A lens is a transmissive optical device which affects the focusing of a light beam through refraction. A simple lens consists of a single piece of material, while a compound lens consists of several simple lenses (elements), usually along a common axis. Lenses are made from transparent materials such as glass, ground and polished to a desired shape. A lens can be used to focus light to form an image, unlike a prism which refracts light without focusing. Devices which similarly refract radiation other than visible light are also called lenses, such as microwave lenses or acoustic lenses.
- 1 History
- 2 Construction of simple lenses
- 3 Imaging properties
- 4 Aberrations
- 5 Compound lenses
- 6 Other types
- 7 Uses
- 8 See also
- 9 References
- 10 Bibliography
- 11 External links
|This section requires expansion with: history after 1758. (January 2012)|
The word lens comes from the Latin name of the lentil, because a double-convex lens is lentil-shaped. The genus of the lentil plant is Lens, and the most commonly eaten species is Lens culinaris. The lentil plant also gives its name to a geometric figure.
The oldest lens artifact is the Nimrud lens, dating back 2700 years to ancient Assyria. David Brewster proposed that it may have been used as a magnifying glass, or as a burning-glass to start fires by concentrating sunlight. Another early reference to magnification dates back to ancient Egyptian hieroglyphs in the 8th century BC, which depict "simple glass meniscal lenses".[verification needed]
The earliest written records of lenses date to Ancient Greece, with Aristophanes' play The Clouds (424 BC) mentioning a burning-glass (a biconvex lens used to focus the sun's rays to produce fire). Some scholars argue that the archeological evidence indicates that there was widespread use of lenses in antiquity, spanning several millennia. Such lenses were used by artisans for fine work, and for authenticating seal impressions. The writings of Pliny the Elder (23–79) show that burning-glasses were known to the Roman Empire, and mentions what is arguably the earliest written reference to a corrective lens: Nero was said to watch the gladiatorial games using an emerald (presumably concave to correct for nearsightedness, though the reference is vague). Both Pliny and Seneca the Younger (3 BC–65) described the magnifying effect of a glass globe filled with water.
Excavations at the Viking harbour town of Fröjel, Gotland, Sweden discovered in 1999 the rock crystal Visby lenses, produced by turning on pole lathes at Fröjel in the 11th to 12th century, with an imaging quality comparable to that of 1950s aspheric lenses. The Viking lenses were capable of concentrating enough sunlight to ignite fires.
Between the 11th and 13th century "reading stones" were invented. Often used by monks to assist in illuminating manuscripts, these were primitive plano-convex lenses initially made by cutting a glass sphere in half. As the stones were experimented with, it was slowly understood that shallower lenses magnified more effectively.
Lenses came into widespread use in Europe with the invention of spectacles, probably in Italy in the 1280s. This was the start of the optical industry of grinding and polishing lenses for spectacles, first in Venice and Florence in the thirteenth century, and later in the spectacle-making centres in both the Netherlands and Germany. Spectacle makers created improved types of lenses for the correction of vision based more on empirical knowledge gained from observing the effects of the lenses (probably without the knowledge of the rudimentary optical theory of the day). The practical development and experimentation with lenses led to the invention of the compound optical microscope around 1595, and the refracting telescope in 1608, both of which appeared in the spectacle-making centres in the Netherlands.
With the invention of the telescope and microscope there was a great deal of experimentation with lens shapes in the 17th and early 18th centuries trying to correct chromatic errors seen in lenses. Opticians tried to construct lenses of varying forms of curvature, wrongly assuming errors arose from defects in the spherical figure of their surfaces. Optical theory on refraction and experimentation was showing no single-element lens could bring all colours to a focus. This led to the invention of the compound achromatic lens by Chester Moore Hall in England in 1733, an invention also claimed by fellow Englishman John Dollond in a 1758 patent.
Construction of simple lenses
Most lenses are spherical lenses: their two surfaces are parts of the surfaces of spheres. Each surface can be convex (bulging outwards from the lens), concave (depressed into the lens), or planar (flat). The line joining the centres of the spheres making up the lens surfaces is called the axis of the lens. Typically the lens axis passes through the physical centre of the lens, because of the way they are manufactured. Lenses may be cut or ground after manufacturing to give them a different shape or size. The lens axis may then not pass through the physical centre of the lens.
Toric or sphero-cylindrical lenses have surfaces with two different radii of curvature in two orthogonal planes. They have a different focal power in different meridians. This forms an astigmatic lens. An example is eyeglass lenses that are used used to correct astigmatism in someone's eye.
More complex are aspheric lenses. These are lenses where one or both surfaces have a shape that is neither spherical nor cylindrical. The more complicated shapes allow such lenses to form images with less aberration than standard simple lenses, but they are more difficult and expensive to produce.
Types of simple lenses
Lenses are classified by the curvature of the two optical surfaces. A lens is biconvex (or double convex, or just convex) if both surfaces are convex. If both surfaces have the same radius of curvature, the lens is equiconvex. A lens with two concave surfaces is biconcave (or just concave). If one of the surfaces is flat, the lens is plano-convex or plano-concave depending on the curvature of the other surface. A lens with one convex and one concave side is convex-concave or meniscus. It is this type of lens that is most commonly used in corrective lenses.
If the lens is biconvex or plano-convex, a collimated beam of light passing through the lens will be converged (or focused) to a spot behind the lens. In this case, the lens is called a positive or converging lens. The distance from the lens to the spot is the focal length of the lens, which is commonly abbreviated f in diagrams and equations.
If the lens is biconcave or plano-concave, a collimated beam of light passing through the lens is diverged (spread); the lens is thus called a negative or diverging lens. The beam after passing through the lens appears to be emanating from a particular point on the axis in front of the lens; the distance from this point to the lens is also known as the focal length, although it is negative with respect to the focal length of a converging lens.
Convex-concave (meniscus) lenses can be either positive or negative, depending on the relative curvatures of the two surfaces. A negative meniscus lens has a steeper concave surface and will be thinner at the centre than at the periphery. Conversely, a positive meniscus lens has a steeper convex surface and will be thicker at the centre than at the periphery. An ideal thin lens with two surfaces of equal curvature would have zero optical power, meaning that it would neither converge nor diverge light. All real lenses have nonzero thickness, however, which causes a real lens with identical curved surfaces to be slightly positive. To obtain exactly zero optical power, a meniscus lens must have slightly unequal curvatures to account for the effect of the lens' thickness.
The focal length of a lens in air can be calculated from the lensmaker's equation:
- is the focal length of the lens,
- is the refractive index of the lens material,
- is the radius of curvature (with sign, see below) of the lens surface closest to the light source,
- is the radius of curvature of the lens surface farthest from the light source, and
- is the thickness of the lens (the distance along the lens axis between the two surface vertices).
The focal length f is positive for converging lenses, and negative for diverging lenses. The reciprocal of the focal length, 1/f, is the optical power of the lens. If the focal length is in metres, this gives the optical power in dioptres (inverse metres).
Lenses have the same focal length when light travels from the back to the front as when light goes from the front to the back. Other properties of the lens, such as the aberrations are not the same in both directions.
Sign convention for radii of curvature R1 and R2
The signs of the lens' radii of curvature indicate whether the corresponding surfaces are convex or concave. The sign convention used to represent this varies, but in this article a positive R indicates a surface's center of curvature is further along in the direction of the ray travel (right, in the accompanying diagrams), while negative R means that rays reaching the surface have already passed the center of curvature. Consequently, for external lens surfaces as diagrammed above, R1 > 0 and R2 < 0 indicate convex surfaces (used to converge light in a positive lens), while R1 < 0 and R2 > 0 indicate concave surfaces. The reciprocal of the radius of curvature is called the curvature. A flat surface has zero curvature, and its radius of curvature is infinity.
Thin lens approximation
If d is small compared to R1 and R2, then the thin lens approximation can be made. For a lens in air, f is then given by
As mentioned above, a positive or converging lens in air will focus a collimated beam travelling along the lens axis to a spot (known as the focal point) at a distance f from the lens. Conversely, a point source of light placed at the focal point will be converted into a collimated beam by the lens. These two cases are examples of image formation in lenses. In the former case, an object at an infinite distance (as represented by a collimated beam of waves) is focused to an image at the focal point of the lens. In the latter, an object at the focal length distance from the lens is imaged at infinity. The plane perpendicular to the lens axis situated at a distance f from the lens is called the focal plane.
If the distances from the object to the lens and from the lens to the image are S1 and S2 respectively, for a lens of negligible thickness, in air, the distances are related by the thin lens formula:
This can also be put into the "Newtonian" form:
where and .
Therefore if an object is placed at a distance S1 > f from a positive lens of focal length f, we will find an image distance S2 according to this formula. If a screen is placed at a distance S2 on the opposite side of the lens, an image will be formed on it. This sort of image, which can be projected onto a screen or image sensor, is known as a real image.
This is the principle of the camera, and of the human eye. The focusing adjustment of a camera adjusts S2, as using an image distance different from that required by this formula produces a defocused (fuzzy) image for an object at a distance of S1 from the camera. Put another way, modifying S2 causes objects at a different S1 to come into perfect focus.
In some cases S2 is negative, indicating that the image is formed on the opposite side of the lens from where those rays are being considered. Since the diverging light rays emanating from the lens never come into focus, and those rays are not physically present at the point where they appear to form an image, this is called a virtual image. Unlike real images, a virtual image cannot be projected on a screen, but appears to an observer looking through the lens as if it were a real object at the location of that virtual image. Likewise, it appears to a subsequent lens as if it were an object at that location, so that second lens could again focus that light into a real image, S1 then being measured from the virtual image location behind the first lens to the second lens. This is exactly what the eye does when looking through a magnifying glass. The magnifying glass creates a (magnified) virtual image behind the magnifying glass, but those rays are then re-imaged by the lens of the eye to create a real image on the retina.
Using a positive lens of focal length f, a virtual image will result when S1 < f, the lens thus being used a magnifying glass (rather than if S1 >> f as for a camera). Using a negative lens (f < 0) with a real object (S1 > 0) can only produce a virtual image (S2 < 0), according to the above formula. It is also possible for the object distance S1 to be negative, in which case the lens sees a so-called virtual object. This happens when the lens is inserted into a converging beam (being focused by a previous lens) before the location of its real image. In that case even a negative lens can project a real image, as is done by a Barlow lens.
For a thin lens, the distances S1 and S2 are measured from the object and image to the position of the lens, as described above. When the thickness of the lens is not much smaller than S1 and S2 or there are multiple lens elements (a compound lens), one must instead measure from the object and image to the principal planes of the lens. If distances S1 or S2 pass through a medium other than air or vacuum a more complicated analysis is required.
The linear magnification of an imaging system using a single lens is given by
where M is the magnification factor defined as the ratio of the size of an image compared to the size of the object. The sign convention here dictates that if M is negative, as it is for real images, the image is upside-down with respect to the object. For virtual images M is positive, so the image is upright.
Linear magnification M is not always the most useful measure of magnifying power. For instance, when characterizing a visual telescope or binoculars which produce only a virtual image, one would be more concerned with the angular magnification which expresses how much larger a distant object appears through the telescope compared to the naked eye. In the case of a camera one would quote the plate scale, which compares the apparent (angular) size of a distant object to the size of the real image produced at the focus. The plate scale is the reciprocal of the focal length of the camera lens; lenses are categorized as long-focus lenses or wide-angle lenses according to their focal lengths.
Using an inappropriate measurement of magnification can be formally correct but yield a meaningless number. For instance, using a magnifying glass of 5 cm focal length, held 20 cm from the eye and 5 cm from the object, produces a virtual image at infinity of infinite linear size: M = ∞. But the angular magnification is 5, meaning that the object appears 5 times larger to the eye than without the lens. When taking a picture of the moon using a camera with a 50 mm lens, one is not concerned with the linear magnification M ≈ −50 mm / 380000 km = −1.3×10−10. Rather, the plate scale of the camera is about 1°/mm, from which one can conclude that the 0.5 mm image on the film corresponds to an angular size of the moon seen from earth of about 0.5°.
In the extreme case where an object is an infinite distance away, S1 = ∞, S2 = f and M = −f/∞= 0, indicating that the object would be imaged to a single point in the focal plane. In fact, the diameter of the projected spot is not actually zero, since diffraction places a lower limit on the size of the point spread function. This is called the diffraction limit.
Lenses do not form perfect images, and there is always some degree of distortion or aberration introduced by the lens which causes the image to be an imperfect replica of the object. Careful design of the lens system for a particular application ensures that the aberration is minimized. There are several different types of aberration which can affect image quality.
Spherical aberration occurs because spherical surfaces are not the ideal shape with which to make a lens, but they are by far the simplest shape to which glass can be ground and polished and so are often used. Spherical aberration causes beams parallel to, but distant from, the lens axis to be focused in a slightly different place than beams close to the axis. This manifests itself as a blurring of the image. Lenses in which closer-to-ideal, non-spherical surfaces are used are called aspheric lenses. These were formerly complex to make and often extremely expensive, but advances in technology have greatly reduced the manufacturing cost for such lenses. Spherical aberration can be minimised by careful choice of the curvature of the surfaces for a particular application: for instance, a plano-convex lens which is used to focus a collimated beam produces a sharper focal spot when used with the convex side towards the beam source.
Another type of aberration is coma, which derives its name from the comet-like appearance of the aberrated image. Coma occurs when an object off the optical axis of the lens is imaged, where rays pass through the lens at an angle to the axis θ. Rays which pass through the centre of the lens of focal length f are focused at a point with distance f tan θ from the axis. Rays passing through the outer margins of the lens are focused at different points, either further from the axis (positive coma) or closer to the axis (negative coma). In general, a bundle of parallel rays passing through the lens at a fixed distance from the centre of the lens are focused to a ring-shaped image in the focal plane, known as a comatic circle. The sum of all these circles results in a V-shaped or comet-like flare. As with spherical aberration, coma can be minimised (and in some cases eliminated) by choosing the curvature of the two lens surfaces to match the application. Lenses in which both spherical aberration and coma are minimised are called bestform lenses.
Chromatic aberration is caused by the dispersion of the lens material—the variation of its refractive index, n, with the wavelength of light. Since, from the formulae above, f is dependent upon n, it follows that different wavelengths of light will be focused to different positions. Chromatic aberration of a lens is seen as fringes of colour around the image. It can be minimised by using an achromatic doublet (or achromat) in which two materials with differing dispersion are bonded together to form a single lens. This reduces the amount of chromatic aberration over a certain range of wavelengths, though it does not produce perfect correction. The use of achromats was an important step in the development of the optical microscope. An apochromat is a lens or lens system which has even better correction of chromatic aberration, combined with improved correction of spherical aberration. Apochromats are much more expensive than achromats.
Different lens materials may also be used to minimise chromatic aberration, such as specialised coatings or lenses made from the crystal fluorite. This naturally occurring substance has the highest known Abbe number, indicating that the material has low dispersion.
Other types of aberration
Even if a lens is designed to minimize or eliminate the aberrations described above, the image quality is still limited by the diffraction of light passing through the lens' finite aperture. A diffraction-limited lens is one in which aberrations have been reduced to the point where the image quality is primarily limited by diffraction under the design conditions.
Simple lenses are subject to the optical aberrations discussed above. In many cases these aberrations can be compensated for to a great extent by using a combination of simple lenses with complementary aberrations. A compound lens is a collection of simple lenses of different shapes and made of materials of different refractive indices, arranged one after the other with a common axis.
The simplest case is where lenses are placed in contact: if the lenses of focal lengths f1 and f2 are "thin", the combined focal length f of the lenses is given by
Since 1/f is the power of a lens, it can be seen that the powers of thin lenses in contact are additive.
If two thin lenses are separated in air by some distance d, the focal length for the combined system is given by
The distance from the front focal point of the combined lenses to the first lens is called the front focal length (FFL):
Similarly, the distance from the second lens to the rear focal point of the combined system is the back focal length (BFL):
As d tends to zero, the focal lengths tend to the value of f given for thin lenses in contact.
If the separation distance is equal to the sum of the focal lengths (d = f1+f2), the FFL and BFL are infinite. This corresponds to a pair of lenses that transform a parallel (collimated) beam into another collimated beam. This type of system is called an afocal system, since it produces no net convergence or divergence of the beam. Two lenses at this separation form the simplest type of optical telescope. Although the system does not alter the divergence of a collimated beam, it does alter the width of the beam. The magnification of such a telescope is given by
which is the ratio of the output beam width to the input beam width. Note the sign convention: a telescope with two convex lenses (f1 > 0, f2 > 0) produces a negative magnification, indicating an inverted image. A convex plus a concave lens (f1 > 0 > f2) produces a positive magnification and the image is upright.
A Fresnel lens has its optical surface broken up into narrow rings, allowing the lens to be much thinner and lighter than conventional lenses. Durable Fresnel lenses can be molded from plastic and are inexpensive.
A gradient index lens has flat optical surfaces, but has a radial or axial variation in index of refraction that causes light passing through the lens to be focused.
Superlenses are made from negative index metamaterials and claim to produce images at spatial resolutions exceeding the diffraction limit. The first superlenses were made in 2004 using such a metamaterial for microwaves. Improved versions have been made by other researchers.As of 2014[update] the superlens has not yet been demonstrated at visible or near-infrared wavelengths.
A single convex lens mounted in a frame with a handle or stand is a magnifying glass.
Lenses are used as prosthetics for the correction of visual impairments such as myopia, hyperopia, presbyopia, and astigmatism. (See corrective lens, contact lens, eyeglasses.) Most lenses used for other purposes have strict axial symmetry; eyeglass lenses are only approximately symmetric. They are usually shaped to fit in a roughly oval, not circular, frame; the optical centres are placed over the eyeballs; their curvature may not be axially symmetric to correct for astigmatism. Sunglasses' lenses are designed to attenuate light; sunglass lenses that also correct visual impairments can be custom made.
Other uses are in imaging systems such as monoculars, binoculars, telescopes, microscopes, cameras and projectors. Some of these instruments produce a virtual image when applied to the human eye; others produce a real image which can be captured on photographic film or an optical sensor, or can be viewed on a screen. In these devices lenses are sometimes paired up with curved mirrors to make a catadioptric system where the lens's spherical aberration corrects the opposite aberration in the mirror (such as Schmidt and meniscus correctors).
Convex lenses produce an image of an object at infinity at their focus; if the sun is imaged, much of the visible and infrared light incident on the lens is concentrated into the small image. A large lens will create enough intensity to burn a flammable object at the focal point. Since ignition can be achieved even with a poorly made lens, lenses have been used as burning-glasses for at least 2400 years. A modern application is the use of relatively large lenses to concentrate solar energy on relatively small photovoltaic cells, harvesting more energy without the need to use larger and more expensive cells.
- Anti-fogging treatment of optical surfaces
- Back focal plane
- Cardinal point (optics)
- Caustic (optics)
- Gravitational lens
- Lens (anatomy)
- List of lens designs
- Numerical aperture
- Optical coatings
- Optical lens design
- Photochromic lens
- Prism (optics)
- Ray tracing
- Ray transfer matrix analysis
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- History of Optics (audio mp3) by Simon Schaffer, Professor in History and Philosophy of Science at the University of Cambridge, Jim Bennett, Director of the Museum of the History of Science at the University of Oxford and Emily Winterburn, Curator of Astronomy at the National Maritime Museum (recorded by the BBC).
- a chapter from an online textbook on refraction and lenses
- Thin Spherical Lenses on Project PHYSNET.
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- Article on Ancient Egyptian lenses
- picture of the Ninive rock crystal lens
- Do Sensors “Outresolve” Lenses?; on lens and sensor resolution interaction.
- Fundamental optics
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