Land of the Dead
|Land of the Dead|
Theatrical release poster
|Directed by||George A. Romero|
|Produced by||Mark Canton
|Written by||George A. Romero|
|Music by||Reinhold Heil
|Editing by||Michael Doherty|
|Studio||Atmosphere Entertainment MM|
|Distributed by||Universal Pictures|
|Running time||93 minutes|
Land of the Dead (also known as George A. Romero's Land of the Dead) is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. It was released in 2005 and became a success, grossing over $40 million, and had a budget of $15 million, the highest in the series.
The story of Land of the Dead deals with a zombie assault on Pittsburgh, Pennsylvania, where a feudal-like government exists. The survivors in the film have fled to the Golden Triangle area of downtown Pittsburgh. The region is protected on two sides by rivers and on the other by an electric barricade that survivors term "the Throat." Released in North America on June 24, 2005, Land of the Dead received mostly positive reviews from film critics.
Three years after a zombie apocalypse, survivors have set up outposts across the United States, one of which, in Pittsburgh, contains a feudal-like government. Bordered on two sides by rivers and on the third by an electric fence, the city has become a sanctuary, with the rich and powerful living in a luxury high-rise called Fiddler's Green while the rest of the population subsists in squalor. The city's ruler Paul Kaufman (Dennis Hopper) has sponsored Dead Reckoning, a heavily armored vehicle that can travel through the zombie-infested areas with ease. Armed with remote-controlled heavy machine guns and video cameras, Dead Reckoning functions as a moving fireworks launch base, on the premise that zombies are fascinated by fireworks and will stare at them, ignoring their environment. Riley Denbo (Simon Baker), designer and commander of Dead Reckoning, has recently retired. Unlike Kaufman, Riley is respected for his work in protecting the city from danger, as well as for bringing critical food and medical supplies which the citizens can no longer acquire safely themselves.
Using the moving anti-dead tank, Dead Reckoning, Riley and crew ventured into the neighboring cities that are overrun with zombies in order to procure supplies from abandoned stores and warehouses. One of the interesting things they noticed on these missions is that many of the zombies appear to exhibit some kind of thought process or planning. One such zombie, "Big Daddy" (Eugene Clark), who was a gas station owner in life, is shown to be especially capable of comprehending and learning. Back in the protected city, Riley discovers Chihuahua (Phil Fondacaro) entertaining his bar's patrons by bear-baiting a woman, Slack (Asia Argento), to some zombies. Riley and Charlie (Robert Joy) save Slack but kill Chihuahua and all three are shortly arrested. Slack reveals she was being executed on Kaufman's orders, because she works for Mulligan (Bruce McFee), a former co-worker of Riley's trying to instigate rebellion among the poor.
Meanwhile, the assassin Cholo DeMora (John Leguizamo), second in command of Dead Reckoning, is denied an apartment in Fiddler's Green despite his longtime, devoted service to Kaufman. Upon being rebuffed, Cholo threatens to destroy Fiddler's Green with the Dead Reckoning, seized by himself and his assistants Pretty Boy (Joanne Boland), Mouse (Maxwell McCabe-Lokos), Anchor (Tony Munch), and Foxy (Tony Nappo). Zombies attack as they are leaving, but Cholo orders his crew not to intervene. Kaufman sends Riley to stop Cholo, alongside Manolete (Sasha Roiz), Motown (Krista Bridges), and Pillsbury (Pedro Miguel Arce). Manolete is bitten and subsequently executed by Slack. Once they come across Dead Reckoning, Riley devises a plan to approach the vehicle alone. Against Riley's orders, Charlie, Slack, and Pillsbury follow him, but they disable Motown and leave her behind on the grounds of her loyalty to Kaufman. Cholo realises that Riley is working for Kaufman and holds both Riley and Charlie at gunpoint. Before Slack and Pillsbury can react, Motown, who has come round, opens fire and nearly kills both Riley and Cholo, before being bitten by a zombie and executed by Slack. With this distraction, Riley de-activates Dead Reckoning's weapons systems and convinces Cholo to allow him escape Northward, while Cholo goes west. Cholo is later bitten by a zombie and returns to kill Kaufman.
Zombie leader Big Daddy perceives that the river is no obstacle to invasion, he leads the zombies against the human city, and himself follows Kaufman to an underground garage. When Big Daddy leaves the garage, the now dead-and-reanimated Cholo attacks Kaufman; but both are killed by Big Daddy when the latter causes an explosion. Riley and his crew discover that although most inhabitants have become zombies themselves, some had followed Mulligan to escape. Pretty Boy has the opportunity to kill Big Daddy and the zombies; but Riley orders her against it. Riley and his friends then use Dead Reckoning to leave the city and head toward Canada.
- Simon Baker as Riley Denbo
- John Leguizamo as Cholo DeMora
- Dennis Hopper as Paul Kaufman
- Asia Argento as Slack
- Robert Joy as Charlie Houk
- Eugene Clark as Big Daddy
- Joanne Boland as Pretty Boy
- Tony Nappo as Foxy
- Jennifer Baxter as Number 9
- Boyd Banks as Butcher
- Jasmin Geljo as Tambourine man
- Maxwell McCabe-Lokos as Mouse
- Tony Munch as Anchor
- Shawn Roberts as Mike
- Pedro Miguel Arce as Pillsbury
- Sasha Roiz as Manolete
- Krista Bridges as Motown
- Bruce McFee as Mulligan
- Phil Fondacaro as Chihuahua
- Alan van Sprang as Brubaker
- Earl Pastko as Roach
- Peter Outerbridge as Styles
- Gene Mack as Knipp
- Devon Bostick as Brian
- Simon Pegg and Edgar Wright as Photo Booth Zombies
- Tom Savini as Machete Zombie
- Gregory Nicotero as Bridgekeeper Zombie
Earlier script titles included Twilight of the Dead, Dead City, and Dead Reckoning (the same as the military vehicle used in the film). Romero said in an interview  that one of the first potential film studios (20th Century Fox) wanted the film to be titled Night of the Living Dead. He refused, wanting to use the title Dead Reckoning, and the studio then wanted to title it Night of the Living Dead: Dead Reckoning. It turned out that Fox sought to own the rights to Night of the Living Dead, and Romero decided not to do business with them.
The film draws on some elements from the original script for Day of the Dead.
Land of the Dead is the first film in the series to receive an MPAA rating for its theatrical release. Romero had said for years that he would film two versions; an R rated cut for theatrical release and first DVD, and an unrated cut for the second DVD release. Both DVDs were released in the U.S. on October 18, 2005. Rumors suggested that Romero shot alternate, less explicit, gore scenes for the theatrical release, but this is not entirely accurate. The more extreme instances of gore (e.g. a woman having her navel piercing graphically torn out by a zombie) were obscured by foreground elements filmed on bluescreen, so that these overlayed elements could be easily removed for the unrated DVD. Other ways to obscure blood in order to get an R-rating were achieved by simply trimming the grislier shots by a few seconds, by digitally repainting blood so that it is more black than red, or by digitally painting the blood out altogether.
In the UK, the BBFC gave it a 15 certificate for both the theatrical version and the unrated version (The UK "Director's Cut" DVD was rated 18 due to extras being rated higher than the feature itself).
In Germany, both the theatrical and unrated versions were rated 18 anyway. As such, only the unrated version was widely available in Germany.
The film was met with positive reviews upon release. It was released one year after the remake of Dawn of the Dead was released internationally. The film grossed over $40 million dollars and is second behind Dawn of the Dead with the highest-grossing revenue in the Living Dead series, the two lowest being Night of the Living Dead (1968) and Diary of the Dead (2008). The film opened the MTV Saturday Horror block on February 27, 2010.
Roger Ebert gave the film three stars out of four for what he considered its skillful and creative allusions, something that he argued was pervasive among Romero's previous three installments that contained numerous satirical metaphors to the reality of American life. In this installment, Ebert noted the similarities between the fireworks mesmerizing the zombies and the shock and awe tactics applied during the 2003 Invasion of Iraq and the film's distinction between the rich and poor, those that live in Fiddler's Green and those that live in the slums, something he considered to be Romero's take on the rising gap between rich and poor in the United States. Michael Wilmington of Chicago Tribune awarded the film four stars, writing, "It's another hard-edged, funny, playfully perverse and violent exercise in movie fear and loathing, with an increasingly dark take on a world spinning out of control. By now, Romero has become a classicist who uses character and dialogue as much as stomach-turning special effects to achieve his shivers." The New York Sun declared it "the American movie of the year."
Several filmmakers including Eli Roth and Guillermo del Toro paid tribute to Romero in a Land of the Dead special. Guillermo del Toro said: "Finally someone was smart enough to realize that it was about time, and gave George the tools. It should be a cause of celebration amongst all of us that Michelangelo has started another ceiling. It's really a momentous occasion ..."
Overall critical reaction was mostly positive; the film received very favorable reviews from The New York Times, The Hollywood Reporter, Premiere, Variety, Slate and Los Angeles Times. The film earned a 74% "Certified Fresh" positive rating at the Rotten Tomatoes movie-review compilation website, with the site's consensus saying "George A. Romero's latest entry in his much-vaunted Dead series is not as fresh as his genre-inventing original, Night of the Living Dead. But Land of the Dead does deliver on the gore and zombies-feasting-on-flesh action."
Video game 
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- "Land of the Dead". boxofficemojo. Retrieved 2008-01-04.
- J.C. Maçek III (June 15, 2012). "The Zombification Family Tree: Legacy of the Living Dead". PopMatters.
- "Internet Movie Database – List of Films shot in Hamilton, Ontario". Retrieved 2008-01-29.
- "Land of the Dead banned in the Ukraine". MoviesOnline. Retrieved 2008-04-09.
- "TV: MTV Introduces Saturday Horror Movie Block". BloodyDisgusting.
- "Land of the Dead". Chicago Sun-Times. Retrieved 2007-10-07.
- Michael Wilmington. "Movie Review: Land of the Dead." Chicago Tribune, June 23, 2005.
- The New York Sun, "What To See This Week," June 24, 2005. Author: N.L.
- Land of the Dead – George A. Romero Tribute Reel – Movie Trailers & Clips – SPIKE Powered By IFILM[dead link]
- George A. Romero's Land of the Dead – Movie Reviews, Trailers, Pictures – Rotten Tomatoes
|Wikiquote has a collection of quotations related to: Land of the Dead|
- Official website (US)
- Land of the Dead at the Internet Movie Database
- Land of the Dead at AllRovi
- Land of the Dead at Box Office Mojo
- Land of the Dead at Rotten Tomatoes
- Land of the Dead review at Internal Bleeding