kurosawa's directing style has been compared to that of Stanley Kubrick and Andrei Tarkovsky, though he has never expressly listed those directors as influences.[1]Nevertheless director admitted in a interview that Alfred Hitchcock and Yasujiro Ozu features analysed and discussed under the guidance of Shigehiko Hasumi contributed to shape his personal his vision of the medium.[2]

Many of his films are concerned in some form with the way society shapes the individual, with individuals obsessed with some eccentric project, or how social mechanisms disintegrate when faced with the wholly irrational. Cure is widely cited as the best example of all of these concepts in one film, but they show up in others as well: Bright Future combines the first and second in its plot about a ruminative young man trying to accommodate a jellyfish to live in fresh water with unexpected results.[citation needed]

[edit] Selected filmography

[edit] References

  1. ^ Cure DVD. “Interview with Kiyoshi Kurosawa." New York: Home Vision Entertainment/Janus Films, 2001.
  2. ^ Giuseppe Sedia, Interview with Kiyoshi Kurosawa at Asia Express (italian), october 2006.
  3. ^ Stephens, Chuck (September 1, 2001). "Another green world: the blossoming of Kiyoshi Kurosawa.". Film Comment 37 (5): 64. http://findarticles.com/p/articles/mi_m1069/is_5_37/ai_85704218/pg_6. Retrieved 2008-09-26. 

[edit] External links