Left Luggage (film)
DVD cover of Left Luggage
|Directed by||Jeroen Krabbé|
|Produced by||Edwin de Vries
|Written by||Edwin de Vries
Carl Friedman (book)
|Music by||Keith Allison
|Cinematography||Walther van den Ende|
|Edited by||Edgar Burcksen|
|Distributed by||Polygram Filmed Entertainment,
Buena Vista International
|Running time||100 minutes|
|Language||English, Hebrew, Yiddish|
Left Luggage is a 1998 Dutch film directed by Jeroen Krabbé.
While escaping from Nazis during World War II, a Jewish man buries two suitcases full of things dear to his heart in the ground. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, an obsessive compulsion. He keeps checking old maps and keeps digging, trying to find what he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant hassidic family with many children, although her secular manners clearly fly in the face of their beliefs. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so Chaya stays despite the resistance of the father, who is normally an indisputable authority in the family.
She develops a special bond with the youngest of the boys, four-year old Simcha, who seems incapable of speaking. She encourages him to speak while walking in the park, and it appears that, after some coaching from Chaya (who needs coaching herself) during the upcoming Passover Seder, Simcha will be able to chant the section of the Haggadah usually reserved for the youngest speaking participant - the Four Questions.
At first, Simcha's nerves prevent him from chanting, and his brothers begin to chant instead. Simcha finally lifts his voice. The entire family, including Chaya, applauds his efforts, but his judgemental father does not recognize this great step, but instead criticizes the boy for a mistake. Chaya confronts the father, and in the process, discovers his own pain as a Holocaust survivor, and begins to understand her own parents' grief.
The anti-Semitic superintendent of the building is a constant problem for the entire family and now for Chaya. However, as opposed to the observant Jews, she refuses to be a victim and does not put up with his anti-Semitic tricks. She fights him, thus exciting the children's admiration and father's wrath.
Unfortunately, walks with Simcha end in a tragedy: after sneaking to the park, he drowns in the pond, while chasing the ducks he loved so much. Some in the community hold Chaya responsible for his death. However, in a scene where Chaya goes to the family's mourning service, the mother feels compassion for Chaya and realizes that Chaya felt a deep connection with Simcha. As an act of acceptance, his mother rips Chaya's shirt, which is a sign of a mourner (a sibling, parent, child or spouse of the deceased) in Jewish tradition.
The boy's father finally, albeit silently, acknowledges Chaya's connection with Simcha when she observes the graveside service.
Chaya's experience allows her to finally accept her parents' past, and to embrace her own Jewishness.
The film is a commentary not only on external (gentile) anti-Semitism, but also on the lack of connection and self-acceptance of assimilated Jews.
- Laura Fraser - Chaya Silberschmidt
- Adam Monty - Simcha Kalman
- Isabella Rossellini - Mrs. Kalman
- Jeroen Krabbé - Mr. Kalman
- Chaim Topol - Yacov Apfelschnitt
- Marianne Sägebrecht - Mrs. Silberschmidt
- Maximilian Schell - Mr. Silberschmidt
- Koen De Bouw - Mr. Silberschmidt (at age of 20)
- David Bradley - Concierge
- Heather Weeks - Sofie
- Miriam Margolyes - Mrs. Goldman
- Lex Goudsmit - Mr. Goldman
- "Berlinale: 1998 Prize Winners". berlinale.de. Retrieved 2012-01-21.