|Cultural origins||Late 1980s, Angola|
|Typical instruments||PC, drum machine, vocal|
|Part of a series on the|
Kuduro (or kuduru) is a type of music and dance originally developed in Angola in the 1980s. It is characterized as uptempo, energetic, and danceable. Kuduro began in Luanda, Angola in the late 1980s. Initially, producers sampled traditional carnival music like soca and zouk from the Caribbean, and also semba from Angola and laid this around a fast 4/4 beat.
Buraka Som Sistema is a group with a certain relevance in the music genre and defines their musical style into what they call progressive kuduro.
Origins of Kuduro
European and American electronic music had begun appearing in the market, which attracted Angolan musicians and inspired them to incorporate their own musical styles. Young producers began adding heavy African percussion to both European and American beats.
Over time, the evolution of the genre led producers to approach the fast tempo zouk style popularized by the French Antilles Kassav in the 1980s. In Europe, western house and techno producers mixed it with house and techno.
In the early 90's, Angolan clubs started playing it and the youngsters started to create new dance moves to follow what the DJs were dropping. The history of kuduro has come about in a time of Angolan civil unrest, and provided a means of coping with hardship and positivity for the younger generation. With the strong immigration to Portugal of Angolan citizens kuduro spread and evolved further in the neighborhoods of Lisbon, with the inclusion of additional musical elements from genres of Western European electronic music, giving origin to the Progressive kuduro.
The name of the dance was referring to a peculiar movement in which the dancers seem to have a hard ass ("Cu Duro" in Portuguese), simulating an aggressive and agitated dance style.
Kuduro is very popular across the former Portuguese overseas provinces in Africa, as well as in the suburbs of Lisbon, Portugal (namely Amadora and Queluz), due to the large number of Angolan immigrants. It is a common kind of music played in Portugal's Latin Dance floors.
In the Lisbon variety (or progressive kuduro), which mixes kuduro with house and techno music, Buraka Som Sistema a Portuguese/Angolan electronic dance music project based in Portugal, was responsible for the internationalization of kuduro apart from the Portuguese-speaking world, presenting the genre across Europe and appeared in several international music magazines, after their appearance with their hit "Yah!" ("Yeah!"). Buraka Som Sistema takes its name from Buraca, a Lisbon suburb in the municipality of Amadora. Since the explosion of the Buraka Som Sistema, kuduro dance performance videos find an increasing audience on internet video platforms like YouTube. The videos range in quality from MTV standard to barely recognizable mobile-phone footage. As with most music styles, various weblogs and file sharing websites offer kuduro for download in mp3 format.
According to Tony Amado, self-proclaimed creator of Kuduro, he got the idea for the dance, after seeing Jean-Claude Van Damme in the 1989 film Kickboxer, in which he appears in a bar drunk, and dances in a hard and unusual style. As Vivian Host points out in her article, despite the common assumption that "world music" from non-Western countries holds no commonalities with Western modern music, Angolan kuduro does contain "elements in common with punk, deep tribal house, and even Daft Punk." It is thus the case that cultural boundaries and limitations within the musical spectrum are constantly shifting and being redefined. And though Angolan kuduro reflects an understanding and, further, an interpretation of Western musical forms, the world music category that it fits under tends to reject the idea of Western musical imperialism. The larger idea here is that advancements in technology and communications and the thrust of music through an electronic medium have made transcending cultural and sonic musical structures possible.
Artists and famous titles
M.I.A. has supported kuduro music, working on the song "Sound of Kuduro" with Buraka Som Sistema in Angola. "It initially came from kids not having anything to make music on other than cellphones, using samples they'd get from their PCs and mobiles' sound buttons," M.I.A. said of kuduro. "It's a rave-y, beat oriented sound. Now that it's growing, they've got proper PCs to make music on."
- Costuleta - kuduro: xiriri, acuxar: tchiriri
- Puto Prata e Bruno M: Cara Podre
- Puto Português e Nacobeta: Baba Baba
- Buraka Som Sistema: Kalemba (Wegue Wegue) (feat. Pongolove)
- Buraka Som Sistema: (New Africa Remix) (feat. Zakee Kuduro)
- King Kuduro: Il faut danser, Le son qu'il te faut
- Papa London: Danza Kuduro
- Lucenzo feat. Big Ali : Vem Dançar Kuduro
- Luky Gomes: Twiasee, We Gonna Have it, Jenjena
- Sissi K ( Logobi GT ): Spoiling the Koin
- Antonio carglouche feat R'nestinho: C it KSE good
- Elizio: Sabi di mas
- G-nose and Nelinho feat Papi Sanchez : Pop Pop Kuduro
- Don Omar feat Lucenzo : Danza Kuduro
- William Epps: Kuduro
- Titica Kuduro Dance Queen
- Fofando & Saborosa
- Zakee Kuduro
- Miguel Judas. VISÃO nº 752 3 Ago. 2007
- "The Afrofunk Music Forum: Kuduro: Techno from Angola to the World". Afrofunkforum.blogspot.com. Retrieved 2011-09-11.
- Host, Vivian (and contributors). "The New World Music." XLR8R 109 (Aug 2007): 64–73.
- "M.I.A. Picks Best Global Sound". Rolling Stone. May 2008.