Knights of the City
|Knights of the City|
|Directed by||Dominic Orlando|
|Produced by||Michael Franzese
Leon Isaac Kennedy
John C. Strong III
|Written by||Leon Isaac Kennedy|
|Starring||Leon Isaac Kennedy
|Music by||Misha Segal|
|Editing by||Nicholas C. Smith
John A. O'Connor
|Distributed by||New World Pictures|
|Release dates||February 14, 1986|
|Running time||87 min.|
Knights of the City (originally Cry of the City) is a 1986 action adventure film starring Leon Isaac Kennedy, Nicholas Campbell, John Mengatti and Janine Turner. It was directed by Dominic Orlando and written by Leon Isaac Kennedy and filmed in Miami, Ft. Lauderdale and Hollywood, Florida.
The Royals like their tough Miami neighborhood are multi-ethnic street gang led by Troy (Leon Isaac Kennedy). Troy is aware that a life on the mean streets can only lead to a dead end. Therefore he has been trying through his own determination and musical ambitions, to motivate the band towards a serious goal as professional performers. However within the gang there are those specifically Joey (Nicholas Campbell), who wish to derail Troy's plan, claiming that their performing is distracting them from their business in the streets. Meanwhile, McGruder (Floyd Levine), a corrupt police officer is making life even harder for the Royals, as are the Mechanics, a rival gang trying to take over the Royals' territory. The Mechanics have been selling bad drugs and are also trying to extort protection money from merchants in the Royals neighborhood. A violent face-off between the two gangs results in only the Royals being jailed as it is discovered McGruder is being paid off by the Mechanics. In jail, the Royals use their time to rehearse their songs. A drunken inmate, Mr. Delamo (Michael Ansara), is impressed and offers his assistance, telling them that he owns Twilight Records. Dubious but curious, the Royals visit Delamo upon release from jail only to be rebuffed by his yuppie assistant and daughter, Brooke (Janine Turner). The Royals leave behind a recording of their music and storm out of the office. After listening to the cassette, Brooke decides to bring the band to her father's attention.He agrees with her that they are talented, but unpolished. Unable to locate the Royals, Brooke gets the idea to stage a talent contest for local performers, claiming that there must be other talented bands out there as well. Again her father agrees -- but for another reason -- the contest will impress local politicians and the stockholders by the nature of its benevolence and the anticipated effect it will have on neighborhood morale.
Further, he stipulates that any contestants that get into trouble with police will be disqualified. Therefore, the mayor's office officially supports the contest as well. The contest galvanizes the community, thus reducing street violence and crime. The Royals concentrate on their music and less on the street, Delamo's profile in the community is boosted, and Troy and Brooke begin to fall in love.
The Mechanics, in the meantime, gear up to take over business in the Royals' neighborhood. Troy restrains the Royals from retaliating as he fears trouble will exclude them from the contest. Also, Delamo threatens Troy that a continued liaison with his daughter will result in serious problems for Troy. To prove his point, Delamo calls on his well-positioned contacts to exert pressure on Troy.
Troy, however, will do nothing to risk disqualification. He is convinced the Royals will win the contest. Even when Brooke decides not to see Troy until after the contest, he contains his anger and focuses all his energies into his music. It pays off,as the Royals do indeed win the contest, and the grand prize of a recording contract. Victors, the Royals' jubilation is cut short when the Mechanics savagely kill one of the Royal's girlfriends. Free to react, the Royals enter into battle with the Mechanics, ultimately vanquishing them. Their dignity preserved and their future brighter, the Royals look ahead to a new life in their city.
Originally, the film was to be called Cry of the City as it was being filmed in the Spring of 1984. It was produced by a now ex-mob boss Michael Franzese, who was dubbed by Tom Brokaw as "The Prince of the Mafia" and made more money for organized crime than anyone since Al Capone. The film was held back for over a year before its release as Knights of the City in 1986 by New World Pictures.