Lee Shelton

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Lee Shelton (March 16, 1865 – March 11, 1912), popularly known as "Stagolee", "Stagger Lee", "Stack-O-Lee", and other variations, was an American criminal who became a figure of folklore after murdering Billy Lyons on Christmas 1895. The murder, reportedly motivated partially by the theft of Shelton's Stetson hat, made Shelton an icon of toughness and style in the minds of early folk and blues musicians, and inspired the popular folk song "Stagger Lee". The story endures in the many versions of the song that have circulated since the late 19th century.

Background[edit]

The historical Lee Shelton was an African American born in 1865 in Texas.[1] He later worked as a carriage driver in St. Louis, Missouri, where he gained a reputation as a pimp and gambler, and evidently served as a captain in a black "Four Hundred Club", a political and social club with a dubious reputation.[2][3] He was not a common pimp — described by Cecil Brown, "Lee Shelton belonged to a group of pimps known in St. Louis as the 'Macks'. The Macks were not just 'urban strollers'; they presented themselves as objects to be observed."[4] He was nicknamed "Stag Lee" or "Stack Lee", possibly because he 'went "stag"', meaning he was without friends, or took the nickname from a well-known riverboat captain called "Stack Lee". John and Alan Lomax claimed that the nickname came from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[5] Lee Shelton's nickname was later corrupted into various other forms in the folk tradition.[6]

On Christmas night in 1895, Shelton shot William "Billy" Lyons in a St. Louis saloon following a dispute.[7] A story appearing in the St. Louis Globe-Democrat in 1895 read:

William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o'clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon, a carriage driver. Lyons and Sheldon were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon's hat from his head. The latter indignantly demanded its return. Lyons refused, and Sheldon withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Sheldon took his hat from the hand of the wounded man and coolly walked away. He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. Lee Sheldon is also known as 'Stag' Lee.[8]

Further details are preserved in trial accounts. For example Shelton had first crushed Lyons' Derby hat, after which Lyons grabbed Shelton's hat and demanded restitution; Shelton then drew his gun and smacked Lyons on the head with it. Lyons lunged for Shelton and Shelton shot.[9]

Lyons eventually died of his injuries. Shelton was tried and convicted for the crime in 1897, and sentenced to 25 years in prison. He was pardoned in 1909, but was imprisoned again two years later for assault and robbery. Unable to get parole, he died in the hospital of the Missouri State Penitentiary in Jefferson City on March 11, 1912.[10][11]

Shelton is buried at the historic Greenwood Cemetery in Hillsdale, Missouri.[12] The Killer Blues Headstone Project raised monies to place a stone on his unmarked grave, and on April 14, 2013, a marker was laid during a public ceremony.[13]

Song and tradition[edit]

Main article: Stagger Lee (song)

Shortly after the event, the murder became the subject of folk song tradition, known as "Stagolee", "Stagger Lee" and other variants. The earliest versions were likely field hollers and other work songs performed by African American laborers. The first evidence for it is a reference to "Stack-a-Lee" being performed by "Prof. Charlie Lee, the piano thumper" in the Kansas City Leavenworth Herald in 1897.[14] The song was well known in African American communities along the lower Mississippi River by 1910. That year, musicologist John Lomax received a partial transcription of the song,[15] and in 1911 two versions were published in the Journal of American Folklore by the sociologist and historian Howard W. Odum.[16]

The song was first recorded by Waring's Pennsylvanians in 1923, and became a hit. Another version was recorded later that year by Frank Westphal & His Regal Novelty Orchestra, and Herb Wiedoeft and his band recorded the song in 1924.[17] Also in 1924, the first version with lyrics was recorded, as "Skeeg-a-Lee Blues", by Lovie Austin. Ma Rainey recorded the song the following year, with Louis Armstrong on cornet, and a notable version was recorded by Frank Hutchison in 1927.[14]

The song tradition embellishes the story with sometimes inaccurate or fantastic details. The songs play up the importance of Stagolee's Stetson hat as a symbol of manliness.[18][9][19] He is often said to have received a death sentence for his crime, which he accepts stoically. Some versions add an additional section in which Stagolee goes to Hell and usurps it from the Devil.[20] The 1995 version by Nick Cave & The Bad Seeds paints Stagger Lee as sociopathic, homosexual, sexual predator who forces a foe to perform fellatio on him before shooting the man to death.[21]

Impact[edit]

Stagger Lee has become an archetype, the embodiment of a tough black man; one who is sly, streetwise, cool, lawless, amoral, potentially violent, and who defies white authority.[22][23] Within thirty years of Shelton's death, Benjamin Botkin records stories of his having been born with a caul over his face (signifying one with the power to see spirits and destined for trouble), or of having sold his soul to the Devil (in exchange for the hat, said to be magic, over which he killed Billy Lyons). Additional legends credit him with the ability to transform himself into animals, of having caused the San Francisco Earthquake, and of having fought a duel with Jesse James.[24]

Author and music critic Greil Marcus explicitly ties the Stagger Lee archetype to Sly Stone and his album There's a Riot Goin' On in his book Mystery Train: Images of America in Rock 'n' Roll Music.

See also[edit]

References[edit]

  1. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 37. 
  2. ^ "The Story of Stagger Lee". Riverfront Times. 2007-06-27. 
  3. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. pp. 42–43. 
  4. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 23. 
  5. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. pp. 43–45. 
  6. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 102. 
  7. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. pp. 24–25. 
  8. ^ http://www3.clearlight.com/~acsa/stagroot.htm
  9. ^ a b George M Eberhart in A Question of Manhood: A Reader in U.S. Black Men's History and Masculinity ed. Darlene Clark Hine, Earnestine Jenkins, Volume 2, 2001, p. 390 "William Lyons wore a derby hat; if Stack Lee wore a Stetson hat (as most of the songs insist), all the accounts I have found failed to mention it."
  10. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. pp. 34–36. 
  11. ^ Krajicek, David J. (2011). True Crime: Missouri—The State's Most Notorious Criminal Cases. Chapter 1: When Stagger Lee Shot Billy. Stackpole Books. 
  12. ^ "Lee Shelton". Finf A Grave. Retrieved 2013-04-18. 
  13. ^ Michael Dauphin (April 12, 2013). "Killer Blues to Install Headstones at the Graves of Stagger Lee, Milton Sparks This Weekend". Riverfront Times. Retrieved 2013-04-18. 
  14. ^ a b History of Stagger Lee. Retrieved February 17, 2013
  15. ^ Matt Marshall, "A Brief History of Stagger Lee and Billy Lyons", American Blues Scene, May 9, 2011. Retrieved March 5, 2013
  16. ^ Richard E. Buehler, "Stacker Lee: A partial investigation into the historicity of a Negro murder ballad", Keystone Folklore Quarterly, vol. 12, 1967, pp. 187–191. Retrieved March 5, 2013
  17. ^ "Herb Wiedoeft's Cinderella Roof Orchestra". Red Hot Jazz. Retrieved 2010-10-13. 
  18. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 73. 
  19. ^ Howard W. Odum article "Folk-Song.." in Journal of American Folklore 1911
  20. ^ Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 35. 
  21. ^ http://www.metrolyrics.com/stagger-lee-lyrics-nick-cave.html
  22. ^ Brown, Cecil (May 9, 2003). "Godfather of Gangsta". The Guardian. Retrieved 2007-12-17. 
  23. ^ George M. Eberhart (2006). Chapter Nineteen. Stack Lee: The Man, The Music, The Myth. In: Darlene Clark Hine, Earnestine Jenkins. A Question of Manhood: A Reader in U.S. Black Men's History and Masculinity, Volume 2.. Indiana University Press. p. 482. 
  24. ^ Botkin, Benjamin. A Treasury of American Folklore. New York: Crown 1944. rpt 1993, 122 ff.

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