La favorite (The Favorite, sometimes referred to by its Italian title: La favorita) is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud. It premiered on 2 December 1840 at the Académie Royale de Musique in Paris, France.
Originally, Donizetti had been composing an opera by the name of Le Duc d'Albe as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned Le Duc d'Albe and borrowed heavily from L'ange de Nisida, an unrealized project from 1839, to create La favorite. It was revived in Padua under the title of Leonora di Guzman in 1842, and at La Scala as Elda in 1843 with Marietta Alboni in the title role. Though Donizetti himself was not involved in these productions, the opera is now more commonly given in Italian rather than French.
Donizetti wrote the entire final act in three to four hours, with the exception of the cavatina and a part of a duet, which were added at the rehearsal stage.
|Role||Voice type||Premiere Cast, 2 December 1840
(Conductor: François Habeneck)
|Léonor de Guzman (Leonora di Gusmann)||mezzo-soprano||Rosine Stoltz|
|Fernand (Fernando)||tenor||Gilbert Duprez|
|Alphonse XI, King of Castille||baritone||Paul Barroilhet|
|Balthazar (Baldassare)||bass||Nicolas Levasseur|
|Don Gaspar, officer of the king||tenor||François Wartel|
|Mayor, lords and ladies of the court, pages, guards, monks of Order of Saint James of Compostela|
- Time: Early 14th-century Spain.
- Place: Spain
A love triangle involving the King of Castile Alfonso XI, his mistress ('the favourite') Leonora, and her lover, Fernando, the story unfolds against the background of the Moorish invasions of Spain and power struggles between church and state.
In the Monastery of St James, the monks are making their way to worship. Superior Balthazar (bass), father of the Queen of Castile, enters with Fernand (tenor). Balthazar knows that Fernand is preoccupied by something. Fernand confesses that he has fallen in love with a beautiful, but as yet unknown, lady. His faith in God remains, but he wishes to leave the monastery in search of her. Balthazar angrily sends Fernand out of the monastery, warning him of the dangers of the outside world. He predicts that Fernand will one day return to the cloisters, a disappointed if wiser man.
Fernand has found his lady, Léonor (mezzo-soprano), declared his love and received it in return, but he is still unaware of her real identity. She has arranged to meet him on the island of Leon, to which he is brought blindfolded by boat. He is met by Inès (soprano), her companion, who impresses him with the need for secrecy. Léonor enters. She tells him that they can never marry and that they must not meet again, but nevertheless hands him a document to help him in his future. Shortly afterwards the arrival of the King is announced and Léonor leaves. Fernand is left to speculate about her elevated social position. Reading the document she has left him, he finds a commission in the army — an opportunity for advancement.
Alfonse (baritone) has defeated the Moors and taken Alcazar. In conversation with the courtier Don Gaspar (tenor), the King expresses his pleasure at Fernand's bravery. Alone, the King expresses his love for Léonor and his desire to divorce the Queen and marry her. He realizes that this will provoke the opposition of his powerful father-in-law Balthazar who is ultimately backed by the Pope. Léonor enters and expresses her anguish at remaining his mistress rather than his Queen. The King suspects that he is losing her affection. Don Gaspar enters with news that a letter has been discovered revealing that Léonor has a lover. She makes no denial, but at that moment Balthazar enters intent on forcing the King to abandon his plans for the royal divorce.
Alfonse is to honour Fernand for his role in the war. He asks Fernand what reward he would like and Fernand asks to marry the woman who has inspired him in his bravery. Alfonse asks who she is and Fernand points to Léonor. The King is astonished to learn that Fernand is his successful rival. In an abrupt change of mind, he orders Fernand and Léonor to marry within one hour. Léonor is left with mixed feelings of apprehension and delight. She decides that Fernand must be informed about her past and sends Inès to him. However, unknown to Léonor, Inès is arrested before she can see him. Fernand only learns the truth after the wedding ceremony. Considering himself dishonoured by the King he breaks his sword, leaves Léonor and entrusts himself to Balthazar.
Balthazar's daughter, the Queen, has died of jealousy and grief, and her body has been sent to him at the Monastery of St James. Prayers are being said for her repose. Fernand is preparing to enter his new religious life. Léonor enters in a state of exhaustion and faints before the cross. At first Fernand rejects her, but eventually moved by her love and sincerity, he is willing to give himself to her once more, but it is too late, Léonor collapses once more and dies in his arms.
Antonio Pasculli arranged the work for oboe and piano/orchestra
Opera House and Orchestra
Orchestra Sinfonica e Coro della RAI di Torino
|Audio CD: Warner Fonit|
Maggio Musicale Fiorentino Chorus and Orchestra
|Audio CD: Decca|
Teatro Comunale di Bologna Chorus and Orchestra
|Audio CD: DECCA|
New York City Opera Orchestra, Brooklyn College Chorus
|Audio CD: GALA|
Metropolitan Opera Orchestra and Chorus
(Recording of a performance at the MET, 11 March)
|Audio CD: Bensar
Cat: OL 31178
Munich Radio Orchestra and Bavarian Radio Choir
|Audio CD: RCA «Red Seal»
Cat: 74321 66229-2
Vienna State Opera Orchestra and Chorus
(Recording of a performance at the Vienna State Opera, 2 February)
|A udio CD: Premiere Opera Ltd.
Cat: CDNO 982-2
- Grove's Dictionary of Music and Musicians, 5th ed, 1954, Eric Blom, ed.
- AmadeusOnline Almanacco
- Opera japonica The synopsis by Simon Holledge was first published at operajaponica.org and appears here by permission.
- Source of recording on operadis-opera-discography.org.uk
- Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
- Ashbrook, William (1982), Donizetti and His Operas, Cambridge University Press. ISBN 052123526X ISBN 0-521-23526-X
- Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. One. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
- Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-140-29312-4. pp. 224 - 247.
- Black, John (1982), Donizetti’s Operas in Naples, 1822—1848. London: The Donizetti Society.
- Loewenberg, Alfred (1970). Annals of Opera, 1597-1940, 2nd edition. Rowman and Littlefield
- Osborne, Charles, (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press. ISBN 0931340713
- Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), The New Grove Dictionary of Music and Musicians. 2nd edition. London: Macmillan. ISBN 978-0195170672 (hardcover). ISBN 0195170679 OCLC 419285866 (eBook).
- Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books. ISBN 63-13703