Le Dernier Homme

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Le Dernier Homme
GrainvilleLastMan.jpg
Title page of 1805 first edition of Le Dernier Homme
Author Jean-Baptiste Cousin de Grainville
Country France
Language French
Genre Science fantasy, Dying Earth subgenre
Publisher Deterville
Publication date
1805
Media type Print

Le Dernier Homme (English: The Last Man) is a French science fantasy novel in the form of a prose poem. Written by Jean-Baptiste Cousin de Grainville and published in 1805, it was the first story of modern speculative fiction to depict the end of the world.[1][2] Considered a seminal early work of science fantasy, specifically of the dying earth subgenre, it has been described by Gary K. Wolfe as "A crucial document in the early history... of what became science fiction".[1]

Le Dernier Homme was translated into English in 1806 - poorly,[3] and neither credited to de Grainville nor described as a translation from a French original[2] – under the title Omegarus and Syderia, a Romance in Futurity. This translation remained the only English version available until 2003, when a new translation by I. F. Clarke and Margaret Clarke was published.[1]

Creation and publication[edit]

De Grainville was inspired by Milton's epic poem Paradise Lost.[3] Where Milton's work featured the first couple, Adam and Eve, de Grainville writes of the last couple – Omegarus and Syderia. Influences from the Biblical Book of Revelation are also seen[1] in the concept that the earth has a predestined day of ending.[3] The influence of Malthusian ideas is also seen, as de Grainville writes at one point of an earth out of balance, population outstripping resources.[3]

The work was published in 1805 due to the advocacy of the French literary figure Jacques-Henri Bernardin de Saint-Pierre, who persuaded the Paris publisher Deterville to offer the book. By the time the book was published, de Grainville was dead, a suicide in February of that year.[4] The first publication failed to attract any critical notice or sales, but was championed by Herbert Croft, who published a second edition in two volumes, in 1811. This second edition did garner the attention of critics, who praised it.

Plot[edit]

The story is told by a spirit to a young man who comes upon its cave while traveling in Syria. The protagonist, Omegarus, is the son of the King of Europe and the last child born there in a far future in which the earth is becoming sterile and the human ability to reproduce is fading. He sees a vision of Syderia, the last fertile woman. She lives in Brazil, so he travels there in an airship. After various adventures there, including meeting Ormus, the Spirit of Earth, who urges them to begin a rebirth of the human race, the pair return to Europe. There they meet Adam, the first man, who has been condemned by God to watch all the damned among his descendants enter Hell, and who is now charged with persuading Omegarus and Syderia not to prolong the life of humanity, which God has determined must now end. He succeeds in having Omegarus leave Syderia, who then dies. Ormus, who cannot survive without humanity, despairs, and the world begins to end and the graves of all the dead to open.

Works inspired[edit]

Le Dernier Homme inspired three other works.

  • Le Dernier Homme, poème imité de Grainville (The Last Man, a Poem Inspired by Grainville) is an 1832 work by Auguste Creuzé de Lesser, which expands on Grainville's original, describing aerial cities and a failed attempt at leaving Earth to colonize another planet.
  • L’Unitéide ou la Femme messie (The Unitéide, or the Female Messiah), a mammoth and epic philosophical poem by Etienne-Paulin Gagne published in 1858, sees the return of the character of Omegarus (under the name Omegar). In the work (set in the year 2000), God sends a female messiah to save the world.
  • Omégar ou le Dernier Homme (Omegare, or the Last Man), published the following year by Gagne's wife Élise Gagne, is another poetic epic about the final days of the earth.

The work known as Omegarus and Syderia did circulate somewhat in London, and several contemporary reviewers noticed resemblances between it and subsequent eschatological works: Byron's "Darkness" (1816) and Mary Shelley's The Last Man (1826).[2]

References[edit]

  1. ^ a b c d "The Last Man". University Press of New England. Retrieved September 30, 2011. 
  2. ^ a b c Morton D. Paley (Autumn 1989). "Mary Shelley's The Last Man: Apocalypse Without Millennium". Keats-Shelley Review, #4. Retrieved October 1, 2011. 
  3. ^ a b c d Gillian Bickley (August 30, 2003). "The Last Man by Jean-Baptiste Francois Xavier Cousin de Grainville; trans by I.F. & M. Clarke". Asian Review of Books. Retrieved September 30, 2011. 
  4. ^ *Joseph François, Michaud, ed. (1857). Biographie universelle, ancienne et moderne [Encyclopedia of Ancient and Modern Biography] (in French) 17. Paris: Michaud frères. pp. 315–316. 

External links[edit]

Further reading[edit]

  • Gillet, Jean (2004). "Du dernier au premier homme : Le brouillage des signes dans l’épopée de Grainville" [From Last Man to First: Deconstructing the Symbology of De Grainville's Epic]. In Labarthe, Judith. Formes modernes de la poésie épique. Nouvelles approches [Modern Forms of Epic Poetry: New Approaches]. Peter Lang Publishing Group. pp. 113–127. ISBN 90-5201-196-6.  (French)
  • Morton D. Paley (1991). "Le Dernier Homme: the French Revolution as the Failure of Typology". Mosaic: A Journal for the Interdisciplinary Study of Literature (University of Manitoba) 24 (1): 67–76.  (English)