Kuba Kingdom

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The Kuba Kingdom (also Kuba, Bakuba or Bushongo) is a 16th-century historical Central African state bordered by the Sankuru, Lulua, and Kasai rivers in the southeast of what is today the Democratic Republic of the Congo (formerly Zaire). The Kuba kingdom was a conglomerate of several smaller Bushongo-speaking principalities as well as the Kete, Coofa, Mbeengi, and the Cwa Pygmies. The original Kuba migrated during the 16th century from the north. Nineteen different ethnic groups are included in the kingdom, which still exists and is presided over by the nyim, or king.

Brooklyn Museum 73.178 Bwoom Mask.jpg
Brooklyn Museum 22.1399 Cup.jpg
Brooklyn Museum 22.1483a-b Cosmetic Box.jpg

History[edit]

Shyaam a-Mbul[edit]

The kingdom began as a conglomeration of several chiefdoms of various ethnic groups with no real central authority. In approximately 1625, an individual from outside the area known as Shyaam a-Mbul a Ngoong usurped the position of one of the area rulers and united all the chiefdoms under his leadership. Tradition states that Shyaam a-Mbul was the adopted son of a Kuba queen. He left the Kuba region to find enlightenment in the Pende and Kongo kingdoms to the west. After learning all he could from these states, he returned to Kuba to form the empire's political, social and economic foundations.

A new government[edit]

Main article: Rulers of Kuba

The Kuba government was reorganized toward a merit-based title system, but power still remained firmly in the hands of the aristocracy. The Kuba government was controlled by a king called the nyim who belonged to the Bushoong clan. The king was responsible to a court council of all the Kuba subgroups, who were represented equally before the king by their elites.

Growth[edit]

As the kingdom matured, it benefited from advanced techniques adopted from neighboring peoples as well as New World crops introduced from the Americas, such as maize, tobacco, cassava and beans. Kuba became very wealthy, which resulted in great artistic works commissioned by the Kuba nobility. The Kuba kings retained the most fanciful works for court ceremony and were also buried with these artifacts.

Apex and decline[edit]

The Kuba Kingdom reached its apex during the mid 19th century. Europeans first reached the area in 1884. Because of the kingdom's relative isolation, it was not as affected by the slave trade as were the Kongo and Ndongo kingdoms on the coast. Toward the end of the 19th century, the kingdom was invaded by the Nsapo people. The weakened Kingdom never recovered, and it was fragmented into chiefdoms once again by the time of the area became a Belgian colony.

The current reigning monarch, Kot-a-Mbweeky III, has been on the throne since 1969.

Kuba culture[edit]

Kuba art[edit]

Main article: Kuba art

See also: Kuba textiles, Kuba divination, Kuba masquerade, Ndop (Kuba)

Helmet mask "mulwalwa", Southern Kuba, 19th or early 20th century

The Kuba are known for their raffia embroidered textiles, fiber and beaded hats, carved palm wine cups and cosmetic boxes, but they are most famous for their monumental helmet masks, featuring exquisite geometric patterns, stunning fabrics, seeds, beads and shells. They have been described as a people who cannot bear to leave a surface without ornament.

The boxes, known as Kuba Boxes and called ngedi mu ntey by the Kuba, are generally used to hold tukula powder and paste. The boxes are usually in the shape of a square with a faceted lid, a semicircle (sometimes referred to as "half moon"), a rectangle or the shape of a mask. Sometimes they were used for holding razors for cutting raffia, hairpins or ritual objects.

Tukula (called twool by the Kuba) is a red powder made of ground cam wood. The color red is essential to the Kuba concept of beauty and was therefore used to ornament the face, hair and chest during dances and important ceremonies, as well as to anoint bodies for burial. Tukula was also mixed with other pigments to dye raffia cloth.

After 1700, King Misha mi-Shyaang a-Mbul introduced wooden sculptures called ndop figures that were carved to resemble the king and represent his individual reign. These figures always included the king's ibol or personal symbol, akin to a personal standard.

The carved palm-wine drinking cups and ornately carved boxes are identified with competition between titled court members among the Kuba. With half of all Bushoong men holding titles in the 1880s, competition for influence was sometimes fierce, and it found expression in the elaboration of these essentially commonplace household objects into works of extraordinary beauty.

Kuba religion and mythos[edit]

The Kuba believed in Bumba the Sky Father who spewed out the sun, moon, stars, and planets. He also created life with the Earth Mother. However these were somewhat distant deities, and the Kuba placed more immediate concern in a supernatural being named Woot, who named the animals and other things.[1] Woot was the first human and bringer of civilization.[2] The Kuba are sometimes known as the "Children of Woot."[3]

See also[edit]

References[edit]

  1. ^ Swarthmore article
  2. ^ Birmingham Museum of Art (2010). Birmingham Museum of Art : guide to the collection. [Birmingham, Ala]: Birmingham Museum of Art. p. 74. ISBN 978-1-904832-77-5. 
  3. ^ University of Kansas Anthropology site

External links[edit]