Labanotation

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Rudolf Laban presenting his notation system

Labanotation or Kinetography Laban is a notation system for recording and analyzing human movement that was created by Rudolf Laban and further developed by Ann Hutchinson Guest and others. It is used as a type of dance notation and in other applications including Laban Movement Analysis, robotics, and human movement simulation.

Technical standards for Labanotation and education for Labanotation users are provided by several organizations. For example, the International Council of Kinetography Laban / Labanotation promotes standards for and development of Labanotation, and the Dance Notation Bureau, which strives to advance the art of dance through the use of dance notation systems, offers correspondence courses in Labanotation.

History[edit]

In the 1920s Rudolf Laban, working in collaboration with colleagues, developed a notation system that could be used to describe movement in terms of spatial models and concepts. This is in contrast to many other movement notation systems, which are often based on anatomical analysis. Laban's notation system eventually evolved into modern-day Labanotation and Kinetography Laban.

Today, Labanotation is used in England and the United States, and Kinetography Laban is used throughout much of Europe and in South America. The differences between the two systems are a result of their different evolutionary paths: Kinetography Laban has not changed significantly since inception, whereas Labanotation has evolved over time to meet new needs. For example, at the behest of members of the Dance Notation Bureau, the Labanotation system was expanded to allow it to convey the motivation or meaning behind movements. Kinetography Laban practitioners, on the other hand, tend to work within the constraints of the existing notation system, using spatial description alone to describe movement.[1]

Principal concepts[edit]

Labanotation uses abstract symbols to define the:

  • Direction and level of the movement
  • Part of the body doing the movement
  • Duration of the movement[2]
  • Dynamic quality of the movement

Direction and level of the movement[edit]

The shapes of the direction symbols indicate nine different directions in space and the shading of the symbol specifies the level of the movement.

Each "direction symbol" indicates the orientation of a line between the proximal and distal points of a body part or a limb.[3] That is, "the direction signs indicate the direction towards which the limbs must incline". [4]

The direction symbols are organized as three levels: high, middle, and low (or deep):


Part of the body doing the movement[edit]

Signs for parts of the body

Labanotation is a record of the facts, the framework of the movement, so that it can be reproduced.

The symbols are placed on a vertical staff, the horizontal dimension of the staff represents the symmetry of the body, and the vertical dimension represents time passing by.

The location of a symbol on the staff defines the body part it represents. The centre line of the staff represents the centre line of the body, symbols on the right represent the right side of the body, symbols on the left, the left side.

Duration of the movement[edit]

Simultaneous movement and sequence of motions

The staff is read from bottom to top and the length of a symbol defines the duration of the movement. Drawing on western music notation, Labanotation uses bar lines to mark the measures and double bar lines at the start and end of the movement score. The starting position of the dancer can be given before the double bar lines at the start of the score.

Movement is indicated as "the transition from one point to the next", that is as one "directional destination" to the next.[5]

Spatial distance, spatial relationships, transference of weight, centre of weight, turns, body parts, paths, and floor plans can all be notated by specific symbols. Jumps are indicated by an absence of any symbol in the support column, indicating that no part of the body is touching the floor.

Dynamic quality of the movement[edit]

Laban effort graph

The dynamic quality is often indicated through the use of effort signs (see Laban Movement Analysis).

The four effort categories are[6]

  • Space: Direct / Indirect
  • Weight: Strong / Light
  • Time: Sudden / Sustained
  • Flow: Bound / Free

Dynamics in Labanotation are also indicated through a set of symbols indicating a rise or lowering of energy resulting from physical or emotional needs, e.g. physically forceful versus an intense emotional state.

Motif Description[edit]

Motif Description is a subset of Labanotation that depicts the overall structure or essential elements of a movement sequence.

Notes and references[edit]

  1. ^ Interview with Ann Hutchinson Guest (August, 2012).
  2. ^ "Handbook for Laban Movement Analysis" Written and Compiled by Janis Pforsich. copyright Janis Pforsich 1977
  3. ^ Hutchinson, Ann. Labanotation or Kinetography Laban: The System of Analyzing and Recording Movement (1954, 1970, 1977). New York: Theatre Arts Books. pp. 164-170.
  4. ^ Knust, Albrecht. Dictionary of Kinetography Laban (Labanotation); Volume I (1979). Plymouth: MacDonald and Evans. p. 14
  5. ^ Hutchinson, Ann. Labanotation or Kinetography Laban: The System of Analyzing and Recording Movement (1954, 1970, 1977). New York: Theatre Arts Books. pp. 15, 29.
  6. ^ Laban, Rudolf, and Lawrence, F. C. Effort. (1947). London: MacDonald and Evans.

Further reading[edit]

  • Hutchinson-Guest, Ann. (1970). Labanotation: The System of Analyzing and Recording Movement. 4th revised edition (2005). New York: Theatre Arts Books. (First published 1954).
  • Hutchinson-Guest, Ann. (1983). Your move: A New Approach to the Study of Movement and Dance. New York: Gordon and Breach.
  • Hutchinson-Guest, Ann. (1989). Choreo-Graphics; A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach.
  • Knust, Albrecht. (1948a). The development of the Laban kinetography (part I). Movement. 1 (1): 28–29.
  • Knust, Albrecht. (1948b). The development of the Laban kinetography (part II). Movement. 1 (2): 27-28.
  • Knust, Albrecht. (1979a). Dictionary of Kinetography Laban (Labanotation); Volume I: Text. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans.
  • Knust, Albrecht. (1979b). Dictionary of Kinetography Laban (Labanotation); Volume II: Examples. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans.
  • Laban, Rudolf (1975). Laban’s Principles of Dance and Movement Notation. 2nd edition edited and annotated by Roderyk Lange. London: MacDonald and Evans. (First published 1956.)
  • Preston-Dunlop, V. (1969). Practical Kinetography Laban. London: MacDonald and Evans.

External links[edit]