La mamma morta
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"La mamma morta" ("My mother is dead") is an aria of the 1896 opera Andrea Chénier by Umberto Giordano, sung by the role of Maddalena di Coigny (soprano). At this point in the opera Maddalena, daughter of a noble family, was telling Gérard, one of the men rivalling for her love, of how she has been orphaned when her mother was killed protecting her during the turmoils of the French Revolution. She almost gave up on life when her faithful servant Bersi was forced to "trade her beauty" (possibly prostituted) in order to save her when she was ill. This desperation is implied in the line Porto sventura a chi bene mi vuole! (Woe to those who love me well!) which is placed at the centre of the aria. From this point onwards, Maddalena recalls hearing the "voice of love", which promises companionship and forgetfulness of the horrors of Revolution.
The aria is a favourite show piece of a spinto soprano, especially ones who specialize in the Italian idiom of verismo. In the opera the aria is placed in the third act, after Gérard's aria Nemico della patria... Un dì m'era di gioia, another famous aria which showcases the baritone playing Gérard. Comprising a range between C#4 to B5, the tessitura of the aria lies in the octave between F#4 and F#5, with the second section lying higher than the first section. The instrumentation of the aria is especially effective, for example the string tremolo which suggested the fires that destroyed Maddalena's home. The aria itself is divided into two sections: a tender melancholic opening part which recalls Maddalena's misadventures; and a heroic second part, full of high arching phrases, which suggested the voice of the god of Love. An oppure was written by Giordano as alternative to accommodate the climactic top B, providing shorter phrases and two full measure rests.
As performed by Maria Callas, the aria plays an important role in the movie Philadelphia. Andrew Beckett (Tom Hanks) calls it his favorite aria and plays it for his attorney, Joe Miller (Denzel Washington). Miller looks on in amazement as Beckett goes through the aria, translating some of the Italian and giving Miller a greater context for why the woman is singing what she is. Although he is seriously ill at this point, Beckett is so moved by the music that he gets up and moves around the room with his IV stand. Miller, profoundly moved by the experience, is also made uncomfortable by his feelings, so he finds an excuse to leave Beckett's apartment as soon as possible. When Miller arrives home he cradles his infant daughter then joins his wife in a tender embrace recognizing how fortunate he is.
[edit] Libretto
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Italian
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Translation in English
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La mamma morta m'hanno |
They have killed my mother |