Larry Austin

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Larry Austin (born 12 September 1930 in Duncan, Oklahoma) is a United States composer noted for his electronic and computer music works. He was a co-founder and editor of the avant-garde music periodical Source: Music of the Avant Garde.[1] Austin gained additional international recognition when he realized a completion of Charles Ives's Universe Symphony.[2]

Education[edit]

Austin received a bachelors (Music Education, 1951) and masters degree (Music, 1952) from University of North Texas College of Music.[3] In 1955 he studied at Mills College and from 1955-1958 he engaged in graduate study at the University of California, Berkeley, leaving to accept a faculty position at the University of California, Davis. Austin studied with Canadian composer Violet Archer at the University of North Texas,[4] French composer Darius Milhaud at Mills College,[5] and with American composer Andrew Imbrie at the University of California, Berkeley.[6]

Teaching career[edit]

Austin taught at the University of California, Davis from 1958 till 1972 rising from assistant professor to full professor. While at the University of California, Davis, he founded the improvisational New Music Ensemble. In 1972 he accepted a position at the University of South Florida, where he taught until 1978. In that year he returned to Texas, teaching at his alma mater, the University of North Texas, from 1978 until 1996 when he was named Professor Emeritus.[7] His notable students include Dary John Mizelle and Rodney Waschka II.

Compositions[edit]

Austin received early recognition for his instrumental and orchestral works and of those pieces, Improvisations for Orchestra and Jazz Soloists, was performed and recorded by the New York Philharmonic under Leonard Bernstein.[8] Other orchestral works of special note include Charles Ives's Universe Symphony, "as realized and completed by Larry Austin" (1974–93) for large orchestra,[9] and Sinfonia Concertante: A Mozartean Episode [10] (1986) for chamber orchestra and tape. Chamber works with particularly significant computer music/electro-acoustic music aspects include Accidents [11] for electronically prepared piano (1967), written for David Tudor, Canadian Coastlines: Canonic Fractals for Musicians and Computer Band [12] for eight musicians and tape from 1981, and BluesAx for saxophonist and tape (1995), which won the Magisterium Prize, at Bourges in 1996.[13] BluesAx has been recorded by Steve Duke.[14] Recent work includes John Explains... (2007) for octophonic sound,[15] based on a recording of an interview with John Cage. John Explains... was premiered at the 2008 North Carolina Computer Music Festival.[16] At the CEMI Circles festival, Austin's 2013 piece, Suoni della Bellagio--Sounds and sights of Bellagio, July–August, 1998 for video and two-channel tape was premiered.[17]

The noted critic Tom Johnson (composer) has written of Austin's music, ""His style is neither uptown nor downtown, nor is it minimal, eclectic, hypnotic, or European. But it works, it is strongly personal, and it has something to say in all these directions.... The real source of Austin's music, however, is clearly Charles Ives, who also liked musical symbols, enjoyed collaging them together as densely as he could, and never had much of a knack for prettiness."[18]

Austin has said that "Exploring new concepts, new materials and their interaction is essential to my work as a composer." [19]

Partial discography[edit]

  • Leonard Bernstein Conducts Music of Our Time. New York Philharmonic, Columbia Masterworks, MS6733, 1965.[20]
    • Improvisations for Orchestra and Jazz Soloists
  • Robert Floyd Plays New Piano Music by Hans Werner Henze and Larry Austin, Advance Records, FGR10S, 1970.[21]
    • Piano Set in Open Style
    • Piano Variations
  • New Music for Woodwinds, Advance Records, FGR9S, 1974. (performed by Phil Rehfeldt, clarinet and Thomas Warburton, piano).[22]
    • Current
  • Larry Austin Hybrid Musics: Four Compositions, Canton, TX: IRIDA Records 0022, 1980.
    • Maroon Bells
    • Catalogo Voce
    • Quadrants: Event/Complex No. 1
    • Second Fantasy on Ives' Universe Symphony
  • Volume 1, CDCM Computer Music Series. Baton Rouge: Centaur Records, Inc., (CRC 2029) 1988.[23]
    • Sinfonia Concertante (chamber orchestra conducted by Thomas Clark)
    • Sonata Concertante (performed by pianist Adam Wodicki)
  • The Virtuoso in the Computer Age—I, Volume 10, CDCM Computer Music Series. Centaur Records, Inc., (CRC 2110) 1991.[24]
    • Montage:Themes and Variations for Violin and Computer Music on Tape (1985)
  • The Virtuoso in the Computer Age—III, Vol. 11, CDCM Computer Music Series, Baton Rouge: Centaur Records, 1993
    • La Barbara: The Name/The Sounds/The Music
  • A Chance Operation: The John Cage Tribute. New York: Koch International Classics (KIC-CD-7238) 1993.[25]
    • art is self-alteration is Cage is... (1983/93), performed by Robert Black
  • Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974-93). Baton Rouge: Centaur Records, CRC 2205, 1994.
    • Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93)
  • Composers in the Computer Age II. Baton Rouge: Centaur Records, CRC 2193, 1994.
    • SoundPoemSet (1990–91), computer music on tape.
  • Tárogató, New York: Romeo Records (7212), 2001. Esther Lamneck, performer.[26]
    • Tárogató
  • UNconventional Trumpet, Camas, WA: Crystal Records, CD763, 2004.[27]
    • Charley's Cornet

External links[edit]

References[edit]

  1. ^ http://archive.is/20121210091140/http://mason.gmu.edu/~sgerber/sourceavantgarde.pdf
  2. ^ IVES Universe Symphony Col Legno WWE1CD20074 [TH]: Classical CD Reviews- May 2004 MusicWeb(UK)
  3. ^ http://www.googlesyndicatedsearch.com/u/unorthtexas?q=+larry+austin&hq=inurl%3Awww.unt.edu%2Fdevelopment&sa.x=0&sa.y=0
  4. ^ http://links.jstor.org/sici?sici=0031-6016(198423%2F24)23%3A1%3C112%3ADOPADI%3E2.0.CO%3B2-7
  5. ^ Cow College Conversion - TIME
  6. ^ Spring Fever & Other Works: Albany Records
  7. ^ http://www.cdemusic.org/Larry-Austin-c31.html
  8. ^ Music: Copland Plays at Philharmonic
  9. ^ IVES Universe Symphony etc [RB]: Classical CD Reviews- April 2001 MusicWeb(UK)
  10. ^ Austin Larry, Clark Thomas, Hunt Jerry, Winsor Phil: CDCM Computer Music Series Vol 1 - Austin, Hunt, Clark, etc | EAN: 0789368051229 | Our price: 14.38 USD
  11. ^ UbuWeb Sound - Source - Music of the Avant-Garde
  12. ^ http://links.jstor.org/sici?sici=0148-9267(198921)13%3A1%3C21%3ACOTCEW%3E2.0.CO%3B2-3
  13. ^ Institut International de Musique Electroacoustique - Collection ''Cultures électroniques''
  14. ^ Steve Duke - NIU - School of Music
  15. ^ Clark, Thomas: Larry Austin: Life and Times of an Experimental Composer. Raleigh: Borik Press, 2012. p. 85.
  16. ^ Classical Voice of North Carolina
  17. ^ http://cemi.music.unt.edu/cemicircles/schedule
  18. ^ "Larry Austin - Performances and Activities"
  19. ^ http://www.cdemusic.org/Larry-Austin-c31.html
  20. ^ Kollecta - Item (Vinyl Record (music))
  21. ^ Robert Floyd - Plays New Music By Hans Werner Henze - Larry Austin
  22. ^ PHILLIP REHFELDT is Professor of Woodwind Instruments (
  23. ^ http://www.hbdirect.com/album_detail.php?pid=27506
  24. ^ Cdcm Computer Music Series Vol 10 - Virtuoso In Computer Age | ArkivMusic
  25. ^ Welcome To KOCH Entertainment
  26. ^ Esther Lamneck - Tárogató CD
  27. ^ Amazon.com: UNconventional Trumpet: Larry Austin, Rule Beasley, Merrill Ellis, William P. Latham, Martin Mailman, Cindy McTee, Fisher Tull, Jason Baker, Mark Ford, Natalia Bolshakova, John Holt, Keith Johnson: Music