|Directed by||Florent Emilio Siri|
|Written by||Florent Emilio Siri
|Music by||Alexandre Desplat|
Les Films du Kiosque
|Running time||111 minutes|
Intimate Enemies (French: L'Ennemi intime) is a 2007 French war film, directed by Florent Emilio Siri, starring Benoît Magimel, Albert Dupontel and Mohamed Fellag. It was filmed in France and Morocco.
The film is set in 1959 during the Algerian War. Lieutenant Terrien (Benoît Magimel), an inexperienced and naïve junior French Army officer, has volunteered for active service, rather than a safe staff post in Algiers. He is posted to Kabylie, a remote and mountainous region of Algeria, as a replacement for Lieutenant Constantin (Hicham Hlimi) who was killed during a ‘friendly fire’ incident commanding a counter-insurgency ambush operation – i.e. he was accidentally killed by his own side during a confused fire-fight. The war in Algeria is much more complicated than Lieutenant Terrien anticipated as he takes over command of his new platoon at the outpost "Mazel". Within hours of taking over his new command Terrien is ordered to lead a ‘locate and destroy’ mission into the zone interdite (the 'Forbidden Zone') to find a World War II French Army veteran named Slimane, now a local commander of Algerian rebels trying to win the independence of their homeland. Slimane is never seen in person during the film.
When the Fellagha (Algerian insurgents) massacre the population of a local village in retaliation for a patrol visit from Terrien’s platoon, on the assumption that the villagers may have collaborated with the French, Terrien vows to remain calm and professional despite the appalling horrors that greet him. Terrien saves a young boy from drowning in the village well and is gradually forced to see the conflict through the eyes of that child: a child who temporarily adopts the French soldiers almost as a surrogate family. Terrien’s determination to remain detached, professional and controlled despite the atrocities that occur around him, including the torture, abuse and summary execution of Algerian prisoners, quickly gains him the initial contempt of Sergeant Dougnac (Albert Dupontel) his combat-hardened and cynical platoon sergeant, who has come to the conclusion that the level of violence employed by the Fellaghas can only be countered by equally brutal measures applied by the French.
The blooding of the young Lieutenant and the way in which he reacts to his newfound knowledge and experience provides the dramatic arc of L’Ennemi intime. Terrien’s idealistic view of French involvement in Algeria is summed up during a conversation with Captain Berthaut (Marc Barbé), an intelligence officer, when Terrien argues that as metropolitan French citizens the Algerians should enjoy the same political rights as any other French citizen and states that “You can’t fight barbarism with barbarism”. Berthaut, identified as a former member of the French Resistance who was tortured by the Gestapo, a veteran of the French Indochina War and an old comrade-in-arms of Dougnac, disagrees and later in the film, states that, “At 110 volts the truth always comes out”. Berthaut is killed and mutilated during a Fellaghist ambush as he attempts to evacuate a wounded soldier out of the ‘Forbidden Zone’ by jeep. Later, French soldiers (Terrien among them) retaliate by massacring and burning an entire village. In view of such atrocities, Terrien slowly begins to change his view.
Dougnac, identified within the film as a veteran of French Indochina, is a complicated character who is not averse to resorting to torture and barbarism when it comes to dealing with insurgents yet is capable, professional and increasingly privately respectful of Terrien as an officer and as a man. Their professional differences and the harsh realities of operations in the field, however, drive the two men to breaking point with Dougnac finding release through alcohol and at least one instance of self-inflicted torture. Such are the pressures on Dougnac that he finally snaps and deserts the army. Lost in an undeclared, and dirty, war, Terrien and Dougnac discover that their worst enemy is often themselves.
L'Ennemi intime, co-written by Florent Emilio Siri and Patrick Rotman, a French historian, documentary film-maker and screen-writer, is set during the French Algerian War and was inspired by Rotman's non-fiction book, La guerre sans nom (The Undeclared War) published in 1992, and subsequent French television documentary (L'Ennemi intime co-written with the director Bertrand Tavernier and originally broadcast in March 2002 by France3). The Rotman-Tavernier documentary focused on the psychological effects of the Algerian War of Independence (1954–62) on French soldiers who served in the conflict, the impact of French military tactics and extrajudicial actions and included on-camera interviews with French veterans speaking about their experiences of the so-called undeclared war.
- Best Cinematography - Giovanni Fiore Coltellacci
- Best Music Written for a Film - Alexandre Desplat
- Best Sound - Antoine Deflandre, Germain Boulay and Eric Tisserand
- Intimate Enemies at the Internet Movie Database
- Intimate Enemies at Rotten Tomatoes
- Intimate Enemies at Metacritic
- Intimate Enemies at AllMovie