Kumar Shahani

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Kumar Shahani
Born (1940-12-07)7 December 1940
Larkana, Sindh
Nationality Indian
Occupation Film director, film academic, visual artist
Known for Maya Darpan, Tarang


Kumar Shahani (born 7 December 1940) is a noted Indian film director and screenwriter, best known for his parallel cinema films, Maya Darpan (1972) and Khayal Gatha (1989) and Kasba (1990).[1] Due to his dedication to formalism, and with the reputation of his first feature, Maya Darpan being considered Indian cinema's first formalist film, he is frequently grouped by critics and film enthusiasts alongside similar stylistic filmmakers such as Pier Paolo Pasolini, Andrei Tarkovsky, and Jacques Rivette.[2]

Early life[edit]

Shahani was born in Larkana, Sindh (now in Pakistan), after the partition of India in 1947, Shahnani's family shifted to the city of Bombay (now Mumbai). He received a B. A. (hons) from the University of Bombay in Political Science and History and studied screenplay writing and Advanced Direction at the Film and Television Institute of India, where he was a student of Ritwik Ghatak. He also studied under the renowned Marxist historian D. D. Kosambi. He was awarded a French Government Scholarship for further studies in France,[3] where he studied at the Institut des hautes études cinématographiques (IDHEC) and assisted Robert Bresson on Une Femme Douce.

Career[edit]

He returned to India to make his first feature film Maya Darpan in 1972 and had to wait twelve years before he received funding to make his next full length feature film, Tarang.[4]

From 1976 to 1978 he held a Homi Bhabha Fellowship to study the epic tradition of the Mahābhārata, Buddhist iconography, Indian classical music and the Bhakti movement.[5]

Influences[edit]

Shahani had considered Roberto Rossellini and Robert Bresson as major influences on his work and those who he learned the most from. When comparing the two he stated, "There is austerity in Bresson. But there is a possibility in cinema to have both: austerity and ornamentation. In Bresson, there is mainly austerity even though he aspires to have spectacle. When I work along those lines, I want the ornamentation to stand out. The magic of that reality must appear and we ought to allow that to happen. The notion of ornamentation that we have in India, the alankar, of how we play with it, that is something I like to retain in my work. And this is not there either in Rossellini’s work or Bresson’s in the works of Catholic filmmakers. When they move towards austerity, they really move towards it: Bresson in the tradition of St Augustine and Rossellini more in the manner of notational narratives."[6]

For his film Tarang which dealt with labour issues, Shahni mentioned he consciously tried to avoid 'repeating' or 'imitating' one of his favourite films Sergei Eisenstein's Battleship Potemkin. Shahani stated, "for Tarang for instance, I was shooting a strike sequence. It was an obvious point where one could have quoted Eisenstein. Most filmmakers in such a situation would do so, inadvertently and unconsciously. Even the most "bourgeois" filmmakers as it were, the most commercial ones, or their exact opposites, would all do that. That is why one should remember him, to remember what he did and not to repeat it. So I remembered him while I was shooting that sequence, constantly like a prayer. We can't help saying that Eisenstein did it such a way and let only him do like that. That is why I feel very happy with that particular sequence in Tarang. It doesn't have, in any sense, an imitation of Eisenstein."[7]

Filmography[edit]

[8]

Year Film Notes
1965 The Glass Pane Graduate Diploma film
1967 Manmad Passenger short film
1969 A Certain Childhood short film
1970 Rails for the World short film
1971 Object short film
1972 Maya Darpan Winner Filmfare Award – Best Film (Critics)
National Film Award for Best Feature Film in Hindi[9]
1973 Fire in the Belly short film
1976 Our Universe short film
1984 Tarang National Film Award – Special Jury Award (Certificate)[10][11]
1987 Vaar Vaar Vaari short film
1989 Khayal Gatha Winner Filmfare Award – Best Film (Critics)
Winner FIPRESCI Prize – Rotterdam International Film Festival
1989 A Ship Aground short film
1990 Kasba Winner Filmfare Award – Best Film (Critics)
1991 Bhavantarana Oriya documentary film about Guru Kelucharan Mahapatra
National Film Award for Best Biographical Film[12][13]


1997 Char Adhyay Hindi film based on Tagore novel
2000 The Bamboo Flute
2004 As the Crow Flies

Awards[edit]

[14]

References[edit]

  1. ^ Ashish Rajadhyaksha. "Dossier on Kumar Shahani". academia.edu. Retrieved 3 May 2014. 
  2. ^ Winds From the East. "Interview With Kumar Shahani", Retrieved on 17 June 2014.
  3. ^ Homi Bhabha Fellowships Council. "Mr. Kumar Shahani", Retrieved on 2 March 2009.
  4. ^ Upperstall.com Profile. "Kumar Shahani Upperstall Profile", Retrieved on 2 March 2009.
  5. ^ House of World Culture. "Kumar Shahani", "Culturebase The International Artist Database" Retrieved on 2 March 2009.
  6. ^ Winds From the East. "Interview With Kumar Shahani", Retrieved on 17 June 2014.
  7. ^ Winds From the East. "Interview With Kumar Shahani", Retrieved on 17 June 2014.
  8. ^ G.K, "Musings of a Marxist," "The Hindu", Retrieved on 2 March 2009.
  9. ^ "20th National Film Awards". International Film Festival of India. Retrieved 26 September 2011. 
  10. ^ "31st National Film Awards". India International Film Festival. Retrieved 9 December 2011. 
  11. ^ "31st National Film Awards (PDF)". Directorate of Film Festivals. Retrieved 9 December 2011. 
  12. ^ "39th National Film Awards". International Film Festival of India. Retrieved 27 February 2012. 
  13. ^ "39th National Film Awards (PDF)". Directorate of Film Festivals. Retrieved 27 February 2012. 
  14. ^ "The 5th Asia Pacific Triennial of Contemporary Art", Retrieved on 2 March 2009.

External links[edit]