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|Born||17 February 1918|
|Died||21 November 1995(aged 77)|
Leila Mourad was born in Al Daher, Cairo on February 17, 1918 to Zaki Mourad and Gamilah Salmon. Her father was a respected singer, musician, and religious cantor, (Hazzan). One of her brothers Mounir Mourad was an actor and composer.
She made her first stage appearance, aged nine, at the Saalat Badi'a, one of Cairo's most successful music halls. The theatre had been founded in 1926 by the actress and dancer Badi'a Masabni, who became Mourad's patron. Her first film appearance, aged fifteen, was in the 1932 al-Dahaya (The Victims) which had originally been made as a silent film. Her song, "The Day of Departure", was added as part of the transformation of the production into a "talkie".
She was trained by her father and Dawood Hosni, who was also Jewish. Hosni had composed the first Operetta in the Arabic language, and he composed two songs for Leila: "Hairana Leh Bein El-Eloub" (Why can't you choose from among lovers), and "Howa el dala'a ya'ani khessam" (Does daliance mean avoiding me?). Further success came when the prominent Egyptian composer Mohammed Abdel Wahab heard her singing and gave her a role in his film Yahia el Hob (Viva Love!) in 1938. In the six years following the success of Yahia el Hob she made five best selling films with director Togo Mizrahi, becoming Egypt's top actress. In 1945 she made Layla Bint al-Fuqara (Layla, daughter of the poor) directed by Anwar Wagdi whom she married shortly after. She went on to make a further 20 films of which the most outstanding is Ghazal al-Banat (The Flirtation of Girls), also directed and co-starring Wagdi. It also featured Nagib al-Rihani and Abdel Wahab in their last appearances on film.
In 1953, she was selected, over Umm Kulthum, as the official singer of the Egyptian revolution. Shortly thereafter, a rumor that Mourad had visited Israel, where she had family, and donated money to its military, raised suspicions of spying and caused some Arab radio stations to boycott her. She denied these allegations and when called for judicial investigations, maintained her innocence all along, declaring, "I am an Egyptian Muslim". No proof was found that she had contributed money to Israel's military; the Egyptian government investigated and concluded that the charges against the singer were without foundation.
Her decision to retire, aged 38, came with the failure of her last film, Al Habib al Majhoul (The Unknown Lover), the banning of her song, "With Unity, Order, and Work", praising the Free Officers 1952 revolution and the outbreak of the 1956 war. Despite the immense popularity of her films her singing career was over-shadowed by Um Kulthum who dominated Egypt's musical landscape and, in 1949, had become president of the Musicians' Union. In the early 1950s other singers also popular with younger audiences, such as Abdel al Halim Hafez, did not get the same exposure on the radio as Um Kulthum.
Leila Mourad's relationship with her family was not an easy one, possibly due to her conversion to Islam. Between 1967 and 1970, Hundreds of Egyptian Jewish males were deported to the detention camps of Abu Zaabal and Tura, including Leila's brother, Isak Zaki. Families of the detainees were allowed to visit beginning in 1968, and some noted that Leila was never seen visiting her brother.
Leila Mourad made a few brief reappearances during Ramadan in 1970, when she was scheduled to read Salah Jaheen's "Fawazeer Ramadan" (Ramadan' puzzles), a daily traditional radio program held during the Holy month of Ramadan.
Leila Mourad died in a hospital in Cairo in 1995.
Leila Mourad married Anwar Wagdi (1947–1954), over the objection of her father. They were married and divorced three times. Leila gives the reason for her divorces as the fact that she was not fully aware of the seriousness of Wagdi's illness, one that made him constantly irritable and difficult to live with. Later she married Waguih Abaza, and then film director Fatin Abdul Wahab and she gave birth to their son Zaki Fatin Abdul Wahab, and finally divorced in 1969.
Her famous songs include:
- "Yama Arak el nasim"
- "Ya msafer we nassi hawak"
- "Albi dalleli"
- "leeh khaletni ahebak"
- "Elmaya we el hawa"
- "Ya aaz mn Ainy"
- "Sanaten wana ahayel feek"
- "El Hob Gameel".
- "Monaya fi Korbak"
- "Abgad Hawaz".
- "Einy Betref", a duet with the Egyptian actor "Naguib AlRaihani".
Her movies include:
- Sayedat al-Qitar (Lady on the Train), 1953.
- Ward el gharam (Flowers of Love), 1952.
- Ghazal Al Banat (Flirtation of Girls), 1949.
- El Hawa wal chabab (Love and Youth), 1948.
- Darbet el kadar (The Blow of Fate), 1947.
- Qalbi dalili (My Heart is My Guide), 1947.
- Khatem Suleiman (Solomon's Ring), 1947.
- Leila bint el agnia (Leila, Daughter of the Rich), 1947.
- Leila bint el fukara (Leila, Daughter of the Poor), 1946.
- El Madi el maghoul (The Forgotten Past), 1946.
- Shadia al wadi (The Singer in the Valley), 1946.
- Leila fil zalam (Leila in the Shadows), 1944.
- Leila, bint al-madaress (Leila, the Schoolgirl), 1942.
- Laila, ghadet el camelia (Leila, Lady of the Camelias), 1942.
- Shuhaddaa el gharam (Romeo and Juliet), 1942.
- Leila, bint el rif (Leila, the Girl from the Country), 1941.
- Laila momtera (Stormy Night), 1940.
- Yahya el hub (Long Live Love), 1938.
The Ramadan television series "Ana Albi Dalili", about Leila Mourad, debuted in 2009. It is an Egyptian production headed by Syrian director Muhamad Zuhair Rajab. Safa Sultan, a Syrian actress, plays Leila Mourad. Ahmed Flukhs portrays Anwar Wagdi. Izat Abu Oof, an Egyptian actor, portrays Zaki Mourad and Hala Fahr portrays Miriam, the aunt of Leila Mourad.
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- Danielson, Virginia (1977) The Voice of Egypt. Umm Kulthum, Arabic song, and Egyptian society in the twentieth century. AUC Press, Cairo. ISBN 977 424 386 2. pp.48,67
- Darwish, Mustafa (1998) Dream Makers on the Nile. A Portrait of Egyptian Cinema. AUC Press, Cairo. ISNB 977 424 429X. p.24
- Darwish. pp.24,25
- Beinin, Joel (1998). The Dispersion of Egyptian Jewry. University of California Press. 1st edition. p. 84.
- Darwish. p.24
- Danielson. p.120
- Bizawe, Eyal Sagui. "The return of Cinderella." Haaretz. 1 October 2009. Retrieved on 10 April 2013.
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