Lee "Scratch" Perry

From Wikipedia, the free encyclopedia

  (Redirected from Lee Perry)
Jump to: navigation, search
 This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2008)
(Find sources: Lee "Scratch" Perry – news, books, scholar)
Lee "Scratch" Perry

Background information
Birth name Rainford Hugh Perry
Also known as Pipecock Jackxon
The Upsetter
Born 20 March 1936 (1936-03-20) (age 73)
Kendal, Jamaica
Genres Reggae, dub, ska, rocksteady, drum and bass

Lee "Scratch" Perry (born Rainford Hugh Perry, on 20 March 1936, in Kendal, Jamaica) is a musician, who has been highly influential in the development and acceptance of reggae and dub music in Jamaica and overseas. He employs numerous pseudonyms, such as Pipecock Jackxon and The Upsetter.

Contents

[edit] Biography

Perry's musical career began in the late 1950s as a record seller for Clement Coxsone Dodd's sound system. As his sometimes turbulent relationship with Dodd developed, he found himself performing a variety of important tasks at Dodd's Studio One hit factory, going on to record nearly 30 songs for the label. Disagreements between the pair due to personality and financial conflicts, a recurring theme throughout Perry's career, led him to leave the studio and seek new musical outlets. He soon found a new home at Joe Gibbs's Amalgamated Records.

Working with Joe Gibbs, Perry continued his recording career but, once again, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label, Upsetter, in 1968. His first single "People Funny Boy", which was an insult directed at Gibbs, sold very well. It is notable for its innovative use of a sample (a crying baby) as well as a fast, chugging beat that would soon become identifiable as "reggae" (the new kind of sound which was given the name "Steppers"). From 1968 until 1972 he worked with his studio band The Upsetters. During the 1970s, Perry released numerous recordings on a variety of record labels that he controlled, and many of his songs were popular in both Jamaica and the UK. He soon became known for his innovative production techniques as well as his eccentric character.

In the early 1970s, Perry was one of the producers whose mixing board experiments resulted in the creation of dub. In 1973, Perry built a studio in his back yard, The Black Ark, to have more control over his productions and continued to produce notable musicians such as Bob Marley & the Wailers, Junior Byles, Junior Murvin, The Heptones, The Congos and Max Romeo. With his own studio at his disposal, Perry's productions became more lavish, as the energetic producer was able to spend as much time as he wanted on the music he produced. Virtually everything Perry recorded in The Black Ark was done using basic recording equipment; through sonic sleight-of-hand, Perry made it sound unique. Perry remained behind the mixing desk for many years, producing songs and albums that stand out as a high point in reggae history.

By 1978, stress and unwanted outside influences began to take their toll: both Perry and The Black Ark quickly fell into a state of disrepair. Eventually, the studio burned to the ground. Perry has constantly insisted that he burned the Black Ark himself in a fit of rage. After the demise of the Black Ark in the early 1980s, Perry spent time in England and the United States, performing live and making erratic records with a variety of collaborators. It was not until the late 1980s, when he began working with British producers Adrian Sherwood and Neil Fraser (who is better known as Mad Professor), that Perry's career began to get back on solid ground again. Perry also has attributed the recent resurgence of his creative muse to his deciding to quit drinking alcohol and smoking cannabis. Perry stated in an interview that he wanted to see if "it was the smoke making the music or Lee Perry making the music. I found out it was me and that I don't need to smoke."[1]

Perry now lives in Switzerland with his wife Mireille and two children. Although he celebrated his 70th birthday in 2006, he continues recording and performing to enthusiastic audiences in Europe and North America. His modern music is a far cry from his reggae days in Jamaica; many now see Perry as more of a performance artist in several respects. In 2003, Perry won a Grammy for Best Reggae Album with the album Jamaican E.T.. In 2004, Rolling Stone Magazine ranked Perry #100 on their list of the 100 Greatest Artists of All Time.[2] More recently, he teamed up with a group of Swiss musicians and performed under the name Lee Perry and the White Belly Rats, and made a brief visit to the United States using the New York City based group Dub Is A Weapon as his backing band. Currently there are two feature length movies made about his life and work: Volker Schaner's "Vision Of Paradise" and "The Upsetter" by filmmakers Ethan Higbee and Adam Bhala Lough.

After meeting Andrew W.K. at SXSW in 2006, Perry invited him to co-produce his forthcoming album Repentance. The album, released on the 19th of August 2008, on Narnack Records, features several guest artists including Moby, Ari Up of The Slits, producer Don Fleming, drummer Brian Chippendale of Lightning Bolt, bassist Josh Werner of Matisyahu, and adult entertainer Sasha Grey.

In 2008, Perry reunited with producer Adrian Sherwood on an album called The Mighty Upsetter. Unlike the dancehall/pop oriented Repentance, The Mighty Upsetter returned to the dub/reggae styles for which Perry is known. In 2009 he collaborated with Dubblestandart on their Return from Planet Dub album.

[edit] Discography

[edit] Albums


Black Ark era


[edit] Compilations

  • Chicken Scratch (produced by Coxsone Dodd) (1963-1966)
  • Reggae Greats: Lee "Scratch" Perry (1984)
  • Open The Gate (1989)
  • Upsetter Collection (1994)
  • Upsetters A Go Go (1995)
  • Introducing Lee Perry (1996)
  • Words Of My Mouth Vol.1 (The Producer Series) (1996)
  • Voodooism (Pressure Sounds) (1996)
  • Arkology (1997)
  • The Upsetter Shop Vol.1: Upsetter In Dub (1997)
  • Dry Acid (1998)
  • Lee Perry Arkive (1998)
  • Produced and Directed By The Upsetter (Pressure Sounds) (1998)
  • Lost Treasures of The Ark (1999)
  • Upsetter Shop Vol.2 1969-1973 (1999)
  • Words Of My Mouth Vol.2 (The Producer Series) (1999)
  • Words Of My Mouth Vol.3 (Live As One/The Producer Series) (2000)
  • Scratch Walking (2001)
  • Black Ark In Dub (2002)
  • Divine Madness ... Definitely (Pressure Sounds) (2002)
  • Dub Triptych (2000)
  • Trojan Upsetter Box Set (2002)
  • This is Ska and Reggae Roots (2005)
  • The Upsetter Selection - A Lee Perry Jukebox (2007)

[edit] Appearances

[edit] Films

  • Ich sende aus dem All - 16 mm, 30 min, CH/D, 1995, directed by Peter Braatz
  • The Upsetter - 90 min, 2008, directed by Ethan Higbee and Adam Bhala Lough

[edit] Videos

  • Lee Scratch Perry: The Unlimited Destruction, 2002, USA
  • Lee Scratch Perry: In Concert - The Ultimate Alien, 2003, USA
  • Lee Scratch Perry With Mad Professor, 2004, USA
  • Roots Rock Reggae - Inside the Jamaican Music Scene, 1977. Directed by Jeremy Marre.

[edit] References

  1. ^ Heselgrave, Douglas (December 2006). "Lee Scratch Perry: From the Black Ark to the Skull Cave, the Madman Becomes a Psychiatrist". Music Box Magazine. http://www.musicbox-online.com/interviews/lee-scratch-perry-2006.html. Retrieved 2006-12-28. 
  2. ^ "The Immortals: The First Fifty". Rolling Stone Issue 946. Rolling Stone. http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty. 

[edit] Further reading

[edit] External links

Retrieved from "http://en.wikipedia.org/wiki/Lee_%22Scratch%22_Perry"