Life and career
Kreutzer was born to a family of German Jewish parents. He was a highly influential piano teacher at the Berlin Academy of Music (Berliner Hochschule für Musik), together with Egon Petri. Amongst Kreutzer's students were Władysław Szpilman, Hans-Erich Riebensahm, Vladimir Horbowski, Karl-Ulrich Schnabel, Franz Osborn, Ignace Strasfogel and Grete Sultan. Leonid Kreutzer also gave musically and technically demanding solo recitals, mostly dedicated to specific composers or themes. At some of these, notably in June 1925, he performed works of contemporaries or modern, avant-garde composers of his time or of the recent past such as César Franck, Claude Debussy, Paul Hindemith, and Paul Juon.
The Nazi targeted him prominently as a cultural enemy: Together with Frieda Loebenstein he is the one of two pianists whose name appears in a list of "tidy-up tasks" ("Aufräumungsarbeiten") compiled by Rosenberg's "Kampfbund für deutsche Kultur" (Battle-Union for German Culture). He emigrated in 1933 to Tokyo, Japan. He is also known as editor of Chopin's works at the Ullstein-Verlag. He wrote one of the first works on systematic use of the piano pedal ("Das normale Klavierpedal vom akustischen und ästhetischen Standpunkt", 1915).
There are pianos which are built under his name in Japan.
- Wolfgang Rathert and Dietmar Schenk (eds.). Pianisten in Berlin: Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert. Hochschule der Künste Berlin Archiv, vol. 3. Berlin, 1999.
- Bredow, Moritz von. 2012. "Rebellische Pianistin. Das Leben der Grete Sultan zwischen Berlin und New York." (Biography). Schott Music, Mainz, Germany. ISBN 978-3-7957-0800-9 (Contains previously unpublished image of Leonid Kreutzer and important references to his work as Professor of Piano in Berlin).