The Mandrake (Italian: La Mandragola; written in 1518 and first printed in 1524) is a satirical play by Italian Renaissance writer Niccolò Machiavelli. The play was written between 1504 and 1518 and first performed in 1518.
The play takes place in a 24-hour period. The protagonist, Callimaco, desires to sleep with Lucrezia, the young and beautiful wife of an elderly fool, Nicia. Nicia above all else desires a son and heir, but still has none. Callimaco, conspiring with a rascally marriage broker and a priest, masquerades as a doctor. He convinces Nicia to drug Lucrezia with mandrake, claiming it will increase her fertility. He adds, however, the dire warning that the mandrake will undoubtedly kill the first man to have intercourse with her. Callimaco helpfully suggests to Nicia that an unwitting fool be found for this purpose. A reluctant Lucrezia is eventually convinced by her mother and the priest to comply with her husband's wishes. She allows a disguised Callimaco into her bed and, believing that the events which caused her to break her marriage vows were due to divine providence, thereafter accepts him as her lover on a more permanent basis.
The plot and importance of the play is mentioned in the 16th Letter of Amabed in Voltaire's Les Lettres d'Amabed (1769) stating that "the piece mocks the religion which Europe preaches, of which Rome is the centre, and the throne of which is Papal See".
20th century revivals and adaptations 
Machiavelli's play has enjoyed many contemporary revivals. The Riverside Shakespeare Company performed The Mandrake at the Casa Italiana in New York City in 1979, starring Tom Hanks as Callimaco in his only New York stage performance. This run was directed by Dan Southern, with an original jazz score by pianist Michael Wolff, and Italian Renaissance sets by Gerard Bourcier.
Musical adaptations include La Mandragola, an opera by the composer Ignatz Waghalter. The opera, richly melodic and deeply sympathetic in its treatment of human foibles, features a libretto by Paul Eger and was premiered at the Deutsches Opernhaus in Berlin in January 1914. It was warmly received by the critics, and was booked for a European tour that was aborted due to the outbreak of the First World War.
Michael Alfreds and Anthony Bowles wrote a 1968 musical adaptation, Mandrake, which has been performed in Edinburgh, London, New York, and elsewhere.
Another musical adaptation, Mandragola, composed by Doug Riley with libretto by Alan Gordon, made its debut in Canada over CBC Radio in October 1977, and was later issued as an LP record on the CBC label.
In 1965 an Italian film version was made by writer/director Alberto Lattuada. A 2008 film version was made, The Mandrake Root. Adapted and directed by Malachi Bogdanov, it was shot in HD in Sassari, Sardinia. Produced by European Drama Network, it was made in English with limited Italian sections, and it remains close to the original story. It was nominated for Best Drama of 2008 by the Royal Television Society Awards Midlands.
See also 
- Review by Jann Racquoi, Heights/Inwood Press of North Manhattan, 14 March 1979.
- National Theatre Website List of past productions
- www.dramatists.com List of published works
- Farrell, John. "`Mandragola' a tale of love, lust, fertility". LBSC Mandragola review. Long Beach Press-Telegram. Retrieved 3 June 2011.
- Rudis, Al. "Amazing Women – Arts and Culture: Helen Borgers". Long Beach Press-Telegram. Retrieved 3 June 2011.
- Signale, January, 1914
- Musical: Mandrake
- IMDB "La Mandragola" 1965
- European Drama
- Blackaby, Anna (12 October 2008). "The Mandrake Root nominated for top drama award". Birmingham Post. Retrieved 6 June 2008.
- Detailed summary and analysis of the play
- Full Text of La Mandragola in Italian, Bibliotheca Philosophica