|Directed by||James Ivory|
|Produced by||Ismail Merchant
|Screenplay by||Ruth Prawer Jhabvala
|Based on||the novel by
|Music by||Richard Robbins|
|Edited by||John David Allen|
|Merchant Ivory Productions|
|Distributed by||Fox Searchlight|
|Running time||117 minutes|
|Box office||$12,991,996 (worldwide)|
American Isabel Walker (Kate Hudson) travels to Paris to visit her pregnant sister Roxy (Naomi Watts). Roxy's husband Charles-Henri leaves Roxy for his married Russian lover, Magda Tellman, and her unhinged husband stalks and harasses Roxy. While Isabel begins two simultaneous affairs with French men from different social classes, Roxy's and Charles-Henri's families fight over French community property laws and ownership rights of a family-owned masterpiece. (Glenn Close) plays Olivia Pace, an American author who had an affair with one of Isabel's lovers.
Isabel (Hudson) Walker travels to Paris to visit her sister, poet Roxy (Watts), who lives with her husband, Frenchman Charles-Henri, and her young daughter, Gennie. Roxy is pregnant, but her husband has just walked out on her without explanation. Isabel discovers that he has a married Russian lover, Magda Tellman, whom he intends to marry after securing a divorce from Roxy. Roxy refuses to divorce him.
Paris-based American author Olivia Pace (Glenn Close), a friend of Roxy's, offers Isabel a job. The sisters visit the Charles-Henri's family's country home for Sunday brunch, where Isabel meets Charles-Henri's mother (Leslie Caron), and her handsome middle-aged brother-in-law, Edgar.
Isabel also meets Yves, Olivia's protégé, and they begin an affair. At the same time, she is attracted to the older, wealthy and married Edgar. The two begin an affair, although Isabel continues to string Yves along.
Charles-Henri maintains a blasé attitude about his infidelity and insists on a divorce. He also hopes to benefit from the French community property laws in the divorce, especially with regard to a painting owned by his wife's family. His mistress, Magda Tellman, is married to a man who begins to stalk and harass Roxy, thinking her responsible for his wife's desertion. Charles-Henri's cruelty and insensitivity take their toll on Roxy, and she attempts suicide in late pregnancy. She survives and is supported by Isabel and her lawyer.
Roxy and Isabel's parents arrive from the US, which further complicates things when Edgar 's wife, Amelie, discovers the affair through Edgar's sister and Roxy's mother-in-law. She and Charles-Henri's mother confront, not Isabel, but her mother.
Magda childishly teases her husband with her new relationship, and Charles-Henri is later found dead, murdered by Magda's husband in a crime of passion. Tellman then follows the sisters on a family outing to the Eiffel Tower, where he corners them and pulls a gun, demanding an opportunity to explain to an absent Roxy why he killed her husband. After some persuasion, the distraught Tellman releases the gun to Isabel, who drops it into a Hermes bag, an expensive gift from Edgar, before throwing it off the Eiffel Tower.
Edgar, persuaded by his socially-conscious family's concern and tiring of his young lover, casually ends his affair with Isabel with a Chanel scarf and a lunch.
After Roxy's baby is born, she marries her lawyer. Isabel begins a real relationship with Yves. The disputed family painting of Saint Ursula by Georges de la Tour, rejected by the Louvre as worthless, sells for more 4.5 Euros, and because its ownership is no longer disputed on Charles-Henri's death, the money goes to the Walker family.
- Kate Hudson – Isabel Walker
- Naomi Watts – Roxeanne de Persand
- Glenn Close – Olivia Pace
- Thierry Lhermitte – Edgar Cosset
- Melvil Poupaud – Charles-Henri de Persand
- Matthew Modine – Tellman
- Sam Waterston – Chester Walker
- Stockard Channing – Margeeve Walker
- Thomas Lennon – Roger Walker
- Jean-Marc Barr – Maitre Bertram
- Romain Duris – Yves
- Catherine Samie - Madame Florian
- Esmée Buchet-Deàk – Gennie de Persand
- Samuel Labarthe – Antoine de Persand
- Leslie Caron – Suzanne de Persand
- Nathalie Richard – Charlotte de Persand
- Bebe Neuwirth – Julia Manchevering
- Rona Hartner – Magda Tellman
- Stephen Fry – Piers Janely
- Peter Wyckoff - de Persand Child
Le Divorce was filmed in Paris at locations including Café de Flore, Tour Eiffel, Musée du Louvre and Salle Gaveau. The Eiffel Tower's elevators, stairways and various levels are seen extensively as one character pursues another near the end of the film.
Opening title music was Paul Misraki's "Qu'est-ce qu'on attend pour être heureux", sung by Patrick Bruel and Johnny Hallyday from Bruel's CD "Entre deux". End title music was Serge Gainsbourg's "L'Anamour", sung by Jane Birkin from her CD "Version Jane".
Le Divorce was given an initial limited release on August 8, 2003 in 34 theaters where it grossed $516,834 on its opening weekend. It went into wide release on August 29, 2003 in 701 theaters where it grossed $1.5M on its opening weekend. The film went on to make $9 million in North America and $3.9M in the rest of the world for a worldwide total of $12.9M.
Le Divorce received largely mixed to negative reviews. It has a 38% rating on a Rotten Tomatoes and a 51 metascore on Metacritic. Film critic Roger Ebert gave the film three out of four stars and felt that it did not "work on its intended level, because we don't care enough about the interactions of the enormous cast. But it works in another way, as a sophisticated and knowledgeable portrait of values in collision". In his review for the New York Times, A.O. Scott wrote, "As it is, Le Divorce is tasteful, but almost entirely without flavor. It is tough work to sit through a comedy made by filmmakers with so little sense of timing and no evident sense of humor". Entertainment Weekly gave the film a "C" rating and Owen Gleiberman wrote, "I'm disappointed to report that Hudson and Watts have no chemistry as sisters, perhaps because Watts never seems like the expatriate artiste she's supposed to be playing". In his review for the Village Voice, David Ng wrote, "Indeed, featuring a boatload of intercontinental stars who have little to do, Le Divorce uncannily embodies its privileged bilingual milieu. At worst, it suggests a documentary of its own lavish wrap party". Premiere magazine's Glenn Kenny gave the film three out of four stars and wrote, "the picture is a nice return to form for Ivory and company, as well as a welcome stretch for Kate Hudson, whose luminous talents, I fear, are going to be hidden under bushels of stupid Hollywood romantic comedies for the foreseeable future". In his review for The New York Observer, Andrew Sarris wrote, "The film's greatest achievement, however, is in keeping a dizzying variety of characters at odds with each other without any breach of good manners, and without descending to facile stereotypes and caricatures".
- "Le Divorce". Box Office Mojo. Retrieved 2009-03-03.
- Ebert, Roger (August 8, 2003). "Le Divorce". Chicago Sun-Times. Retrieved 2009-03-03.
- Scott, A.O (August 8, 2003). "Paris in the Summer, When It Sits There". New York Times. Retrieved 2009-03-03.
- Gleiberman, Owen (August 5, 2003). "Le Divorce". Entertainment Weekly. Retrieved 2009-03-03.
- Ng, David (August 5, 2003). "To Have And To Mold". Village Voice. Retrieved 2009-03-03.
- Kenny, Glenn (August 7, 2003). "Le Divorce". Premiere. Retrieved 2009-03-03.
- Sarris, Andrew (August 3, 2003). "Two Americans in Paris, Merchant-Ivory Style". The New York Observer. Retrieved 2009-03-03.
- Le Divorce at the Internet Movie Database
- Le Divorce at AllMovie
- Le Divorce at Rotten Tomatoes
- Le Divorce at Metacritic
- Le Divorce at Box Office Mojo
- Official Site