La Corona

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For other uses, see Corona (disambiguation).

La Corona is the name given by archaeologists to an ancient Maya court residence in Guatemala's Petén department that was discovered in 1996, and later identified as the long-sought "Site Q", the source of a long series of unprovenanced limestone reliefs of exceptional artistic quality. The site's Classical name appears to have been Sak-Nikte' ('White-Flower').

A limestone staircase riser showing a ball game scene. La Corona, 8th century. Height: 25.1 cm; length: 43.2 cm

The Search for 'Site Q'[edit]

During the 1960s, looted Maya reliefs referring to a then-unknown city surfaced on the international art market. One of these reliefs, showing a ball player, is now in the Chicago Art Institute; another is in the Dallas Museum of Art. Peter Mathews, then a Yale graduate student, dubbed the city "Site Q" (short for Qué? [Spanish "what?"]). Some researchers believed that the inscriptions referred to Calakmul, but the artistic style of the artifacts was different from anything that had been found there.[1]

Santiago Billy, an environmentalist, studying scarlet macaws found La Corona in 1996, and Ian Graham with a team from Harvard University's Peabody Museum of Archaeology and Ethnology investigated the site later that year. The team found references to Maya ball players who were featured on Site Q artifacts at La Corona, leading them to believe that La Corona was the lost city. More data was needed, however to confirm this link.

In 2005 Marcello A. Canuto, then a Yale professor, found a panel in situ at La Corona that mentioned two Site Q rulers and had been quarried from the same rock as the Site Q artifacts, providing convincing evidence that La Corona was indeed Site Q.

SMU graduate student Stanley Guenter cleans a panel of Maya glyphs discovered at La Corona. This particular panel helped point to La Corona as the long-sought "Site Q". The panel's left side depicts king K'inich Yook of Sak Nikte'.

Recent research[edit]

Since 2008, the site has been investigated by the La Corona Archaeological Project (PRALC) co-directed by Marcello A. Canuto (Director, Middle American Research Institute at Tulane University) and Tomás Barrientos (Director, Dept. of Archaeology, Universidad del Valle de Guatemala).

In April 2012, PRALC discovered a row of 12 staircase risers with many different relief scenes; another 10 sculpted risers were found looted from their original context but then discarded for being too eroded to be worth selling on the illicit antiquities market.

The texts of these newly discovered panels contain important historical information about political events in the Classic period; one of the panels (Hieroglyphic Staircase 2, Block 5) contains a reference to 4 Ahau 3 K'ank'in, the notorious 13th baktun-ending.

La Corona and its History[edit]

Research focuses on the relationship between the powerful kingdom of Calakmul and La Corona.[2]

A famous sculpted panel (now in the Dallas Museum of Art) depicts two large palanquins each carrying a royal woman from Calakmul, one standing in a temple pavilion, the other overshadowed by a supernatural protector; the text, however, refers to three women who came from Calakmul's ruling dynasty to marry the kings of La Corona.

Two palanquins, Dallas Museum of Art

In AD 721, a daughter of the Calakmul king (Yuknoom Took' K'awiil) was married off to a king of La Corona.[3] Four decades earlier, in 679 AD, a daughter of Calakmul's powerful Yuknoom Ch'een had already been given in marriage to a La Corona king. Another, newly discovered relief mentions a visit in between these two dates, in 696, by another Calakmul king (Yuknoom Yich'aak K'ahk'), following Calakmul's defeat by Tikal.[4]

References[edit]

  1. ^ http://vallartatribune.blogspot.com/2011/03/maya-civilization.html Retrieved 15 April 2012
  2. ^ Martin and Grube 2000: 100-113
  3. ^ Freidel and Guenther 2003
  4. ^ Bueche 2012

Bibliography[edit]

External links[edit]

Coordinates: 16°30′20″N 90°22′48″W / 16.50556°N 90.38000°W / 16.50556; -90.38000